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Atelier S P A C E || Singapore

10 November @ 7:00 pm - 12 November @ 9:00 pm SGT

SGD160 - SGD180
Click for programme

PHYSICIST and Nobel Prizewinner Richard Feynman said, ‘I think it’s much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of certainty about different things, but I’m not absolutely sure of anything and there are many things I don’t know anything about, such as whether it means anything to ask why we’re here.’

Design Kompany is hosting Atelier S P A C E to make a space for you to explore the pactice of ‘not knowing.’ It’s a unique conversation-cum-experiential learning workshop built from the organizers’ 20 years’ combined experience in design, writing, editing, and digital publishing.

‘We feel that in today’s hyperconnected world, people are having a hard time really listening to one another,’ says DK’s A. Spaice.

‘Eye contact gets lost. But eye contact and noticing one another, and hearing real laughter, and observing without the need to talk too much the beauty in the silent spaces between us, is important. This is where so much richness in communication is transferred. It’s a big part of our ‘why,’ this quest to making a particular quality of interactive space.’

Read the full programme here.

Very limited seats. Advance bookings only. 7-day refund policy.

Tickets from SGD 180.

Book here.

Details

Start:
10 November @ 7:00 pm
End:
12 November @ 9:00 pm
Cost:
SGD160 - SGD180
Event Categories:
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Event Tags:
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Website:
http://atelier-space-singapore.eventbrite.com

Venue

National Gallery Singapore
Singapore

Organizer

Design Kompany

What’s an ‘atelier?’

Design Kompany is hosting popup zinemaking ateliers. Before fancy academic schools for art and design came along, there were ateliers. An atelier is ‘a workshop or studio used by an artist or designer.’ These are places where you can meet new and different *others* to connection remarkable ways.

ATELIERS, APPRENTICESHIPS & ARTMAKING. Encouraging hands-on learning by doing, the hosts attended to the inner strengths of each participant. Apprentices came. Artworks were made and sold. We imagine artmaking was less commodity-focused (watch the film Posthumous, for a great comment on this) and more about the experience. And for those seeking training, it wasn’t about, one might guess, the expensive tuition fees that come with ho-hum professors (jaded people who’ve forgotten the meaning of their occupation—here I recommend Art School Confidential). Perhaps it was about the magic, if I let myself be uncool and optimistic, of Art. What it can do. How it connects us, across time, and distance. Let’s *make* something. Let’s play?

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