Atelier S P A C E || Kuala Lumpur
17 January, 2018 @ 11:00 am - 31 January, 2018 @ 9:00 pm MYTRM1150
MAKE A ZINE with just a handful of others, in this international atelier series, Atelier S P A C E.
ATELIERS. These pop up from real life when we converse offline with new and different others. It brings storyfinding back to person to person contact, while ‘journalism’ becomes increasingly less human-centered. Who will we tell our real selves to? Each other, in real life, offline, away from package-making for others and towards more listening for common threads and similar experiences. In so doing, we feel more connected, DK have found, and inspired to improve, too.
Starting in Battambang in Cambodia in Sept. 2017, we are moving in Asia to discover people who are curious, creative, and ready for something new. Our cocreated Battambang issue was on the topic, Ennui. In Singapore (10-12 Nov) our zine was on the theme The Third Place. In Penang (6-11 Dec) we took a different focus, Growth. Each theme is based on what conversations emerged when we meet new people in real life in those places, and simply take time to talk. Then we work to make a zine that is cohesive, and is hyperlocal to the place and the contemporary narratives. What will happen, whom we’ll meet, who will join, and what zine we will then together produce is an open question. Let’s consider the possibilities. Let’s make a space.
Meet us there?
Order tickets for Atelier S P A C E || Kuala Lumpur here: https://atelier-space-kualalumpur.eventbrite.com
Questions? Contact us through the form at this page.
What’s an ‘atelier?’
Design Kompany is hosting popup zinemaking ateliers. Before fancy academic schools for art and design came along, there were ateliers. An atelier is ‘a workshop or studio used by an artist or designer.’ These are places where you can meet new and different *others* to connection remarkable ways.
ATELIERS, APPRENTICESHIPS & ARTMAKING. Encouraging hands-on learning by doing, the hosts attended to the inner strengths of each participant. Apprentices came. Artworks were made and sold. We imagine artmaking was less commodity-focused (watch the film Posthumous, for a great comment on this) and more about the experience. And for those seeking training, it wasn’t about, one might guess, the expensive tuition fees that come with ho-hum professors (jaded people who’ve forgotten the meaning of their occupation—here I recommend Art School Confidential). Perhaps it was about the magic, if I let myself be uncool and optimistic, of Art. What it can do. How it connects us, across time, and distance. Let’s *make* something. Let’s play?