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13 November, 2017 @ 10:00 am - 4:00 pm

SGD400 - SGD500

LEARN DESIGN KOMPANY’s top 4 tools to uncover the answer to a very important question:

What will be your legacy?

SUMMARY. Here’s what it is. Get four top tools from our toolkit, which DK’s creative directors developed in-house over more than 10 years while working with different kinds of people and engaging with their unique learning styles. Here is what you will get. A workbook from DK with our best-of collection of 4 modules, which each give you the spreadsheets, tools, and instructions we will work through together. You’ll be able to apply what you learn right away to manage and direct your career, make better-informed decisions, and look forward to the next steps with confidence. This is our agenda:

Module 1.Self (as seen in Bangkok)
Module 2. Choices (as seen in Siem Reap)
Module 3. Flow (as seen in Malmoe)

This will be in English. It is aimed at mid-career professionals. It’s for people who are interested in doing work they really care about, work that matters, work that will leave a true legacy. ‘We’ve been working with people in Europe, N. America and Asia for 12 years, and we are ready to share the highlights of what we know works,’ says DK’s creative director, Dipika Kohli (TEDx ‘There’s Not That Much Time Left’). ‘This is a unique workshop where you can explore with others also interested in taking time to look at what work is personally important to each of us, and why.’ You’ll walk away with a 5-word ‘self-concept,’ and a professionally-worded summary statement. Useful for resumes, especially when looking to work abroad.

Register here.


13 November, 2017
10:00 am - 4:00 pm
SGD400 - SGD500
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*Secret location*


Design Kompany

What’s an ‘atelier?’

An atelier is a workshop or studio used by an artist or designer. Design Kompany’s ateliers are hosted by Akira Morita and Dipika Kohli.

ATELIERS, APPRENTICESHIPS & ARTMAKING. Design Kompany is hosting popup zinemaking ateliers. Before fancy academic schools for art and design came along, there were ateliers. Encouraging hands-on learning by doing. Apprentices came. Artworks were made and sold. DK imagine artmaking was less commodity-focused* and more about the experience. And for those seeking training, it wasn’t about, one might guess, the expensive tuition fees that come with ho-hum professors (jaded people who’ve forgotten the meaning of their occupation—here I recommend Art School Confidential). Perhaps it was about the magic, if I let myself be uncool and optimistic, of Art. What it can do. How it connects us, across time, and distance. Let’s *make* something. Let’s play? View gallery >

*Watch the film Posthumous, for a great comment on this.