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The Art of Not Knowing || Atelier S P A C E pre-event

7 November @ 6:00 pm - 8:00 pm SGT

SGD75

A conversation salon for just a handful of people at ‘the blue hour.’ Read more about it at the event page, here.

THE BLUE HOUR is the time after the sun goes below the horizon and the sky goes into deep blue for a while. That’s the magic hour: it’s a photographer’s dream. Join Design Kompany and photographers for a low-key conversation salon. It’ll be held at an intimate venue with no more than 8 people. This is a pre-event for the 10-12 November Atelier S P A C E || Singapore, so we’ll play one of that programme’s light conversation salon style Surrealist parlor games, which is called ‘Art of Not Knowing.’ (Plus, get a sneak peek of our mini art installation, ‘The Prospect of Beauty.’)

Let’s talk about the magic moments in life, about uncertainty. Nostalgia, relationships, mementos. How we remember them, or choose to let them go. Meet us at the blue hour at a *secret meetpoint* at the National Gallery. An agenda outlining what you can expect and specifically where we’ll be convening will be shared by email through Eventbrite with registered guests *only.*

Advance tickets only.

Very limited seats (Max 8).

Questions?

Contact A. Spaice on insta or through the form at this page.

Venue

*Secret location*

Organizer

Design Kompany

What’s an ‘atelier?’

Design Kompany is hosting popup zinemaking ateliers. Before fancy academic schools for art and design came along, there were ateliers. An atelier is ‘a workshop or studio used by an artist or designer.’ These are places where you can meet new and different *others* to connection remarkable ways.

ATELIERS, APPRENTICESHIPS & ARTMAKING. Encouraging hands-on learning by doing, the hosts attended to the inner strengths of each participant. Apprentices came. Artworks were made and sold. We imagine artmaking was less commodity-focused (watch the film Posthumous, for a great comment on this) and more about the experience. And for those seeking training, it wasn’t about, one might guess, the expensive tuition fees that come with ho-hum professors (jaded people who’ve forgotten the meaning of their occupation—here I recommend Art School Confidential). Perhaps it was about the magic, if I let myself be uncool and optimistic, of Art. What it can do. How it connects us, across time, and distance. Let’s *make* something. Let’s play?

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