NEXT MONTH, we’re going to host an online conversation called ‘Slow Moment.’
It’s designed for writers, photographers and people who practice slowing in all its many, many forms. In this post, I’m going to tell you a little bit about how the online projects here at DK work, and also, why we’re doing the 12-week sequence on the theme, ‘Slow Moment.’ I’ll start with the latter.
The idea started when we hosted ‘The Mirror‘, in which one prompt was ‘Slow Moment,’ and the responses that came were so fantastic that it led me to dedicate an entire 12-week block to just this subject. We talked about family, the woods, walking. Hikes, oceans, and being on our own. We talked about wanting to go places, going there, and what happened when we did. Relationships. Journeys. Endings, and new starts.
OPEN SPACE. Popouts. Allowing people to spend more time talking together about the topics they are most interested in. That’s how Open Space works, and that’s how we’ve been conducting our four-years-and-counting online project, S P A C E. It’s a salon. It’s a workshop. It’s a community. (And it’s just celebrated its fourth birthday.)
For me, moving towards the focusing in 2018 on the conversations that have developed and progressed is a really cool, fun step. Maybe we’ll create an anthology, perhaps a photozine, to share sometime in the fall, based on where we take things now. You never know how things can flow, they can meander, they can fizzle, they can blossom, they can die. It’s not a big deal, really, what happens. It makes room for new things to grow. New input. Original thinking. Freshness, space… that sets the stage for innovation.
Now. Next. All set for the 2 July start of ‘Slow Moment.’
Designing more and better S P A C E
HERE’S THE THING. I could have continued doing design for the next hundred years, when the work was happening and I was getting into it, and clients were referring DK, and so on. But what did I do? Move to the other side of the country, start over. That’s how it changed into more of consulting work; but also, salons. Started doing weirder and funner things, like ‘Aether: Is the Medium Still the Message?’, a series in which we invited guests to talk with us about the old ideas and the new ones when it comes to making media. Took that from Durham NC up to Washington DC, then New York’s Bryant Park, then Boston. Came back and made even more, even weirder installations. (Like ‘I Went 2 the City (And There Was Nothing There’, and more. I can talk about them for pages and pages, but that’s not the purpose, here.)
I want to invite you to join us in S P A C E, if you are getting a link to this page from me personally, especially. When it comes to making this invitation, what I care about is the spacemaking. I show up. I have the thing designed. If people enter the box of S P A C E to play, and they do, they really do, sometimes, then I’m happy to host. That’s how it’s been and that’s what’s going to happen now. I’ve just received the first application for the 2 July start of ‘Slow Moment.’
IT’S A PLEASURE as always to read these applications. It feels like getting letters in the mailbox. It’s personal, it’s warm-hearted, it’s sharing. People write a lot of beautiful things. I can’t tell you what they are, because of confidentiality, but the whole thing makes me feel very humble. If writing for the sake of writing were all there was, we would keep our manuscripts in drawers and never show them to anyone. Of course, that happens, and it’s cool, if that’s your thing to just write and be a writer or photograph and be a photographer, and never share, then cool. That’s you. But it’s not me.
Sharing is a part of the experience, to me, of making art. And being ‘in’ on the process of how a thing is made is something, I’m just realizing as I write this, and as I make zines with people here in Finland, is a huge piece of my own approach to art. If you can’t see how it’s been made, what is the fun of seeing it in its final form? Especially now that we have this two-way medium of communicating (web!), why not enjoy the process of developing our works, as we are making them, with others to write with, share with, post pictures to, engage with. But I’m not talking about 1:N. I’m talking about very small circles. Like, four people in each. I’m inspired by my way back in the day fifth grade class, and the style we used to have there, in small groups. Four of us would have desks facing each other, and we had these little ‘pods.’ I’ve since learned about the ‘jigsaw‘ method of teaching, and realize what an impact it had on my own way of learning, approaching things, and asking peers for their ideas on what I want to know more about.
That’s probably why I’ve reached out, in recent months, to more than a dozen of my favorite photographers. People whose work I’ve seen in real life, or really admired and reached out to and subsequently met up with just to talk art-shop. People who are doing really cool things. Whom I wanted to ask, ‘What do you think about really seeing, really noticing, really going into the quiet spaces and enjoying them, and then, somehow, photographing or capturing them through written words? It’s a big question, for sure. But… what do you think?’
Some of their answers are already prepared for you, in the upcoming workshop… ahead.
But to give you a sneak peek, here’s some of what I learned.
SLOW MOMENTS let us remember what our story is. To ourselves, about ourselves, but also, who we are in relation to others. (And in an existential way, to the cosmos). In many ways, I think for many of us taking part in DK’s online salon-workshops, we’re just talking together in these online circles because it gives us a place to share.
I’ve been making S P A C E salons in real life for a while now, and the goal is to create a cozy space where people who don’t know one another can simply be together, and talk if they want, or not-talk if they feel inclined that way, and simply be who they want to be, which I hope, in S P A C E, is who they really are. So many other facades are out. So many guards are up. In the real world, I mean, and in the social media world, too. But who are we really? When I connect with people in S P A C E, I feel I’m talking directly to them, their real selves, without all the layers. That’s a privilege and a responsibility. But I think, I do really think, that I’m getting kinda good at this. That’s why I’m not quitting the salon-hosting online, not yet. I’m going to keep hosting as long as I get amazing applications. And I do. So I will.
S P A C E is where we write, talk, and comment; it’s asynchronous, and it’s international. I encourage pen names, too. It’s not about google-ability or sounding smart, or anything weird like social media commenting status quo goes. I don’t understand how social media got so out of hand. I really miss those days when twitter wasn’t algorithm-y, nor did it have promoted ads, and we could just say ‘hi!’ to @anyone, and it was chronological, and not driven by… agendas… Of all varieties.
Slowing into the moment. Seeing it. In S P A C E. Read more about S P A C E projects.
BE A PART of this. We’re taking applications currently, and we’ll select just 8. See you on the other side. –DK