Hello from Finland

THANK YOU to those of you who have been connecting with me off-thread for these last few weeks; we’re really jazzed to share some of what all these various conversations have led up to. In short, new stuff! A collection of print zines: S P A C E || Finland. Just a handful–we like very limited editions, so there are no more than 5 of each of the short stories. The pieces are titled ‘Letting Go of Dead Things,’ ‘Michaela,’ ‘Hei Kesä’ (which is Finnish for ‘Hi, Summer’), and ‘Kesärakkausjuttu’ (‘Summer Love Story’).

People and place

I’D LIKE to acknowledge a few people with whom I spoke in depth and at length, over teas and coffees in cozy spaces in Oulu and Kärsämäki. A story isn’t a story if it isn’t based on real life sharing in such moments, right? That’s why I am feeling incredibly grateful. Many warm thanks for the great conversations to: Eveliina Karsikas, Asta Sinerva, Sirpa Heikura, Simo-Sakari Niemelä, Fırat Taşdemir, Johan Engström, Maria Raasakka, Sanna Upola, Rastislav Somora, Seo Jin Ahn, Ana-Maria Ovadiuc, Charles Tirkey, Saarah Choudhury, Benjamin Nwaneampeh, Joanna Ohenoja, Paavo Heinonen, Reijo Valta, Eero Österberg, and Merja Vedenjuoksu. (Additional thanks to Merja, too, for the gift. A knife to cut magazines. Well, wow. It’s fabulous.) None of the stories in the pages of S P A C E || Finland would have been possible to make without you all. I’m a little bit of a nerd about relational aesthetics, so of course it’s a lot of fun for me to share about our conversations here, in a paragraph in which all of your names (and with them, my associated memories of our shared time together) are included. It’s the parts that make the whole. And a composition is only what it is because the parts are each unique. At least, that’s my take.

I had promised myself a year ago that I would go on the road in search of new people in new places, and interconnect real, contemporary, hyperlocal stories through a set of international zines. Creative nonfiction, and stuff. This is the beginning of starting to really see the fruit of all this intent. A character from ‘Briefly in Sheffield’ comes to Helsinki in ‘Kesärakkausjuttu’, for example. Everything’s based on real life conversations, real places I’ve been personally to ask a lot of questions. People interest me. A lot. And people you don’t often get to hear about, when you are reading the news. I was a reporter for a while… two years at a weekly, two at a daily. Then something changed. I felt like writing first-person stories, or at least, stories I felt like were about us just hanging out, asking our big philosophical existential questions, in some instances, or just telling damn good jokes. The absurd and the esoteric are flip sides of the same coin, are they not? Let’s see. How did we get here? Er… from journalism to design to… uhm. S P A C E. Chance, serendipity, veering towards what’s interesting. The thinking goes like this: Well, let’s just do that. Let’s just go there. If it sounds weird, good. If it wasn’t weird, it wouldn’t be DK. More like this is ahead.

Comments are open, for the moment. Say hei?

Snail mail

NOW, on to the ‘how to order’ bit. Want some zines? Limited edition and one-of-a-kind. Order today or tomorrow and I’ll put them in the post to you before getting the bus to Helsinki. Yay! Snail mail from Finland. And soon. Order here.

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