NEW. Zines. Creative nonfiction pieces. Are now for sale here at Design Kompany’s site, exclusively. These were created at Atelier S P A C E, a popup, roving, zinemaking atelier that seeks to interconnect people in hyperlocal narratives. We write them, on the spot. With the people who take part. It’s pretty fun, light, conversational, and really all about seeing what emerges when we frame a space to ‘get lost, together.’ Improvisation, poetry, philosophy, breaking out of boxes: and yet, doing all this, within the confines of a specific time-bound and space-bound frame: that’s it. That’s the whole thing. That’s Atelier S P A C E. See the journey so far in pics at our instagram, or follow the posts here.
Currently available for immediate download and pre-order:
The collection, shown below, is set to be completed by December, 2018. The entire work will interweave narratives of people, place, and story. The first story is set in 1996, in Kyoto. The last store is set in 2018, in Phnom Penh.Each zine will be released to members of our S P A C E community. Join here.
S P A C E || Zines
Research. Reporting. Creative nonfiction. Digital publishing. Limited edition photocopied zine-making. Popup atelier hosting. Welcome to the S P A C E collection made at Atelier S P A C E. Started in Sept. 2017, and is moving to new places to discover people there, get us all talking together, and publish the stories of here, and now, in new editions of the zine, S P A C E.
‘The world is a beautiful book, but of little use to those who cannot read it.’
Looking for the kinds of places where you can go in the world and just hang out, write, or work, from the comfort of your desk-that-goes-where-you-do?
DESIGN KOMPANY is offering a short course that’s completely online from [update] 7 October called ‘The Cojournal Project: A Nomadic Existence.’ In this, we will be communicating once a week with you about the kinds of topics that are popping up as people who are moving away from traditional 9-5 lifestyles and finding themselves in cafes all over Southeast Asia, where we are, are starting to talk about the way of life that, for a lot of us, is weird and curious but also… freeing.
This programme is hosted by DK’s own Dipika Kohli, who was a staff editor at daily in Seattle and a bi-weekly in southwest Ireland (2002-2005) before turning to interactive magazines and spacemaking for conversations that get us out of boxes. In 2014, she won a Ted Howard Scripps fellowship for environmental journalism, flying to Colorado to get to know more about the field of writing for the sake of not just infotainment but actually depth and substance. She got talking with fellow editors around the United States then, and afterwards through continued correspondence, about how to make better space for conversations that actually move. That, for example, develop, progress, and teach us something interesting.
WRITING TO LEARN SOMETHING. Instead of talking about writing for the sake of publishing, what if we talked about writing for the sake of getting to know what we were even thinking. Like, writing towards a kind of clarity on who it is you really are, and what it is you really care about. A lot of people seem to go traveling to ‘get lost and find center,’ at least, that’s what I noticed from half o the people I’ve met on my travels in the 1990s (Ireland, India, Japan, USA), and more recently, in Southeast Asia (Malaysia, Cambodia, Thailand, Viet Nam, Nepal). Getting out of your space and seeing what else is in the world is a way of finding out a) what you want, and b) what you don’t want. But often we don’t have a chance to process what we are discovering because we are talking to the people we already know, instead of the people who are also on the same kinds of journeys.
A nomadic existence is a choice; it’s not for everyone, but it works for some of us. Knowing why and how, and being able to pinpoint those things for each of us, is a matter of simply delving into the questions and letting the answers come as they might. You know, you don’t have to have it all figured out at the start. You don’t even have to have it figured out in the middle, or at the end; the point is to know that you are searching and seeking with an intention that involves really caring about the journey. You have to care if you want it to become anything interesting.
What work you do, where you choose to ‘settle,’ if you choose to settle at all, whom you decide to partner with, if that’s something you want to do, and all the big questions of our lives that are related to these things that those of us finding ourselves in certain positions of privilege and capacity to move around the world and talk to people on the internet and somehow make some cash through that work is, well, a kind of curious set of things. If you are interested in writing towards some sense of self-awareness, and doing that with a small circle of others who are also ‘on’ for this kind of a challenge, consider applying for the Cojournal Project 2018.
We started this out in 2014, quietly, and it led to a short eBook anthology, The Mirror. In January of this year we opened The Mirror up as a separate workshop—100% online—that became a conversation space with forums, passwords and weekly prompts. I think that the interconnectivity of it is what made it truly great. Engaging with others who are very different from yourself: at least on the surface—is a way to start to get a perspective that is hard to find in everyday life.
‘Rereading Edward de Bono‘s book Teaching Your Children How To Think in recent days, I was reminded of the importance of sharing the variation of perspectives with young people,’ writes Dipika Kohli. ‘Of making it a priority to show them that there isomer than one way to look at a thing. That ‘rightness’ is a problem. That the argumentative stance that people like to take in Western societies, in which you get to feel good by putting someone else down, or by more eloquently arguing your way towards a position (even if it’s completely garbage, like showing through math that 2+2 = 5 (HT F), well, you see where I’m going wit this, right?)’
Make a space and find the muse
TAKE THE TIME to write with others. Journal your way towards clarity. Find the muse when you make the space. Not a lot, don’t worry. Each week’s prompt is designed to take just 20 minutes to complete. People say they like this because it holds them accountable to themselves, knowing that there will be a new prompt dropping into the inbox on Monday. Every week, 7AM USEST.
What’s different about this programme from the other online journaling projects we’ve seen online is that it happens in S P A C E, that is, it’s interactive. What you write influences what prompts follow.
This is not an algorithm or AI, this is a real person, Design Kompany’s creative director Dipika Kohli, for this project, will be customizing the next week’s prompts based on what you are writing in, as a small group. listening, sharing, empathizing: it’s all int here, but it takes showing up to get the best out of it. Take the 20 minutes of your week available to connect and to re-connect, first with yourself, then with others.
Design Kompany’s work is to make space for people to notice one another, and themselves. To pay attention. To notice the moment. That will dissolve before we know it. Ephemera, relational aesthetics, conversation space design… these are our beats. Ask us anything. Talk to us. Connect through the form at our ‘About’ page, and if this all sounds curious, try it out. We’re doing this for 12 weeks, [update] starting 7 October.
Application required. Open invitation. Apply here.
JOIN DK in KL this May for a short, popup zinemaking atelier. Atelier S P A C E is an international series in which people meet to work on an 8-page zine, together. Be a part of the international conversations unfolding in real life, online forums, and at these workshops. Make a space and join Atelier S P A C E for just RM 60 per session. Four sessions. Discover more here.
HERE IS A QUICK outline of what’s happening in April and May, in case you feel like applying to join DK in one of our new writing streams. Things have evolved since the 2014 cojournal, with the new suite of stories unfolding at Design Kompany’s active spaces just for conversations in forums to evolve, progress, and develop. Some of what’s new for just-beginning with DK is outlined below. We are especially interested in hearing new voices, so if you are new to DK this year, we are interested in hearing from you. Scholarships are available for anything for the right candidates.
Three new tracks for April & May workshops
SELF. SELF IS AN online workshop: this time, we’re focusing on the ideas of composition and sketching out the ‘who do I want to become’ question. This track is inspired by the work of Kandinsky. Another section, focusing instead on ‘how am I feeling now?’ questions, is inspired by Nin. Both are just underway so you can join us this week to be included in the new cohort for the 12-week programme. I’ll send you the orientation pack. The first prompt goes out Monday. SELF is USD $160. The artist’s way, the creative process, exploring the composition: that’s what we’ll be doing this time in both tracks. It’s for people who are in transition, who are curious about a new way of taking a good look at personal values and clarifying next steps. Built from a past career as brand designers, at Design Kompany, and working on, uh, a bunch of memoirs, hey! We are going to share more about that with anyone who decides to apply this week; learn more about SELF and how to apply at this page.
MIRROR SECTION Z is also happening, starting 23 April, by application. If you missed it in January, this is your chance to get ‘in’ on some of what people have been calling ‘astonishing,’ and ‘an opportunity.’. THE MIRROR Z is USD $160-200. Find out more here
COJOURNAL18. Next Cojournal is also coming into play, from 7 May. It’s 8 weeks or 12 weeks of writing to prompts designed to get us creatively engaged, and accountable, with and to one another. Limited seats. Application required. USD $120-$160. More here.
New ways of connecting, in S P A C E
Making the best use of the interactive form that is the blog, we are now:
Conversing with people in the S P A C E community through weekly prompts and new forums, which have passwords and stuff to keep things intimate.
Two dates. April 25, and May 25. Follow the instructions on this page to find out what is going on, the agenda, and meet point for this twice-off event in Kuala Lumpur. (Friends of Design Kompany will have a pretty good idea of it if you’ve heard us talk about ‘N’.)
IN A PAST ISSUE OF S P A C E I WROTE, ‘I STAYED UP far too late last night reading a short story about loneliness.’ I had no idea this topic would come to dominate a month of real life conversations on the road in Southeast Asia over the winter. But it did. Some part of me was totally depressed reading how the main character in the story was so lonely he paid someone to watch him on video stream on his laptop. But then, going around the gleaming city (of Singapore, at the time of the writing), each day, watching people with their own portable screens and streaming on the go, I got less sad. This is the reality we are in. We can’t talk to each other, face to face; that’s too weird. It has to be vetted, now, first.
ART. It continued with a bit of a stream of consciousness. Which went like this. ‘The shape of space of the evening was total alienation; bizarre and disjointed. It was, however, a theatrical rendition of the modern mindscape. We are bedazzled by spectacles, but we can’t see the presence of the thing that is the true miracle, which is this moment of a shared here and now.
What is there to do but to continue to make S P A C E, for real life, the framing of the magic of chance connections, and the ongoing awakening that can happen, if we let it, when people who notice the detail of now and the slowing of a full moment in which no other pictures or sounds or other people’s annotated commentaries on That Which They Deem Interesting can eclipse this here…
Who cares about what a friend, colleague, boss, or lover thinks or shares at a distance, far from me? I care about here. Now. If you walk into this stage, for even a second, there it will begin, the play.’
ART OF YOU. SELF 2018. I am just starting to invite applications for SELF, so that we can build the high functioning interactive community I am starting to understand that S P A C E wants to shape itself into becoming. Years in Seattle and Raleigh-Durham socializing with tech entrepreneurs, business developers, architects, and designers has biased DK towards that sort of group which finds a foothold in the intellectual dimension. But it is very important for us to invite other kinds of people to connect with this set, so we can all grow a little more, in new ways, together. That is why I am offering SELF again. All our programmes now necessarily will have this as a prerequisite… They will all now start with SELF.
2018. I realize I need to place SELF back on our shelf of offerings. The course SELF was commissioned by a San Francisco-based group that was working on leadership development for young entrepreneurs in Asia. Preference is for those who’ve not tried DK workshops, so kindly share this info, if it’s not for you, to someone who would resonate with the ideas outlined at this page: http://designkompany.com/apply ✨🔥
Why is it important? Ask me through the application form below, and I’ll share a PDFs, plus a quote from the book Leading, by a famous football coach, that might shed some insight on that all-important question. Yes? Say hi.
ON APRIL 1, a new collection, ‘Circumference,, will launch here at DK. It is a set of writing, imagery drawn and photographs made throughout 2017 in S P A C E. Our ‘Year of the Circle’ conversations in virtual and offline spaces led to dialogues that moved and shifted. In the end, we could see the gist of the thread: what makes for softness in our approaches to life, and work? Roundness, not squareness, that invites listening, seeing, empathy, and compassion. Which we need more of in this world, right? (Else we shall see more of the same: mansplaining, for example, and related irritations.) So DK examined those questions.
We read from Inward Revolution (J. Krishnamurthi), and Lady Chatterly’s Lover (D. H. Lawrence), the latter of which was originally titled ‘Tenderness.’ Marketing can so spoil a thing can it not? The original intention for the title, though, is… Important. When the author wrote this book, he had already figured out what we are just waking up to: toxic masculinity, the pursuit of power, the conflation of money for prestige, and the lack of care (and respect) towards women is a giant problem, for all of us. The inattentiveness to what tenderness can bring us, and I mean tenderness, for real, is as Holden Canfield would call it a big black eye. The sheer obliviousness is crippling society from feeling well. Belonging, wholesomeness. Morality, culture. So much sharing on this topic informed the writings born here. (The back and forth nature of ‘call and response’ is how DK design and host space. So the meander, softness, intrigue, discovery and comfort that come with a rolling circle, bumping into walls and falling into holes (HT Shel Silverstein), makes this collection whole.)
We studied Non-Violent Communication, Cognitive Behavior Therapy, and Authentically Relating for this work of researching and corresponding with those members of S P A C E who opted to participate. This is how we grew, together, towards a new understanding. This is a co-created work, edited by A. Spaice.The S P A C E || Vol. III 2017 ‘Circumference’ collection includes the zine-stories S P A C E || Battambang (‘Here comes the Dance‘), S P A C E || Singapore (‘Dunlop & Perak’), and S P A C E || Ipoh (‘Highlands‘). Plus essays, Q&A pieces, features, and photo collections from Phnom Penh, Ubud, Kuala Lumpur, Bangkok, and Penang.
We are sharing it for free with our members, on 1 April.
Update: April 12. Very warm thank-you to those who helped me think carefully about the writing for the letter to ask for funds for the Finland programme. I am going to circle back to you individually, so hang on there for a bit, and I will give you the personal report on what’s going to happen next. Meantime, check out the updates on this project at this page.
Be sure to add your name to the mailing list there to be more closely connected, in the months to come.
MAKING OUR WAY TO N. EUROPE in the coming weeks to host Atelier S P A C E around and about in Finland. This means starting the process of following up on all the general notes we had shared towards that part of the world in 2017. DK are seeking:
design studio partners
art book publishing partners
jazz club owners
self-initiating others to do _____
for a popup, traveling zinemaking atelier series, Atelier S P A C E.
CURIOUS? This page outlines how we are making proposals for partnering with people for an installation in Phnom Penh. Open to your suggestions on how to:
discover and engage with new people in creative, and other fields
so that we can design
occasions, experiences, ateliers and salons that
get us all out of our boxes and usual routines
to discover the world, to listen to each other, and to play
in truly remarkable ways
one conversation at a time.
Yes? Ask me for the PDF that outlines our offer, and the ethos and method of Atelier S P A C E, in detail. Use this form to reach me:
STARTING THIS WEEK, we are sharing the updates to the journey of Atelier S P A C E. through a new mailing list. I wanted to just acknowledge all the very many people I have met who have been a part of this, so far. Thank you, you know who you are.
It’s about us connecting in person, for a chat, a conversation, and a chance to write or photograph or draw. Together, on the spot. Part of the time I realize I was overthinking this. Overdesigning, too. It got out of hand, I fully admit that. What’s important to is to persist, and insist, as I do, that short form works are great for starting what is hard: starting. All if the creative process that comes out of the starting is going to be what it is, sure. But… Did we make a start at a thing? Atelier S P A C E asks you to take a chance, do a little jam, play a little tune, but instead of with music, with words.
We are still at it, still making zines. Next stop: Finland.
Not that we are ‘zinesters,’ but, it’s been fun to play with the photocopier and make these. A few from Sept.. 2017-March 2018. Sharing through tomorrow at our popup installation, Zinery & Finery, at DK World HQ in Phnom Penh.
On Saturday I’ll be here hosting the #8 edition of ‘Rooftop Philosophy in Phnom Penh.’ Where time has literally stopped. Expect the unexpected, and come see. More info at our website, see ‘Upcomings’. This time I’ll kick things off with what the bright physicist HL told me, about holography, time and space being one thing, and the three levels of intelligence in civilizations. Wish she could join us but good thing I took notes. ✨🗒
It has been four years since we began publishing our eZine, S P A C E. Which runs the gamut of topics relating to creating new, and better space, mostly the kinds that foster interpersonal dialogues that progress in a meaningful way. That doesn’t have to mean lifetime friendship, or anything. Just… It has to be real. Space for new thinking. New perspectives. New journeys, collaborations and friendships. New, though. New matters. New is where we push the edge, try new things, and grow. Meet me in S P A C E? Let’s play.
i wanted to tell you about a thing we are coming to make happen in CPH later this year. This is the event.
16N is a series, and it is going to be for just 16 of you.
‘N’ Copenhagen: NEARNESS. ‘What’s close? How does it affect me?
KM had asked me for a picture, in 2015, when I was making the first invitations. ‘A picture! That would help.’
Okay. I have one now. From Hanoi. It looks like this.
Total strangers to the idea of ’16N,’ meeting in a big blind date.
Honestly, it somehow works.
You put your phone in a box. You talk about a theme.
We were talking about NOTEWORTHINESS in London, NOW in Bangkok, NORMALITY in Phnom Penh, and NARRATIVE in Hanoi.
‘N ‘ for CPH is ‘NEARNESS’. I just felt like it made sense, as a theme, when I got there and walked around in your city and met peopleand bumped into conversations.
I can tell you more about that, if you email me through the form at the ‘about page!’, there is definitely more to share.
16N. Each city has to have an ‘N’ in it. And the venue? Has to start with an ‘n’. So it’s kind of… Weird, right? Then again, weirdness seems to be welcome, in a small way, whenever I go to DK. Hit me up if you want details? There are tickets for this, just scroll down on this website on any page to find ‘N’ Copenhagen info under ‘upcomings.’