Tonight in Singapore! A 3-day zinemaking popup atelier begins

LAST CALL to register for Atelier S P A C E in Singapore.

Tickets for the 3-day atelier are SGD $180. Register here.

We are ready, and we are set. Look forward to meeting our registered guests tonight at the *secret meetpoint* at the National Gallery.

S P A C E. Meantime, if you are not in Singapore, but are wondering about how all this will play, do consider subscribing to our online magazine, S P A C E. It’s a weekly. Going since 2014. See what we will be writing, sharing, and co-creating. Find out more at this page.

Changing it up

IN RECENT MONTHS, parts of DK have been regrouping on the road, while some of us are in Phnom Penh. We are trying to sketch out the ‘why’ of DK. The purpose, the whole thing. I know we’ve been ‘at it’ since 1994, in various ways and shapes, but now, it’s for real. Why? One reason.

The world needs artists.

Okay, maybe not ‘the world.’ Maybe… humanity. We need artists. Artists see. They see, and they interpret. They share the form of the essence of something, and when it’s good, it’s because that form is something that we can all resonate with; there is resonance because there is some kind of universal… hm. Not ‘truth,’ but… something. Something that we go, ‘Yeah,’ when we see it, and when we see it, we see it with more than just our eyes, we feel it.

Here’s an example. Music. Music does this brilliantly. In Wholeness and the Implicate Order, David Bohm (a physicist I learned about because of his dialogues with J. Krishnamurthi, just google it) talked about music and the universal. I had shared about these conversations in the 2016 series of our online webzine, S P A C E. Proceeds from subscriptions of S P A C E, and our other programmes, make it possible to maintain this blog. (And keep designing, on the road, one step and one designful conversation at a time. Next in the 2017-2018 sequence here in S P A C E, this is the plan: Discovering and including and shining a light on voices that for some reason the mainstream media just ignores. Fortunately, we have a rolodex this time, and a good batch of past programmes that we’ve prototyped, too.)

It’s been wonderful being in Asia for these four years and learning just how very vacant Big Media is, truly, in its overlooking and excluding of so many fantastic voices. I think that is a vision that is coming forth now more strongly in our new programmes and the designs ahead; we want to be more clear about this, more intentional: we want to discover new people and new stories, not just pander to what’s already popular. Because what’s popular isn’t really what’s… well. It’s personal taste, right? But… to me, it’s not interesting. What’s interesting is what we can learn from one another, in real life, when we meet and connect. Which takes showing up, but also curiosity. I believe we still have this… curiosity. About one another.

Assembly

Synthesis is a kind of art: and this comes from engaging, connecting, and learning from various input sources. That’s the kind of resource-collecting we just have to have more of, now. It takes… work. Going out of the boxes, making it uncomfortable for ourselves because we have to go where we don’t know where we are. Otherwise, stagnation. Boredom. Ennui. Bad art.

We need thinking. We need it to happen when people connect with those whose paths wouldn’t have crossed. So that we can… do things better. More… collaboratively. For dialogue, for sharing. For collaboration. So we have to do something. We have to change it up. This is how.

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