The Book of Songs #5: ‘Open Heart’

‘STARTING TO START?’

‘Yes, how?’

ANTHOLOGY. The Mirror, 2014
ANTHOLOGY. The Mirror, 2014

THIS is the cover. The cover always is the last part, in the book-making process here at DK.

The reason is you just don’t know until the very end what might become, what is going to become and how it becomes is the work of the creative process. You have to start somewhere, for sure, but where and how to begin the compositions… that is the question for physics experiment designers as well as those standing and looking, at the canvas, whole.

There comes a time when you write and you collage and you find out that something exists that isn’t even in the words or the image. It is the intention. And when that intention came out in such a way that it was 10 people’s shared work, the work of looking deeply, within, well, wow, we had magic. Even though I’ve never met some of the contributors to The Mirror 2014, there are the connections that were built from correspondence and more than that, attention. Because attention is the highest currency now, isn’t it?

Readying to open THE MIRROR 2016A new volume is poised to be co-created.

I don’t have any idea, right now from this vantage, what the new collection will look like. Who’ll be part of it, what stories will be loosed? What will be the cover, what will be that new collection’s title, look & feel, and list of contributors and their stories’ names? It is a mystery, this. But the invitation is the first part. Setting the stage comes next. These things I learned from a different kind of artist—the musicians.

Playing pen, playing line, playing words, or playing notes. The compositions flourish most brilliantly, don’t they?, when they start from… what…?

‘Starting to start?’

‘Yes, how?’

‘Simple: it’s this. An open heart.’

‘Trust the process?’

‘Trust the process. Of… becoming.’

More like this

READ posts on DK’s new collection, Book of Songs >

Design is in motion for new ‘N’ events in Bangkok, London, and Copenhagen

YOU MIGHT BE WONDERING what all this ‘N’ stuff is about. That’s cool, I mean, I think that part of the idea of creating something is to let it discover itself, as it grows and matures. Kind of like a plant. Or a toddler.

We are just 1/16th of the way into the big project, ’16N’. First one was in Phnom Penh, back in April. After ‘N’ Phnom Penh I have a bit more to say about the how and why of ‘N,’ but also, it’s largely going to become what it does because of who chooses to self-select and become part of it, too.

As in the case with Phnom Penh, there are going to be 16 people who choose to join in something that doesn’t have a clear point-by-point “what it is” because part of the whole journey is the exploration. That’s not to say there is zero formality. You will, if you get a ticket and register and everything, get an agenda, and instructions about the expectations, too. It’s like a cross between a workshop and an improv theater and something else: maybe just school. Without grades. All of us are teaching and learning, because we all have so many extraordinary things to say. It’s amazing. ‘N’ is for uncertainty, it’s for ‘Anything,’ it’s for… whatever it feels like it is to you. When this all got started, I had this crazy notion about the ‘N vector’ but then it got really mathy and geometry and Euclid and non-Euclid started coming into the picture, and when I started to go on about it with SM in recent days and things got quiet for a split second he said, quite astonished and astonishing me with the clarity of it, ‘Where do you get these ideas?’

Oh, well, that’s a long story. But for now, I can share the themes?

Themes and space for interpretation

Here’s what’s up:

  • COPENHAGEN. For ‘N’ Copenhagen, it’s NEARNESS. As in: What’s close? How does it affect me? Proximity. Self-awareness. Relationships of all dimensions. Thinking about Denmark and reminiscing on a trip there eight years back, I recall the comment: “We have to speak English. It’s a small country, with so many others on so many sides.” As in with NORMALITY as a loose theme we picked for Phnom Penh, the idea is to leave things open enough for some play and interpretation but also give a frame for the upcoming event. ‘N’ Copenhagen will be a space for 16 people I will invite personally between now and then to spend some moments thinking together about this very abstract idea. Because it is in a new country with a different language from mine, I’m asking for help from a few people in CPH, too. Want to help? Contact DK >
  • BANGKOK. ‘N’ Bangkok is on the way, too. Theme is ‘NOW’. What’s happening in this moment? Can’t think of a better place to have a conversation installation about the very essence of what ‘N’ is about, which is, namely, celebrating the MOMENT. Framing the urgency of NOW. I know, I know, it’s all so very esoteric and philosophic. But really, it’s play. Design Kompany has always been about play, and it won’t stop just because we grew up a bit.
  • LONDON. ‘N’ London is getting sorted, as well. Theme: ‘NOTEWORTHINESS.’ What’s remarkable? Why? In a big city like London, you have a lot of people going about their business, looking at their feeds, processing data, making data, all of that. But what of it is really worth taking note of? How do we know?

The idea isn’t to make a long-term party or networking “thing”, but rather, see who comes forward in this self-selecting way to participate in something that’s by design a little quirky. Playfulness is more relaxing. Play and sharing, seeing what might happen, emergence, that sort of thing. Improv is part of this story. Serendipity, chance. Want to help? Contact DK >