WHAT THIS IS. ‘Slow Moment’ is a 12-week online programme that’s designed for writers, photographers and people who practice slowing in all its many, many forms. The idea started when we hosted ‘The Mirror‘, in which one prompt was ‘Slow Moment,’ and the responses that came were so fantastic that it led me to dedicate an entire 12-week block to just this subject. We talked about family, the woods, walking. Hikes, oceans, and being on our own. We talked about wanting to go places, going there, and what happened when we did. Relationships. Journeys. Endings, and new starts. Now we’re offering the ‘Slow Moment’ programme to just 4 people for the start of 2019—and by invitation, only.
The Mirror 2018 welcomed guests in online forum-spaces from around the world.
WHY ‘SLOW MOMENT.’ SLOW MOMENTS let us remember what our story is. To ourselves, about ourselves, but also, who we are in relation to others. (And in an existential way, to the cosmos. But that’s a different universe of conversation). For many taking part in DK’s online salon-workshops, we’re just talking together in these online circles because it gives us a place to share. Meaningfully. Not trivially. I’m pulling ‘meaningfully, not trivially’ from R. Pirsig‘s book, Lila, which is the sequel to a cult classic, Zen and the Art of Motorcycle Maintenance, which asks what Quality even is, and, by extension, how to find it. Some philosophy is to be expected, in ‘Slow Moment,’ for sure. You can pontificate: we’ll listen. We’re that kind of a group.
ABOUT S P A C E. DK have been making S P A C E salons in real life for a while now, and the goal is to create a cozy space where people who don’t know one another can simply be together, and talk if they want, or not-talk if they feel inclined that way, and simply be who they want to be, which I hope, in S P A C E, is who they really are. So many other facades are out. So many guards are up. In the real world,and in the social media world, too. But who are we really? When DK connect with people in S P A C E, we’re talking directly to them, their real selves, without all the layers. That’s a privilege and a responsibility. But it’s also a fantastic opportunity. To learn something about one another, and at the same time, about ourselves.
HOW TO JOIN. Participation in ‘Slow Moment’ is by invitation only. If you’ve been invited to apply, this is where to go. Tell us why you’re curious about this, and what you hope to get from the conversation. Show us that you are familiar with DK’s work and philosophy of bringing people together for remarkable connexion. Just 4 spots. [Unsolicited applications will not be read.]
DK and friends in our online community S P A C E are gathering online for a very small circle to talk about Friction.
It’s a topic that popped up in our online salon-workshop, ‘Slow Moment,’ over the summer and also in ‘The Mirror’ (Is it possible to have a frictionless co-existence?) earlier this year. Following the method of Open Space Technologies, we’re continuing in a new ‘room’ with just those people who want to talk about this topic, and there, we’ll do it in a very small circle, but loosely, over just a month, and in some, hopefully, quality of depth.
Here’s what’s ahead.
F R I C T I O N
Let’s talk about friction: where we find it. At work in the things we do there, in our relationships with one another (and ourselves?–if we want to go there), and more. Or, feel free to share with me what you want to talk about? In email we can get started on this, and I’ll be happy to print up some kind of programme. Or we can just show up and begin. The plan:
. Week 1: Welcome . Week 2: Getting acquainted . Week 3: Open Space dialogue (hosted by DK) . Week 4: Closing comments
E X P L O R I N G _ T H E _ A R T
Times, shifts, curiosity about new people and new ways of thinking, and the general crisscross of emails and vague fragments of thoughts are what we write and share about in S P A C E. Works are creative nonfiction short stories, co-created with members of Design Kompany’s team both in Phnom Penh and in the places where we are going to discover new and different voices ‘out there,’ in the field..
Where are the new and unusual perspectives, hiterto underreported or cast aside as ‘ethnic?’ Let’s go find them. Let’s write them, share them, co-create them. In S P A C E Meet us there? Introductory offer: subscribe for just $4/week.
S P A C E posts every Tuesday at 7AM USEST. When. you subscribe, you’ll get it every week by email, plus these exclusive PDF zines, too. Themes change but the idea is that we get closer to the study of what it means to look, listen, discover, hear what we are able to piece together when we make a space for quieting, and noticing, both one another, and ourselves.
Into the Quiet
S P A C E | Kärsämäki, ‘ The Book of Slow Moment’
COMING AND GOING in Malaysia in 2018. A new thing is starting. A new small circle.
Zinemaking is part of it, but m ore than that, it’s ‘showing up.’ Big thanks to those of you who took part in our popups in KL in both the spring and just this past September, in the series Atelier S P A C E had hosted in an ad hoc style, more or less. But we’re getting less disorganized… if that’s a way to say it. I can’t say that we’re getting more organized. But it’s true we’re getting less disorganized. That I can say.
Many things to follow. (Were you in KL and didn’t get a chance to join us? It’s not that we’re going to do this indefinitely–S P A C E is moving around and changing all the time, and we’re going on the road again soon. But if there’s interest, we make a thing happen. Did you miss our previous stuff in KL? I’m putting things together in a roundup post, here. So that, you know, you can see that it happens. It’s a thing. Thanks to MM for the pics, and more to follow, there on that page, and in the active spaces of our S P A C E forums too.
CAN THE INTERNET bring us towards true connection? How do we get there? Listen to find out.
DK’s Dipika Kohli and Mae Rosukhon, a Sydney- and Bangkok-based member of our inner circle of S P A C E, are talking together about ‘the internet.’ Quality of life, health and relationships that are built on trust: these are the things. ‘It’s social isolation that really gets people down, especially in the later years of life,’ says Rosukhon, who has a background in government and health. Are the stream of constant notifications getting in our way of building real trust?
‘In this contemporary world and searching for the new, new experiences, new contacts… there’s an upside and a downside, right? [But] the trust between your friends, it’s that solid foundation that will always take you through and that’s got strong substance underneath.’ –Mae Rosukhon.
Read about Mae’s recent thoughts on life, meaning, and connection at this intriguing article she wrote, by hand, about death.
NEW THINGS. New beginnings. New frames. New perspectives. New points of view, voices, perspectives, world views, and conversation-starters. New kinds of jam sessions in our intellectual play spaces, which are coming from not books but from us, talking together, writing in S P A C E, in the moment. The moment being now. Our now. This now. The one that is relative to us, all of us, 7 billion and counting, on this planet, in this solar system, in this galaxy, in this universe. So much to talk about. Discovering, every single day, in real life as we amble about the geographies near and far that most intrigue, excite, invite, and challenge us, with our very small circle of curious and open collaborators and co-creators here at DK, so many things. New is what we are interested in. Finding new writers, authors, original thinkers, still-awake-to-possibilities-of-optimistic-outcomes dreamers, responsible social leaders, owners of third places, makers of all kinds, and, all of us, at our hearts, poets and philosophers. Can we get back to the 50 billion years of evolution that are intrinsic within each of us, to explore what we all know, in the ambient space between us? The ‘luminiferous aether,’ remember that old idea? let’s say, I still like that defunct concept, or Jung’s collective unconscious, or the things that Krishnamurthi writes about. He was interetsed in us being better, as a collection, as a species. Not just some of us, but all of us.
There is no end to relationship. There may be the end of a particular relationship, but relationship can never end. To be is to be related. -J Krishnamurthi
LET’S INVESTIGATE, can we?, for a moment, let’s just say four weeks, okay, how far we’ve come since evolving from trilobytes? Can we play in the imaginative spaces that link most handily to the warmest places of the human heart? Can we discover, in the chambers there, where we all want the same things, really (for our kids to be okay, for us to be able to live in a way that lets us be who we really are, with all the daily needs met and then some, with comfort and emotional security and stuff like that, yes: is this resonating?). Design can make things better. I’ve been seeing how, for 10 years at DK and before that in jobs in architecture, when, that is, the studios were really good. But it’s time to design a new social philosophy thats inclusive and extensive and rooted not in words that weren’t even made in a time when we had the new sciences that we have now (quantum physics, multiverse math). Let’s update, can we? Sure… so, let’s talk philosophy. A new philosophy. A philosophy of the moment. Artfully. With respect to one another, with respect ot the whole. DK are inviting people from near and far into our inner circles of conversation. A balance of place, but also, of the ways of thinking that will invite the kind of dialogue that we really need now more than ever: the kind with a center, and not sides (HT M. Angelou, Mark Twain, Jean Rhys, William Isaacs, W. Heisenberg, Robin Davidson).
What is philosophy, though, anyway? In a nutshell, this:
Philosophy is a way of thinking about the world, the universe, and society. It works by asking very basic questions about the nature of human thought, the nature of the universe, and the connections between them. The ideas in philosophy are often general and abstract.
RAINING IN PHNOM PENH, as I write this. Wondering where the next few days and weeks will go. A few more days, a few more moments. Conversations in the real life salons, conversations in the online ones, too. There are things to say, so many of them, and I’m lucky to be able to have a chance to bounce ideas around with people and mostly just generally get to play. In S P A C E. And also, here and there, bumping into stuff, much like The Missing Piece goes around looking for things, falling into holes, bumping into walls, and so on. (HT: Shel Silverstein.)
A few more moments.
I could get poignant and philosophical here–
I could talk about how all the moments are one quick moment, as we had discovered in our salon here in Phnom Penh some years ago, The Book of Time, which I co-hosted with Anakot Asia’s Chhunny Noem. What a powerful moment. Maybe it was the sum of all the moments, smashed together into one infinity, here and now, oh, no, here I go, getting esoteric and rambly, and well, I ought to save those kinds of conversations for the intimate spaces of real life and conversations with just. those people who are actually interested, not foist them onto the blog and the internet and hope that people will say, ‘Yeah. I want to know more about this. Where can I meet other people who want to talk about meaning, existence, philosophize about things without quoting dead white guys, or just, generally, be How can I find more meaning in my own day to day just by simply talking to other people about the big questions hat are popping up in my own world, where I am? What is the point?’ And more. I’m partly inspired writing this by last night’s conversation with CM, who is really asking these questions, I think, the more I talked with her and the later it got and the louder the roomful of people, and the drunker, and the more frequent the occurrence of breaking ceramic mugs and glasses (?), well, the more the time went by, the more I realized, ‘You know, there are places where you can ask these questions and get to skip over all the smalltalk. It’s real. It can happen. We can design for it. I’m into that, that’s my thing that I’m into.’ (Easy to say, hard to prove. But the people who know, know. And for me, that’s enough. So we continue, charging into the world, with the goal of simply hosting and co-hosting more and better space for dialogues that have real feelings int them, real emotions. Not just… well… fodder for the bored, schedule-fillers for the lonely.)
‘I like to try to make myself uncomfortable sometimes,’ C had said, and I replied, ‘Because that’s how we grow.’ Growing used to be such a weird word to me, so touchy-feely and clinical and psychology bollix, but you know, it’s kind of all we have, really. To be able to improve ourselves? What else can we do? Add another do-goody NGO to a country that doesn’t want you here? If you’ve just arrived in Cambodia for something and you think you’re going to ‘make a contribution,’ be aware that this is a lot of nonsense and perhaps more about your own ego than anything else. I don’t want to even get started on the mansplaining that I saw and ranted about, when I saw it! [deleted]. Think about that.
Once more, upon returning to this country, where I have lived for three-and-a-half-years without having meant to, I found myself miraculously thinking, ‘Huh. I can see how this could be an interesting dialogue. And it reminds me of one, from before… also in this city. Quite unexpected, a small collection of us, new and different others, did we have 5? That was a crowd, then, for our salons, which are usually me and maybe 2 or so people… but always, always, always, I love the conversations that unfold. I’ve never been regretful about going and seeing and trying these, because you just never know. Maybe you’ll meet someone who’ll wander in from out of the internet and change your life forever. Gosh.
And given the right framing and the right collection of people… it can. And has. And will. Where are the artists? Everywhere. Much of this is amorophous and fuzzy, and that’s fine. Who cares about making sure everything fits some arbitrary logic-box? That what DK writes here and there as a collective is not refined, not finished, not concrete, not logical, mystical sounding, and open ended? How about this idea: a billion suns are in motion, right now. And N. Bohr, who said: ‘No, no, no. You’re not thinking. You’re just being logical.’ I’m looking at a philosophy of the moment: one that’s not based on old sciences that are Newtonian-only, out of touch and completely miffed by multiple and contradictory ‘truths’ co-existing. Frankly, philosophy is as obsolete as the fax machine.
And so on. And so forth. A blink–a moment. And infinity, too.
But, guess what? [Some of ] those [mainstream publishers and academics and philosophers] who consider things ‘good’ are the ones who are stuck in the old logic-boxes. They can’t conceptualize a new way of doing things because the old way is so engrained. SHR, a mathematician friend of DK’s, and I had met I a pub in London when I was that way, a very good and curious conversation in which I had asked him why things are devolving instead of progressing, society-wise. Wanted to say things about least common denominators and stuff but that is too fourth grade math and not that interesting to S, so I just threw out a thing about, oh, systems, and equilibriums, and turbulences, and he had said that people like the status quo. That’s why we’re not evolving up. They like the status quo. It’s hard to change it.
Me, thinking: Even if it’s stupid.
Not saying this, but it’s pretty easy to read me.
Him saying, without words, Yup. Even then.
Part of the concept with Atelier S P A C E is not to get parked for too long in any one place. Houseless and offliceless, But, I’m finding out on this miniature return, not friendless. More in a second.
First, from Lao Tzu‘s Tao Te Ching:
Hold fast to the way of antiquity
In order to keep in control the real of today.
The ability to know the beginning of antiquity
Is called the thread running through the way.
Meeting the way
IT’S BEEN really cool catching up with some of you who might be reading here, in this city. Phnom Penh. Reminiscing about things past, or sharing about the things that had happened before, or recently, or on the road. The way and the road. Basho—need to go back to that author and explore more fully. Important. But, not now. It’s also important to just be here and notice the things going on right where we are. I’m going to have to share more in the e-mail circles (not doing facebook now, not really hanging out on instagram), about the invite-only conversation salons on the way here, in Phnom Penh, before heading off to Australia and India and possibly the Pacific Northwest in those United States—gaw, I can’t believe I’m even writing that. I had wanted to get out of there, so much, but it’s been four years since Palo Alto, so… Yeah. Let’s see how it all unfolds. Things take time, I get that, but it’s also nice to peg a few things here and there, sometimes, too. But it’s loose and light, now. Letting go of illusion of control. Big changes. Ask me why sometime, if our paths cross in real life or in our online conversations in S P A C E.
This weekend, I’ll host Atelier S P A C E | Phnom Penh and write, together with others, maybe some of my actual friends?, a new set of zines, set here, hyperlocal creative nonfiction. Next stops, Idontknowwhereyet, but onwards is the definitely for sure direction. Plus, visa. Visas expire. Keeps you moving, doesn’t it? On. These are long stories. Not for everyone. I’ll write them. I’ll put them in S P A C E. Maybe I’ll keep writing about Cambodia. I mean, a little bit. It’s definitely easier when you have four years of experience in a. place and ambiently know where the streets go, how things connect, what foods are going to taste like, what’s ‘not okay’ when it comes to cultural sensitivity or mansplaining OMG, how everything you think you know about something is completely hot air, and how, when you come here, the thing you learn is that you don’t know anything at all. Some of that I wrote into the first book about my experiences here, Breakfast in Cambodia (Kismuth // 2016), which look at that, has just celebrated a two-year anniversary. Exciting. I wonder if I should have another launch-y kind of moment for the new books, set in Finland? Could be nice. I hope to, but it’s also fine if it’s just an inner-circle thing. Maybe. launch at, say, my house. Easier, these days, than making a big rah-rah out of it and trying to get people to show up. This has gotten increasingly harder, I’ve found, in the last six years. I’m seeing the futility of it, in a way. I may not even… well. It’s a lot to write here. I’m always starting to write a little here and then hesitating because, who is reading this blog? I don’t know. Which is why I’d prefer to converse in S P A C E, or email. Email me, if you are there, know me, want to stay in touch in a more firm way that has nothing to do with reading and checking and checking and reading. I’m here. I’m listening. Say hi? So that I know it gets to me, what with all these weird filters and hackers and spammers and people breaking into emails and stuff, it’s so weird now, it would be cool if you could use the form on our contact page. Could you? Here it is. Kay. Cool. The thing to do now is just get started. And trust the process. Be okay with getting lost a little, in order to find center. All righty, then. Let me figure out where to go next. Let me find that set of darts.
‘Fresh and original input’
WHEN I WAS IN AARHUS in 2015, I met someone who said, after a whole long giant hour-long conversation marathon, in a thank-you note to follow up the next day, ‘Thanks for the fresh and original input.’ Same person who talked to me about Heisenberg and principle and got me to see the Danish view of things (‘Oh, really? MIT says that? Are you sure it’s all of the people at MIT who say that, and not just some of the people at MIT who say that, and yeah, there aren’t other people at MIT who completely disagree with those people at MIT? Think about that.’) This is going into the zine, S P A C E | Aarhus, by the way. Coming in December. But yeah. Input, of course software people love DK because we are a kind of arbitrary asteroid-quality sort of ‘input’ for them, and the innovative spirit feeds off of random encounters out of left field (and S P A C E). So yeah, back then, way, in 2015, as the autumn was settling in and I was getting set to return to Cambodia where it would be instantly warm again in not-so-many-days, I’d thought. That’s a new way to put it. And today, the phrase comes back, ‘Fresh and original input.’ Why? The conversations that we have in S P A C E-like rooms in real life as well as in our online forums are like that, to me, all he time. Expansive, curious, inviting, insight-making at their best, but also, just… fun. I’ve just found some new and fresh original input that I had talked about in the post about the music I found myself wandering into while in Helsinki on my last night, and today, I’d like to share a track from one of members, Esa Puolakka, of one of the bands (Maagine). I’m looking forward also to soon interviewing the lead singer, Matti Halonen, for our podcast. Watch this space. Meantime, I’ll leave you with this track from Esa… (For me, the two tracks on his soundcloud are so very much in the vein of ‘fresh and original input.’ So here we go, passing it forward, making it up, jazzy, as we go.) I’m looking forward to the new and the next. More soon, from S P A C E. Tuesdays at 7AM, in the e-box.
A zine. Printed, limited edition. Ready to share these with members of S P A C E who pre-order by 29 Sept. Don’t miss the chance to get a printed zine in the mail that tells the story ‘Julia Set’.
JOIN DK and friends at the launch of the zine, ‘S P A C E || Helsinki,’ a creative nonfiction short piece that will be distributed in very limited editions on the day. Your ticket comes with one copy of the zine, whose pages are filled with words and collages DK gathered in real life in Helsinki in June and August, 2018. The zine’s lead story is ‘Julia Set,’ based on a conversation with a mathemetician about possibilites and multiple dimensions, but there is also a more low-key dialogue in ‘Exit Vantaa.’ Find out more when you check out the related blog posts, liket ‘Exit Vantaa,’ DK’s music ‘mix’, at this page, and more is also online about DK’s zines in S P A C E.
LIFE. STORIES. Multiple, divergent, intersecting, and contradicting pluralities of narratives: the things we are pursuing here are not so much about gathering outcomes and publishing stuff that sounds and looks interesting (but has no content); rather, we want to invite into our innermost circles, in S P A C E, the exact kinds of new and different others who will show us, together, as we get going, in our conversations in the protected-page posts that constitute, as a set, the thing we call S P A C E, well yeah. All of it. Is a thing now. There’s a bulk to this that I can’t deny; a gravitas and a resonance that stays with people. They tell me this. ‘I really enjoyed that exercise you did; it was super relevant at the time, do you remember, you put us in groups, ‘Past,’ ‘Present,’ and ‘Future?’ asked my friend MR, whom I’d met at one of my events in Bangkok and who went on to join DK again at something called ‘16N‘ in that same city, the next year.
(Honestly, we didn’t recall that exercise or think much about what it might have meant to everyone; at the time, we were just hosting, and hosting means you’re talking to people and making sure everyone feels included, that her or his voice counts, that she or he is invited to all the conversations circling about, moving, changing, diving into other spaces, letting that happen.
Of course the afterparty for ‘N’ there had to be at a jazz club: improvising in collage and collaborating with jazZ happens! there, that was also very fun. With both, it’s a jam session: making it up as we go, but also, playing off what we learn, together, from one another. Most importantly, there’s no hierarchy. It’s flat. We’re talking, together, in dialogue. Round tables. Let me tell you a bit more about this idea, of circles. (SN, watching Akira Morita in action one time hosting a meeting, had called it ‘circle time.’ We love circle time, here at DK. Why? Lots of reasons.’)
Dialogues that are really good are the kinds ‘with a center, and not sides,’ as William Isaacs, had put it in his book, Dialogue. How lucky I am to have been able to reach out directly to Isaacs, ahead of my conversation salon series, ‘Modern Sikkim: What does it mean to be Sikkimese?’ which had happened in Gangtok, Sikkim–a part of India that my relatives in Delhi aren’t too familiar with outside of an image of ‘the snowy mountains’. Well, wow. There is of course Kanchenjunga, but before I go marveling about the miracles of the Himalaya, and daydreaming about going back there in November (yes: mark it! Atelier S P A C E || Gangtok is in the works), well, yeah, so what was I saying? Oh! This: I’m lucky, very, I could ask William Isaacs directly, over email, in 2013, thinking hard about the design of Modern Sikkim and how to collaborate well and whom I should contact to make a go of it and what we would do in the spaces-to-become, well, yeah. How I could make such a conversation salon series work well was important to me. Researching that. Learning what to do in the instance that someone tried to be overbearing (this happens a lot, in societies where there are hierarchies established from social class, economic status, or hey, let’s be real, male and female gender roles), all that normal stuff you have to figure in, and be ready to take on, when it does hit you, all that. And I remember the email coming back. What a good feeling, to get a note from the internet to say, Just do what you’re doing and here’s some more stuff to think about, more or less. Well. What a nice thing to feel reassured that no one knows what’s on the way, not ever, not fully, but that allowing things to pop up by hosting a space that is inviting, safe, comfortable, relaxing, and readied for the things-that-might-happen, well, that’s the work. And the art. So it began. A journey into making more and better such space, or, as I call it now, S P A C E. I’m the architect of it; we follow a checklist, it has 7 points, to do this in a way that works, in DK’s style. Which is what? Well, you can read my personal artist statement thingy at this website, if you’re curious about what interests me about gathering people in these ways. ‘I want people to relax. To feel air, space, and comfort.’ Find it in context at dipikakohli.com.
But in the meantime, there’s this.
Philosophy of the moment
GETTING SET. For our first-ever online salon, ‘Philosophy of the Moment.’ In which we’re going to share all of the best learnings and gathered notes from our decades-long pursuit of the big questions, ‘What are we doing here? What does it mean? What is ‘good’? What makes it remarkable? What does a meaningful life look like? How can I make changes so that I can better enjoy the life I have? What does it mean to love? How does it feel to let go? Where are the important notes to carry forward? What kind of legacy do I want to leave? Who am I? Who am I, apart from you? What is my role in society? How am I doing, and where I am going, and does it mean much to consider these questions, and besides, what is ‘time?”‘ What’s this all about? Find out.
CHECKING IN. Catching up. Conversing. In real life, on voice, through the space that is the forum ‘Slow Moment,’ and, in this odd but one:many way, through the blog. It was 2006 when the blog began; I remember. I had been to Gnomedex, a bloggers’ conference (HT CP), and while everyone else was on laptops typing and talking on twitter, I think, (‘this is the backchannel conversation,’ someone informed me, educating me on this digital stuff like no one had at my newsroom), I was there with an old-fashioned reporter’s notebook and a pencil. The notebooks had been in the closet in the storeroom at work. Work was a newspaper. A daily. I went daily, to write things. But the things that we were writing had, I saw fully and clearly, no relevance or bearing on this other group of people. The people who were writing what was going on now. In new ways. Ways that I hadn’t been even remotely aware of. Those of you reading who are digital natives, be forgiving. I am ill-adapted to the modern modes of communication, sorry.
ORIGIN: ‘What is fromness?’ is inspired by ‘Ask me where I’m local’ by Taiye Selasi: ‘When someone asks you where you’re from … do you sometimes not know how to answer?’ Selasi speaks for “multi-local” people. In other words, people who feel at home in the town where they grew up, the city they live now and maybe another place or two. How can I come from a country?, she asks. How can a human being come from a concept?’
Origin: What is ‘fromness?’ Join Design Kompany in an informal setting for a conversation salon, ‘Origin.’
We’ll be talking about questions that help us all reflect on self-identity, whereness, and the notion of ‘where I am from.’ The program is light, and a slight redesign of our 2014 Origin conversation salon in Phnom Penh, in which 16 people gathered for an unusual experience of talking with complete strangers about close-to-the-heart questions. Since then the event has also been seen in Bangkok and Hanoi.
Come meet people from a wide mix of backgrounds. People whose paths you might not have crossed. Who are interested in taking a good, honest look at questions like: Who am I? Where am I ‘from?’ Who is my family? Where is my home? Questions that, we learned in 2014, truly open the heart. And help us learn more about one another, as well as ourselves.
‘I never imagined I’d meet so many different people.’
‘I wish we’d had more time! Thank you.’
‘Weird and interesting!’
This event is for members of S P A C E and their guests. Learn more about how to become a member of S P A C E here.
Did a popup art installation here in Kärsämäki. Zines. Sketches. Magazines. Collage.
Three people put stuff together with DK’s zines and we made a tea room out of the front porch.
There are literally like 23,004 tea cups, saucers and related in the kitchen here. I think this place was originally the kind of spot you could stop in, whenever you felt like a chat or the need to unburden, and have a cup of tea.
The Pappila Popup was fun.
It looked like this:
This all started when about 4PM, I noticed a bunch of people beginning to turn up. Cars everywhere, suddenly it felt like the parking lot of some kind of a carnival. Then, there began a parade of *taxis*. Taxis out here in rural northern Finland are *giant.* They are bigger than minivans. They are serious things, elephantesque but black and yellow, that look like 12 people would be inside but then, only 2 emerge.
This whole thing was a ‘happening,’ as they say here in Finland. The actual happening happened to be a music concert. I’d heard about it since I got here–music, concert, August. But given the relatively small turnouts for most things I’ve been to now, I just had no idea there would be some 100+ people popping in. My hunch is that people
drove from far and very far (no big deal in Finland to take on long, long road trips, ‘Thanks for the offer to stay, but why would I need to overnight? It’s only 140km from here.’) They came to hear the music of Arja Korieseva — Elämäni Laulut. Glad to see so many people looking happy and enjoying themselves, the music, and the sun. And a few who popped in to say ‘hei’ and join us for tea. (Kiitos! You know who you are. Hyvää. Joo. HT Kaltio Magazine, At Johan’s, and Kattilakosken Kulttuuriosuuskunta.)
Secret event ‘Kesämuisto’ *happened* in Kärsämäki
Thanks! We had nice time and a private event. Come and view the zines on display through the end of August.
When we slow down to look, what might we see? How do we make time to discover the new and different?
SLOW MOMENT. SLOWING DOWN SEEMS to be a theme coming up a lot in our S P A C E conversations in breakout spaces. So let’s talk more about that. Let’s set the stage for our ideal place and time to relax into ONE moment. Not a million, not five, but ONE. Says host of this programme, DK’s A. Spaice, ‘To commit to it, I feel, you need it to be just one thing. I think part of slowing down for me is eliminating the excess. That way I don’t get so overwhelmed. How does it work for you though, I’m curious? Slowing, I mean. Let’s talk ‘Slow Moment’ this summer in S P A C E… How do you find it? Where does it start? When does it end? What are the qualities of it that make it great? Can you set it up to *make it happen*?’
For this programme, DK will weave in real life conversations happening in Finland through June, July and August with these online forums; we’ll discover through the medium of photography how slowing into a moment can happen when we look for the quiet spaces through the viewfinder. Slowing. Stilling. For the awareness and the art to seep into the frames. Just 8 spots. Questions? Send us an email.
Participation in ‘Slow Moment’ begins with an application. Apply here.
For the writer, it’s been said that the best thing to do upon waking up is grab the pen… or at least the keyboard, and empty out all your earliest thoughts or journal away the sins of yesterday. It’s a great method for any artist that is meant to really help get into the right kind of artistic mindset for the rest of the day.
These days, first thing I’ve been reaching for is the cell phone.
I have this grand compunction to know what time it is, even though I have gone out of my way to do the kind of work that is not time sensitive. I don’t have a place to report to by a certain time, nor do I have any specific deadlines I’m trying to reach. “Knowing the time” on the clock does little to help me at all, yet I keep reaching over as soon as I’m awake. I’ve been here before… Instead of being on “world time,” the intervals of reality where events happen when they happen and people awaken and choose to move with their needs and their hearts; I find myself on “corporate time,” the time invented to create a schedule to move items by rail that would allow people 200 years ago to coordinate and make a lot of money.
DK and friends are together hosting a series of conversation salons in Kärsämäki, Finland, on the conversation topic, ‘Then & Now.’
Can we preserve an old way of life, or parts of it, as we move forward in time? How do we define ‘progress?’ What is important to keep, and how do we determine what’s okay to let go? What’s ‘culture?’ What is ‘preservation?’ What legacies do we want to leave for future generations, and what have we learned from past ones? Let’s meet. Let’s converse. When you arrive, you’ll get to know a few new and different others from this area. You’ll be able to participate in a new way of connecting that might be unlike anything else you’ve experienced. DK has been hosting conversation salons since 2006 in Seattle, bringing to the table a decade of experience in facilitating discussions that have a center, and not sides. Let’s meet, connect, and talk about ‘Then & Now.’
The venue will be Kahvila, a cafe just steps away from the local architectural gem, the Shingle Church (pictured), which as DK has learned was built in 2000 in response to the loss of an older church, using methods and materials respectful of a much earlier time. This is the beginning of a new series, ‘Hei Kesä,’ which will be held in coming weeks. These conversation salons are a hybrid of facilitation methods DK have adapted from Open Space hosting methods, years of design consulting work, and general curiosity about ways of gathering new and different perspectives.
Tickets inclusive of: 1 filled croissant + 1 tea or coffee, and 1 zine of your choice from DK’s June collection.
That’s the advice writers get when we are starting to write.
I think that’s pretty marvelous advice, except, um. We’re writing. So how do you ‘show?’
Well, it’s a good thing I brought the new camera. I’m borrowing it. From BOSS. It has a bunch of cool lenses and I’m enjoying the depth of field play, for the first time in many years. I don’t have an iPhone, so I don’t take camera pics. I don’t carry the old digital camera (the one you can put in your pocket) around because that means having to bring the battery charger and remember all the parts and figure out how to load up things to the computer. Of course I don’t bring around my old Minolta X-375, because… film. And where is it, anyway? I hope it’s in some box safely tucked away in one of the many, many attics and behind-the-staircase closets of friends and relatives on another continent, where I remember seeing it last. But this new camera. Is reminding me of the old one. Except, you don’t have to advance the film. And, it doesn’t make that oh-so-satisfying shutter click sound. But there are pros. I never have to worry about running out of film. I’m not the kind of person who constantly checks the picture to see how it looks, either, so I do really stay with the subjects when I’m with them. That’s just how I am. I feel pretty strongly about paying attention to the things you photograph, which might be why I’m always complaining about people talking selfies indiscriminately here and there and everywhere, or meeting someone for two seconds and wanting to grab a picture with them. Howcome? What is the emotion there? There isn’t any. It’s not going to make an artful picture. So what is the point of making it?
STRONG OPINIONS. If you meet me in real life, you will know that I talk about this a lot. About the lack of attentiveness to relationship-building. It has to start slow. Slow and steady. I feel. For it to last. Maybe not everyone wants a thing to last. But I don’t like this insta-pic culture, and I don’t like throwaway relationships, either. I like quality. I think I’ve been blogging those three words quite a lot in public and password-protected pages, here. I do. I want that. And for quality to happen, you have to build the space so that it is welcoming, inviting, comfortable. THEN you can get intimate. You know, I feel this way about the subjects I photograph, too. It’s not always portraits of people: sometimes it’s my zines. Or art books. Sometimes it’s butterflies, and lately, it’s birch trees. Koivu.
There’s a two-page spread coming together for the zine, about Koivu. I’ll be sure to write about that in today’s issue of S P A C E. But that’s for the inner circles, people who are members of this community, and whose monthly subscriptions make doing this work even possible. (Thankyou.)
I took some photos to mock things up, rapid prototyping being my favorite thing in the word. How is it going to look and feel? I need to sketch it out, quickly, to see if it’s actually worth doing. I think this one is. There were a lot of mini-tests in my first two weeks her win Finland, and I have a bunch of time before the International Zine Day event that will be the date I launch this new photozine. So I’m going to lay low, write some more, see if I can get a poem or two translated into Finnish.
This is my process. Thinking and jamming with people who are resonant with the things that are beginning to emerge. Letting go when the rapid testing shows, ‘Hey. This is a dead end.’ Getting over it. Being okay with it when your expectations fall short of the reality of a thing. Learning to enjoy the unexpected highs, like five-star cooking that appears every so often when you couldn’t possibly have imagined it, and it’s good, and what’s better, it’s warm. Friends, company. Learning, sharing. Making new kinds of books. Exploring needle and thread and improvising on bookbinding. Gathering more materials. Looking around. Walking outside. Talking to trees. Winston Churchill did that, I read once. It’s not crazy. Philosophy isn’t irrelevant, either. In fact, it’s the only thing that will get us out of this weird loop we’re in, of navel-gazing and anxiety-making, and othering, and line-drawing, boundary-making, political ensnarements, and the all around slap of ‘Really? This is the best we could do, as humanity, after all this time?’ But then I remember MB’s advice and conversations with him about this topic. Yes, this is the best it’s gotten. And it’s not all rotten. Remembering the slow moments. That’s the work, for now.
UPDATE. This is what the zine is looking like, so far. Not bad, huh? Now. Let’s get to writing. –DK
I JUST LISTENED to Zeynep Tufekci‘s talk about AI on TED, ‘We’re building a dystopia just to make people click on ads.’ It’s about the specific ways companies like google and facebook and amazon are just selling our data… the way we do these things now, ‘communicating,’ I mean, where is it getting us? It is kinda sad, isn’t it? Fragmented and disconnected, more and more.
ISOLATION. We’re going into this crazy world of isolation, for what reason? Just so people can sell us stuff. Everything is so weird. No, I’m going to slow down, here in Finland. While also hosting Atelier S P A C E on International Zine Day (21 July), and bumping into the chance encounters here and there (and in, I think, Oulu). Let’s see what happens.
SLOW MOMENT. Next up, our online salon and real-life photography project, ‘Slow Moment.’ This is going to happen both here on the blog, in online forums in S P A C E. (Warm welcomes to those just joining today–look for my email at 7AM USEST in your inbox.) More about the project, in case you’re not familiar with Design Kompany’s interactive online magazine S P A C E and its associated programmes, can be found here.