Launch of the new zine, S P A C E || Sheffield. Its lead story is ‘Briefly in Sheffield.’ Details are here.
WRITERS, designers, artists, business execs, marketing coordinators, communications consultants, and digital agency directors are all invited to talk in this new and different conversation salon. Arts & Letters Society is an open circle that will meet just two times. You are invited to connect with Design Kompany at two A&LS meetups in Kuala Lumpur (25th of April, and the 25th of May).
Join in the conversations about art, design, the work of making, and the way we each engage with the creative process. Last seen in KL to host Atelier S P A C E, DK welcome a chance to invite the new, the different, and the serendipitous to see what magic we might make, together. Free for anyone who connects with DK through our new [S P A C E] 2018 announcements list. Find the link to that at our homepage, for Design Kompany. Hosted by A. Spaice. (Special VIP guests to be announced, will share the agenda and meetpoint by email.) Men, women, and other, are all welcome to this inclusive, yet small in scale, conversation salon. Arts & Letters Society looks forward to meeting you.
*Happening.* Free with registration.
Open invite, +1s welcome. *Secret location* to be shared with registered guests only.
A LOT of learning on our last trip to Malaysia! Three months of getting to know the place and people, a little, in Penang, Cameron, Melaka, KL, and Ipoh, pretty neat. We discovered a lot of smart, creative women and young people, especially, who are ready, we think, for a challenge, artistically, philosophically, and intellectually. So we are back to host some new events in S P A C E to invite a few of these good people to mix it up a bit, and connect with others also interested in the same.
In KL at the end of May, DK will gather new and different others in remarkable S P A C E. Designing for connexion. That’s our goal. Perhaps this sounds like a big project, but to us, it just means hanging out and talking and letting things flow. At ateliers like the one ahead, we can also cocreate… let’s make something together, in this instance, an 8-page zine. Learn more about Atelier S P A C E || Kuala Lumpur.
Advance bookings, very limited seats.
‘… AND THEN WHEN that was done, I came back…’
‘To start something new.’
‘Well, you could do that, here.’
‘I know! It’s wonderful. I have space and time to write anything. Anything at all. And it feels good, getting better.’
‘Yes. Also, without the pressure of having to produce something for the market.’
‘The market drives things.’
‘But the market doesn’t know what a good thing is. It just knows what a thing that people want is.’
‘And a thing that people want is made up by the stories and illusions that marketers make so that people talk themselves into wanting those things. Look at sillybands!, is that what that craze was called? Look at diamond rings! Did you see that spoof of the diamond thing, on YouTube? That was so hilarious.’
‘I saw that! Ohmygod. That was so funny.’
‘What about though, the fact that we’re just so damn distarcted now. We can’t even deal with something that’s more than 200 characters long to read. It makes us tired. Overwhelmed. What about that?’
‘You want people to pay attention. To think.’
‘Well, that’s hard.’
‘You want people to notice each other. And to be able to pay attention to the beauty in the space around, and within. Right? That’s what you said? Something about gems and beauty and aura?’
‘That’s what I said, all right.’
‘And you’re in a sort of despair. Because of that stupid novel.’
‘That stupid novel! I couldn’t believe it! I opened it to study about how to you know, look at characters, set up dialogues, setting, stuff like that, see how other people do it, the bestsellers, and my gosh, it’s just pure shite. I’m gonna stick to classics, now. But you know, I was really disappointed because… It was an Irish author, so I had better expectations from the things that I got, but what I saw was a piece of crap. Made for the market. Made for people who simply want to escape from the monotony of their day to day lives.’
‘Isn’t that what novels are for? Aren’t you being overly critical of someone else’s art?’
‘No! Novels and books, short stories, poems, music of all kinds… the kind that I love is the kind that shakes it up. Makes you think about things in a new way. And you know what? It wasn’t art. It really, really wasn’t. Not according to my definition: which is where, you know, it’s more about the universal truths and relating to that which is all of ours, not just some casual throwaway cheap thrillers about suburban love trysts. Fucking boring.’
‘You want stuff that changes people’s thinking, a little. I think that’s what you’re saying. You want stuff that makes… well… Says… “look at that.”’
‘Yes! And I keep running into people who challenge me to do that, too. To look at things in new ways, around and around, from varying perspectives. This is the fun of it, the discovering and the journey.’
‘You’re talking a lot about moving around and seeing things and shaking it up. But what about practically? How do you pay for all this?’
‘That’s a good f’ing question, mate.’
‘But how do you?’
‘No, seriously. I need to know.’
‘Pay attention to the things I am saying, and I’ll start paying attention to your questions. Until you become part of my circle, I don’t know you. The invitations are there. All the time. But if you just can’t be bothered participating, what am I supposed to do? Follow up on everything? Hope that you’ll come on board? I finally shortlisted my list of contacts. I found myself realizing I simply don’t care about most of the old ones. Just don’t. Just can’t. Too many people! I can’t keep up. Do I want to keep up? No. I can’t do that, without compromising. And I don’t want to compromise. That’s why I’m not writing porn for the masses, or sci fi for the geeks, or ‘be like me’ crap for the life coach-y. I hate that stuff. I want to make art, mate. Art! Not art for the sake of art, for me, or whatever, and by the way, did you see the film Posthumous?, that, and yeah, not art for self-expression in a ditch of a hut off to the side of the woods forever or anything like that, but art because… the conversation is the art. The noticing of one another. The being-here-now. I am learning all the time, of course, but it’s time to start practicing, sharing, making S P A C E for more than just me. I can’t do this thing alone. Someone told me yesterday…’
‘You told me. That “artists are supposed to be starving.”’
‘I told you? Yeah. What a load of bollix.’
‘But didn’t you meet that marketing person who said he wanted to be a publicist for you?’
‘Oh, him. I can’t even tell you what a bunch of irritating movements I had to suppress during that short, awkward talk. I wanted to run. I didn’t want to talk about making myself into a spectacle for the internet to feel like they could relate to. My gosh. If there’s anything that I care about, it’s making spaces for real life and real conversations that are real. That means awkward, too, that means just… showing up, to see what happens, because you don’t know. And that’s okay. The point is not to be perfect! I don’t even care! You can just try, that’s what it’s about, right? Staying home and watching Netflix. That’s the biggest competition I have when it comes to S P A C E-making, that is to say, events and hosting them, for sheer learning and practice, but it’s… okay. If people want to stay home, fine! I don’t need to be cool or persuasive. I just want to find the people who are interested in being found, invited, and brought to the spaces where we can really talk. About stuff. Real stuff. I keep saying this! Why is it so hard, now? Why is real life so intense? Why is it hard to make an appointment? Why does it take six months to meet again? Why does it have to be that calling someone requires 52 emails? Why do people cancel? Why does this happen? I can’t deal. I just shut down, really. But I also know that this is a way of avoiding everything; the same exact issue I’m trying to attack. We can’t get so bored and distracted, so lonely and unhappy that we forget about the very miracle of being here. Simply just being! Think about it. All that… stuff of 50 billion years of evolution? Did you read what Einstein said about that? I could quote it here. I could! I could make something like a ‘80 ways Einstein gave us Pause to Reflect’ post and try to get clicks and stuff, but whatever. I don’t care. I don’t think clicks matter. I think people matter. People. Matter. Why is this so hard to get across, now?’
‘Hm. You’re bringing up some hard questions, now. Why do you think people don’t like you making your art?’
‘I dont care about them~!’
‘But… Don’t you think that the system wants you to starve?’
‘I think some people in the system, the ones who are joining me in S P A C E, for example, well, they recognize that if artists starve, then we all suffer, ‘cause we lose the light.’
‘You’re a poet.’
‘So what are you working on now?’
‘Editing Briefly in Sheffield for my good friend, Karin Malhotra.’
‘I know. Not famous. Writes from the heart. Not popular.’
‘How’s it all going? Isn’t editing hard??’
‘Yeah, but for goodness’ sake. I’ve been editing since the eighties. So yeah. Practice. And it’s going super. I’m really excited about keeping things short, and sweet, and a zine is a way to do that. There are three sections to it. Three… acts, kind of. So you get to discover the 1998 story in England, plus the more recent, 2016 update. It’s pretty neat, I think.’
‘Is publishing fun?’
‘Yes! Skipping over all the mainstream market and starting this S P A C E the Z I N E series has been really good, so far. Some people are truly supportive and I’m getting great feedback from S P A C E || Battambang’s story, Here Comes the Dance. Which is about the Age of Anxiety. Good to talk about. In fact, brilliant.’
‘Tell me more.’
‘Well, I’ve got some really great people helping me with getting the dialect right, for Yorkshire, and understanding the landscape of the city of Sheffield, which some of us went to visit and suss out in person in 2016, just so this would be more… real. More honest. You can’t write about something if you don’t go and see it. This is why I can’t get excited about most travel stories, they’re just concocted from bits and pieces gleaned from internet research. And we all now the internet is not the place to trust stuff. It used to be cool and fun, to connect with others, far away, about things you care about. Now it’s just… hard. But you asked about the new zine? ‘Briefly?’ I did a Q&A with Karin, it’s here.’
The photo essay that celebrates DK’s love for jazz, improvisation, and the big book of PLAY.
Happy International #JazzDay
Is it April 30? Happy International Jazz Day. Many thanks to Herbie Hancock and the United Nations for making IJD. Thanks to this year’s organizers for including DK’s first Kuala Lumpur event, STAMMTISCH, in the International Jazz Day global events listings. To celebrate, we made you a kind of mix tape. A visual mix tape, out of the jazzy images we’ve made over the years here at Design Kompany.
S P A C E
J A Z Z
A G A L L E R Y
Music? Music can save us. We’re not musicians, but we love music, and I, personally, love the improvisational music that is J A Z Z. Sometimes I like to make word-poems, like ‘The Good Stuff,’ with my team (listen on SoundCloud), but I’m mostly an appreciator. I like to go to shows and draw jazz with pens, some of those pictures are below, and sometimes, I just like to cut-and-paste while the music is playing. Live. It’s neat. It’s fun. It’s a good conversation. And it’s getting even better. Every year we meet new people, new artists, and we grow to learn more about the ‘how’ and ‘howcome’ of making Art and also making S P A C E. For now, here we are.
And here you go. May I present…
The gallery, ‘J A Z Z.’
The A side
ART x THE JAM. It’s funny. I just went to a jazz club and met some pianists who played ‘free jazz’ and ‘bebop’ and that was exactly what I wanted to hear. It is hard to come by this kind of thing, here in Asia, and in the middle of a streak of long, beautiful, meandering conversation jams I found myself boarding a bus away from KL to process everything and just kinda thinking, ‘Huh. It’s all right, then. Do the thing you want to do. Make it happen for you.’ Advice I’ve been given before, in the 1990s. By, none other than someone who introduced me to the late-late night sets of live jazz, wouldyoubelieve. More about that to come, later, in S P A C E for the members who have been part of these internet and interconnective conversations for the last four years. (Thank you).
The B side
At No Black Tie Wednesday night in KL, I met Aya Setine and Don Gomes. Talked art. Design. Writing. Engineering. Chatted away with for a long series of minutes about everything, including the good Loston Harris, whose work I really love and wish more people knew about. (Check out his cover of ‘Shall we Dance?’)
At the show, I came over with my usual supplies for the ‘Book of Songs’ series, which is an impromptu set compiled from whatever falls to hand in the moments-just-before. This time, I had my pens, paper, index cards, and a knife. For no reason, really. But a knife for paper-cutting. Just in case. Ball point pens, in this moment. And yeah. No clipboard this time. The ball point pen worked all right. (It didn’t leak. I have been in situations where it leaks, all over, embarrassing, but kinda fun, too, because yeah, like paint to canvas, pen to paper. Flying around. Getting into it. This is the jam.)
The whole thing.
POETRY. Quickly, a shout-out. Next day, after the jazz show, there was more conversation about /the art of art/ and related tangents and suchmuch. Continuing the jamming, as there was, for me, a feeling of ‘anything is possible.’ And a conversation on Thursday. That came organically and easily, and in real life, the blind date that DK had with the poet Saarah Choudhury; wow. Look her up, ladies and gentlemen and watch this space: @eastwest_nomad, on insta. So good to meet her. And we are going to do a Q&A soon, so watch out for that, in S P A C E. (Join us, see link below for how to become a member). All of these threads got me singing in the shower again. And also, they sent me straight back to the very beginnings of this creative-life story, and the early 1990s, a time when I started writing, drawing, making it up. It’s really funny: most of the things I do are not for commercial use now. I used to do that. Day job in newspapers; illustration art (not a lot. I never managed to be any good at commission-getting with that). Not a problem, though. I let it evolve, because I needed to see where it would go. Big warm hugs to Patti Rieser, too, who taught me the ‘jazz step’ to dance to, a little bit of a square, but nothing at all squarish.
JAZZ DAY. DK are excited today to participate in a world event that brings people together to improvise, and play. Celebrating jazz, and for DK, listening out for new jazz in Southeast Asia, specifically. We’re looking forward to seeing more new voices coming out strong from this part of the world, and hoping to also make more stages (formal and informal) for all of us to get out of our regular confined melodies and play a little more !*…. What is ‘!*’? It is this. A very particular quality of space, one in which everyone is participant.
A jazz violinist, MT, got us started on this, talking about gravity and stars and constellations, so vacuous and expansive.
And a pianist, TE, inspired more, and over the years, DK happened to stumble into clubs where I found trumpet players ES (with whom we conversed with in a short Q&A here) and HG, and others, and there have even been conversations resumed from decades-old threads that started in those United States, a place called Brooklyn. Thanks, photographer Yamini Nayar, and architect IK. More recently, I am jamming on these art esoterica notes with musicians MD and GL. Talking. At length. About why we make, why we make art, and why we make space for making. These are big topics! I can expand, another time, in S P A C E.
MEET US IN S P A C E. Two last notes! For how to be part of DK’s programmes, workshops, salons amd othet things we are making, sharing, doing, delivering, conversing about, and generally designing more and better S P A C E for. The jam. (There are a whole bunch of people to mention, as I think about the life and all the jazz I’ve gotten to know, bit by bit, over the years. Bebop. Free. Let me know where that’s going on, and I’m so there. With my pens, clipboard, and a bunch of paper.) See you in the up.
—>ARE YOU A MUSICIAN? Check out this page, ‘Introducing J A Z Z.’
—>ARE YOU interested in supporting DK’s work to make more and better S P A C E? Join S P A C E—Become a member.
REPORTING TODAY from a secret location in Malaysia. For a bit of space, to reflect and connect, with some whose paths I’ve crossed very recently, and with those who are still engaged with DK through our mailings in [S P A C E 2018].
‘New starts’, part LXII
I love starting over. I really do. It’s like when you open a new sketchbook and you’re just like, ‘Wow. Here we go. Where, though? Let’s go find out.’ I told some people in recent days I was in art school for like 10 minutes. It was way too early to be there, or really, it was way too wrong, for me, even then, even then I had a gut feeling about it… that style of making is just like production-oriented other schooling (commercial arts), and while I’ve no problem whatsoever with artmaking for a client (heck, that’s how I’ve lived these last 10+ years), I don’t think we should mess around with the ‘art of art.’ I will love to talk more about that in S P A C E when I get to interview someone whom I am sure you will adore meeting. I certainly have.
Anyway! This kind of quick-and-dirty art-for-the-sake-of-fame is just… not what I feel like real art is about. Real art is about experience, to me. About life, and about connexion-making. Not just you know, the usual kinds (love, work, blah blah), but about unusual and remarkable connexion. People whose paths might not have crossed, intersecting in fascinating new ways.
You know what most people say when I talk about this? ‘But, why, DK? Whatever is the point?’ These are the people who will never believe that I haven’t held a day job since 2005. The beginning half of the conversation with this set of people tires me. I stopped. I only talk now in S P A C E and with people I think would get into S P A C E aesthetically. It’s really weird. But anyway. Really, I should answer.
Why? Because quality. A pursuit of beauty that means we are noticing each other, for real. Not just superficially, gosh. Really? Come on, like how many of your ‘friends’ are going to show up for you when you ask them to come around to your show, or meet for a beer because someone just died, or something? Come on, be real about it. Ask yourself. Is all that stuff where you want to be spending your time? Not me.
Someone asked me for my facebook yesterday. I said I don’t have one. I don’t think he believed me. Then he asked for my number. I don’t have one of those, either.
‘How do people get in touch with you, then, DK?’
Just being honest about it… about how I really… don’t collect people. I share, and interconnect, I hope, when it’s working that’s what happens, when we are all showing up for that kind of thing. It’s not arbitrary and it’s certainly not for everyone. The reason you have to get tickets for stuff we are hosting is because I want to filter out the people who are just bored and looking for something to fill their time. I want people to show up who want to show up for this kind of jam. New. New and different. New and different others, seeking meaning in a distracted world. Shall I add, an indifferent world? Because certainly this work we are up to at S P A C E and DK in general is morphing away, and very quickly, from simply being bored with boring (which is how it started, as a design studio), and catapulting headlong towards being intentional about noticing people who are not like you. Does this make it political? Possibly. I don’t know how this happens; wherever I go, I get involved somehow in things related to ideologies that move towards human connexion that builds, together, something interesting. Self-governance or maybe just art.
I’m not sure. Is it the same? Does one necessarily fertilize the other? What precludes these things? Is where we are going as a global society something to talk about, more? I wonder. (I’m just riffing here. Let’s talk, if you want to: there’s a form at this page.)
(Side story: ‘I studied the philosophy of art. A guy named __.’ ‘Oh yeah! What did he say??’ ‘It was a long time ago. I can’t remember.’ ‘…’ ‘…’ ‘…’ ‘Are you bored?’ ‘YES.’ <—- This is why I don’t go out, often, to the ‘normal’ places where it’s socially encouraged to mingle. And the exact reason I made S P A C E.)
I’m bored, of course, (of course? Is it a given, really?) with the status quo. Always have been. Always will be. The status quo is where stuff gets sucked into the pockets of mediocirty, the whole ‘We’ve already run that kind of a story,’ thinking or, ‘This is just how it has always been, DK, can we just go back to the way we’ve always done it?’ Me: Please, no. Please, let’s try something new. Can we? No? You don’t want to? Well, okay. Goodbye. How many times have I been stuck? 61. I counted. And now, let’s move forwards. Let’s go to Malaysia. Let’s go see who’s around, and what we can experience, together. Ready, set.
NEW. Zines. Creative nonfiction pieces. Are now for sale here at Design Kompany’s site, exclusively. These were created at Atelier S P A C E, a popup, roving, zinemaking atelier that seeks to interconnect people in hyperlocal narratives. We write them, on the spot. With the people who take part. It’s pretty fun, light, conversational, and really all about seeing what emerges when we frame a space to ‘get lost, together.’ Improvisation, poetry, philosophy, breaking out of boxes: and yet, doing all this, within the confines of a specific time-bound and space-bound frame: that’s it. That’s the whole thing. That’s Atelier S P A C E. See the journey so far in pics at our instagram, or follow the posts here.
Currently available for immediate download and pre-order:
- S P A C E || Battambang
- S P A C E || Cameron Highlands
- S P A C E || Kuala Lumpur
- S P A C E || Sheffield
The collection, shown below, is set to be completed by December, 2018. The entire work will interweave narratives of people, place, and story. The first story is set in 1996, in Kyoto. The last store is set in 2018, in Phnom Penh.Each zine will be released to members of our S P A C E community. Join here.
S P A C E || Zines
Research. Reporting. Creative nonfiction. Digital publishing. Limited edition photocopied zine-making. Popup atelier hosting. Welcome to the S P A C E collection made at Atelier S P A C E. Started in Sept. 2017, and is moving to new places to discover people there, get us all talking together, and publish the stories of here, and now, in new editions of the zine, S P A C E.
‘The world is a beautiful book, but of little use to those who cannot read it.’
THIS MONTH in S P A C E, DK are sharing the new collection, Circumference. It’s a selection of short articles DK had first shared in our eZine S P A C E. The pieces were written from January through December, 2016, the ‘Year of the Circle.’ During that time, DK explored big questions with our members in S P A C E, together delving into ideas about what it means to become part of ’round and not square relationships.’
What came out of that is what is inside these pages. You’ll get to enjoy a Q&A with a software designer in Leipzig who gave us the rundown on ‘How to start anything,’ plus ‘Remarks on Noteworthiness,’ a miniature report from behind-the-scenes of what it was like to create the space for ‘N’ London: NOTEWORTHINESS, which asked 16 strangers to convene at the National Theatre on a cold day on November 2016 to talk about ‘What’s remarkable? Why do we think so?’ Streams of consciousness from Kismuth Books. And a note about things found, and lost, in Phnom Penh. A medley, culminating with the new kind of writings to emerge in 2018: a transmission from the fourth dimension, ‘20804d.’
Generally, the series in ‘Year of the Circle’ pursues this line of query: What are some ways that we can do our work better, together?
Download it here.
HERE IS A QUICK outline of what’s happening in April and May, in case you feel like applying to join DK in one of our new writing streams. Things have evolved since the 2014 cojournal, with the new suite of stories unfolding at Design Kompany’s active spaces just for conversations in forums to evolve, progress, and develop. Some of what’s new for just-beginning with DK is outlined below. We are especially interested in hearing new voices, so if you are new to DK this year, we are interested in hearing from you. Scholarships are available for anything for the right candidates.
Three new tracks for April & May workshops
- SELF. SELF IS AN online workshop: this time, we’re focusing on the ideas of composition and sketching out the ‘who do I want to become’ question. This track is inspired by the work of Kandinsky. Another section, focusing instead on ‘how am I feeling now?’ questions, is inspired by Nin. Both are just underway so you can join us this week to be included in the new cohort for the 12-week programme. I’ll send you the orientation pack. The first prompt goes out Monday. SELF is USD $160. The artist’s way, the creative process, exploring the composition: that’s what we’ll be doing this time in both tracks. It’s for people who are in transition, who are curious about a new way of taking a good look at personal values and clarifying next steps. Built from a past career as brand designers, at Design Kompany, and working on, uh, a bunch of memoirs, hey! We are going to share more about that with anyone who decides to apply this week; learn more about SELF and how to apply at this page.
- MIRROR SECTION Z is also happening, starting 23 April, by application. If you missed it in January, this is your chance to get ‘in’ on some of what people have been calling ‘astonishing,’ and ‘an opportunity.’. THE MIRROR Z is USD $160-200. Find out more here
- COJOURNAL18. Next Cojournal is also coming into play, from 7 May. It’s 8 weeks or 12 weeks of writing to prompts designed to get us creatively engaged, and accountable, with and to one another. Limited seats. Application required. USD $120-$160. More here.
New ways of connecting, in S P A C E
Making the best use of the interactive form that is the blog, we are now:
- Conversing with people in the S P A C E community through weekly prompts and new forums, which have passwords and stuff to keep things intimate.
- These are the current active spaces.
- New subscribers to S P A C E will get the first dibs on exclusives. Subscribe here.
- View all upcomings
Check it out! ✨
‘Well, you know I can’t really judge. I’ve been doing the same thing all day.’
‘I mean, if it was ten years ago, and MA and I were hanging out having our meetups on Tuesdays like we used to, all those many lovely weeks, I think… we would have turned it into something similar. Co-worky and everything. I’m sure of it, actually, now that I think about it. But we didn’t because we didn’t have that technology. Instead we talked. A lot, really. And those were memories I treasure from those days.’
‘You guys did that regularly. Every..’
‘Tuesday at ten. At Vicky T’s. I really got to know her over those chats. Something about showing up, regularly, over time. All those weeks, those doodling sessions, conversations, just letting things come up as they wanted to. Not forcing it.. .making the time for one another. Just us, that was nice. It’s actually the only thing I miss about Seattle. And JB, of course. JB, for sure.”
‘And yeah, now that I think about it… it IS weird. Co-worky office-y over dinner with laptops, phones, and wine, and food, and phones, and phones and laptops and texts…’
‘Sometimes I’m just glad I was born when I was. But then again, like I said, I did do the whole computing thing all day. So I can’t judge.’
‘And yeah. I’m about to go do that, now.’
‘You could just stay here, and do it.’
‘I could. Stay here. Yeah. I will do that.’
‘See you, then. After everything.’
*emails* ‘That was fun, hanging out!’
*emails* ‘See you in a few hours!’
This is 6/100 in the series 100 conversations.
ON APRIL 1, a new collection, ‘Circumference,, will launch here at DK. It is a set of writing, imagery drawn and photographs made throughout 2017 in S P A C E. Our ‘Year of the Circle’ conversations in virtual and offline spaces led to dialogues that moved and shifted. In the end, we could see the gist of the thread: what makes for softness in our approaches to life, and work? Roundness, not squareness, that invites listening, seeing, empathy, and compassion. Which we need more of in this world, right? (Else we shall see more of the same: mansplaining, for example, and related irritations.) So DK examined those questions.
We read from Inward Revolution (J. Krishnamurthi), and Lady Chatterly’s Lover (D. H. Lawrence), the latter of which was originally titled ‘Tenderness.’ Marketing can so spoil a thing can it not? The original intention for the title, though, is… Important. When the author wrote this book, he had already figured out what we are just waking up to: toxic masculinity, the pursuit of power, the conflation of money for prestige, and the lack of care (and respect) towards women is a giant problem, for all of us. The inattentiveness to what tenderness can bring us, and I mean tenderness, for real, is as Holden Canfield would call it a big black eye. The sheer obliviousness is crippling society from feeling well. Belonging, wholesomeness. Morality, culture. So much sharing on this topic informed the writings born here. (The back and forth nature of ‘call and response’ is how DK design and host space. So the meander, softness, intrigue, discovery and comfort that come with a rolling circle, bumping into walls and falling into holes (HT Shel Silverstein), makes this collection whole.)
We studied Non-Violent Communication, Cognitive Behavior Therapy, and Authentically Relating for this work of researching and corresponding with those members of S P A C E who opted to participate. This is how we grew, together, towards a new understanding. This is a co-created work, edited by A. Spaice.The S P A C E || Vol. III 2017 ‘Circumference’ collection includes the zine-stories S P A C E || Battambang (‘Here comes the Dance‘), S P A C E || Singapore (‘Dunlop & Perak’), and S P A C E || Ipoh (‘Highlands‘). Plus essays, Q&A pieces, features, and photo collections from Phnom Penh, Ubud, Kuala Lumpur, Bangkok, and Penang.
We are sharing it for free with our members, on 1 April.
In S P A C E.
It has been four years since we began publishing our eZine, S P A C E. Which runs the gamut of topics relating to creating new, and better space, mostly the kinds that foster interpersonal dialogues that progress in a meaningful way. That doesn’t have to mean lifetime friendship, or anything. Just… It has to be real. Space for new thinking. New perspectives. New journeys, collaborations and friendships. New, though. New matters. New is where we push the edge, try new things, and grow. Meet me in S P A C E? Let’s play.
FIVE OF US. Wrote a poem together.
And I’m going to send it to just the five of us, and that’s it.
It’s called A Song for Jean Rhys.
Jean Rhys inspired the work, in a big way, of hosting The Mirror.
Writing needn’t be about mass producing, or selling, or convincing, or debunking. Sometimes, writing can just be about sharing. Making a quiet space, and letting that be enough. Enough. Letting things slow and experiencing this here, this now, is enough… What if that could be a philosophy?
Asia for five years now. You let go a little bit of the old programmes. I know I’ve written that somewhere before, but it isn’t a bad thing to underscore it. Letting go of the programmes. To see, finally, when we can make space, to be together for a time, to listen and to share, that’s neat. That’s being here, being here now. Some people who have mentored me have shown me the ways to try to include the quiet spaces in my everyday, and indeed, to let them take the center stage. Stillness. Quieting. I’m living next to temples. I’m learning to stay the journeys now, without abruptly quitting a person, time, or place. But… Selectively. The small poem is ‘A Song for Jean Rhys.’ It isn’t for sharing here, but there, in our closed circle, where things have gone from small and simple maybe things to wow, this is good, this is right things. Is this intimacy?… is this beauty? Is this the whole thing of Art?
SOME DISTANT DAY. Big questions, but we don’t have to resolve anything. Rilke said, to the young poet, don’t ask so many questions, but let yourself live your way toward the answers… Of course he said it better, but it’s past midnight and the scrap of paper I had written it on is, oh, no, wait! I typed it! In Cameron Highlands! Here… Indexed, searched… found:
Be patient toward all that is unresolved in your heart and try to love the questions themselves… Do not… seek the answers, which cannot be given to you because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps you will gradually, without noticing it, live along some distant day into the answer.’ —Rilke’s letters to a young poet
Atelier S P A C E is DK’s popup, zinemaking on-the-spot workshop. The idea is to gather a handful of people to meet and cocreate a short publication. A zine.
So far, DK has hosted Atelier S P A C E in: Battambang, Singapore, Penang, KL, and a few smaller cities in Malaysia. Zines from Atelier S P A C E have appeared at writers festivals in Singapore and Georgetown Penang, so far, and more appearances are set for a Finland tour in the summer.
Be a part of the international conversation.
- For the full five-day programme in Bangkok, it is THB 8000.
- Register by 5 March to confirm your spot. Get tickets here. ✨
Forget what ‘they’ say.
THE MIRROR is for helping you discover and listen to you. You don’t need anyone else to spell it out, but here it is: no one is going to regret it more if you don’t do the work than you. Did you read that article that went viral, a while ago? ‘Top 5 Regrets of the Dying’? >
DK’s online workshop for 2018 is THE MIRROR. The unique reflection workshop THE MIRROR will give you a chance to discover your way to fresh, revealing insights. On you: the inner motivations that are moving you towards your goals, your dreams, and your heart’s desires. We are accepting new guests on a rolling admissions basis through the end of March.
WHO SHOULD APPLY. If you are questioning the goals and methods that you have or are using, then THE MIRROR is ideal for you to re-evaluate and confirm your personal values are aligned with what you are doing and making at work.
- If you are in a period of limbo,
- if you are in transition,
- if you have just come out of something or are about to head into a new phase, THE MIRROR is a good programme.
- if you have been through some difficulty or a change,
- or something has pushed you to question your own goals, vision, mission and values, then THE MIRROR is an excellent tool.
SCHEDULE. Posts will be sent weekly. Each week’s is designed to be complete-able within 20 minutes. These are sequenced to help you discover with clarity the pop that makes you very much you, and only you. You will be invited to share also in selected pages of our concurrent conversations going on in very small circles in Design Kompany’s protected-page forums.
A few testimonials from guests of DK’s online programmes…
- ‘Thank you for the opportunity.’ —Anonymous
- ‘It’s a unique project and it’s pretty special. If you’ve been looking for some structure or accountability in your writing—and supportive community in very small groups, this could be for you… a compassionate leader… offers some accessible assignments that are helping to shift my writing lens. I love it.’ —MH
- ‘Warmly recommend it.’ –SG
- ‘[This] motivated me more to do what I wanna really do and kick some a**… Thank you, DK!’ —JH
JOIN THE MIRROR. You’ll need to apply, then to register: Apply. Choose an 8-week or 12-week option. Late registration fee is USD $160-200. Selected applicants will be invited to register.