SELF Bangkok

MAKE A SPACE for reflection in this relaxed, prompt-led evening workshop.

You can come just once, or you can come to all of our sessions. These will take place at a location to be shared with registered guests. The dates will be on Tuesday and Thursday evenings. It’s a modular course, with fresh prompts each time. Join us for all sessions or just a few, or just one, for the same fee.

DATES. SELF will be held in Bangkok on Tuesdays and Thursdays in late July. Rotating venues. Select your start date when you register. More by email to follow, from there.

HOST. Hosted by author Dipika Kohli, it’s a chance for you to discover, along with a small group of new and different others, just what it is that most matters to you, why, and how you can apply that right away to your next steps. ‘Choices we make, whom we choose to be with, where we opt to live and how we feel are all rather arbitrary,’ says Kohli, who has authored personal narratives with titles like The Elopement, The Dive, and Breakfast in Cambodia. (More about these is at Kismuth Books.) Dipika designed and hosted SELF for university students studying entrepreneurship, and thinking about the kind of legacy they wanted to leave, in 2014 in Palo Alto, then adapted it into a memoir-writing workshop for curious writers-in-the-making at a library in Chong Nonsi.

Order ticket — $145-160

Origin

ORIGIN: ‘What is fromness?’ is inspired by ‘Ask me where I’m local’ by Taiye Selasi: ‘When someone asks you where you’re from … do you sometimes not know how to answer?’ Selasi speaks for “multi-local” people. In other words, people who feel at home in the town where they grew up, the city they live now and maybe another place or two. How can I come from a country?, she asks. How can a human being come from a concept?’

Origin: What is ‘fromness?’ Join Design Kompany in an informal setting for a conversation salon, ‘Origin.’ We’ll be talking about questions that help us all reflect on self-identity, whereness, and the notion of ‘where I am from.’ The program is light, and a slight redesign of our 2014 Origin conversation salon, also held in Phnom Penh, in which 16 people gathered for an unusual experience of talking with complete strangers about close-to-the-heart questions. We enjoyed the outdoor and informal setting, so we’ll keep that. Come to meet people from a wide mix of backgrounds. People whose paths you might not have crossed. Who are interested in taking a good, honest look at questions like: Who am I? Where am I ‘from?’ Who is my family? Where is my home? Questions that, we learned in 2014, truly open the heart. And help us learn more about one another, as well as ourselves.

  • ‘I never imagined I’d meet so many different people.’
  • ‘I wish we’d had more time! Thank you.’
  • ‘Weird and interesting!’
  • ‘Refreshingly honest.’

Order ticket — $11.25

Meet me in Vientiane: ‘N’ is NEXT

16N gathers 16 strangers in real life. To talk about a thing that starts with an ‘N’…

 

‘N’ Vientiane: NEXT

LET’S MEET IN REAL LIFE. Just 16 people. To talk together about the idea of ‘NEXT.’ This is the idea of 16N: to gather people whose paths might not have otherwise have crossed. Briefly. Once. For a conversation of the kind you’ve never experienced before: it’s not a workshop, it’s not a party. It’s nothing like you’d expect. That’s what people have told us, at ‘N’ events in Phnom Penh, Bangkok, and London. ‘N’ Vientiane is NEXT.

#play16n

More information, including details of how to request an invite, is at this page >

16N

Metaphilosophy and metaphysics, with clouds

MEET ME IN THE SKY?

Get together with a very small group of people to talk about things that feel more interesting than the usual drone of:

  • ‘How long have you been in Phnom Penh?’ (yawn)
  • ‘What do you do here?’ (Why? Are you job hunting?)
  • ‘Where are you from?’ (How about ask me where I’m local?)

The idea. After a series of four really amazing ‘Rooftop Philosophy in Phnom Penh’ salons, limited to just a few people and small and informal in style, we bring back Rooftop Philosophy in Phnom Penh, this time the #5 edition, by invitation only. Share your availability with DK by email and we’ll choose a date and time that works for most. Max 6.

Agenda. Guided, prompt-led conversation. No experience or expertise necessary. Proficiency in English is best, but all are welcome. Light, relaxed, nice view. How to design space for great dialogue? Conversations that, I promise, will veer far from the vein of the above. That is the work of DK.

Fee. USD $15 per person to participate. Free for patrons of DK. (Want to become a patron? Here’s how.)

RSVP through the form below. Details to follow.

Rooftop Philosophy in Phnom Penh
Rooftop Philosophy #1 – #4 happened here.

When time stops

SOMETHING HAPPENED.

Yesterday, a watch stopped. Hers.

7.45PM.

This was the second time this kind of thing had happened. That is, a watch stopping. That time, his.

8.15PM.

Both times, in the middle of a superb conversation that, really, slowed into a moment. Conversations with people that I had just met. That day, or a few days prior. Really good sweeping topics that spanned the universe, life and death, birth, stillness, space, poetry, philosophy, conspiracy theories (me), art, skepticism of nonsense (them). And you could feel it, just there. The stopping. Then, it was literal. How does this kind of thing happen?

Let me try to feel my way towards the ‘how,’ even if I don’t get there. With words, of course. Words are a sort of paint for me, the paintings I’ve been looking at this week reminding me to play with them a bit, to see where the layers might take us.

Yes, the ‘something’ that happened, let us call it ‘!*’, whatever ‘!*’ was, well, I know it happened, it happened because I felt it, not just in the way that you feel when you are feeling a shift in the breeze, or that kind of thing, but because you are sensing something inwardly shifting, which is reflecting something larger, very large indeed, and you know that the quantum bits and pieces are at play, or that strings are vibrating, or that there are nine other dimensions (nine? More?) that are resonating in the same hum, or a different one, or a new color, and that, taken together, these things are beginning to make a new pattern. Of course the intricacies of the design are beyond our capacity to ‘note,’ and NOTEWORTHINESS being the theme this week-and-a-half here in London, of course I have to philosophize a bit about it, here and there, when I find the urgency of the moment in which that frequency will suggest, in a gentle but firm whisper, ‘Yes, now.’

The reflections begin

I HAVE BEEN QUITE LUCKY, this trip. I have met some of the most outstanding people I’ve ever encountered in my life. And all at once. At ‘N’. The most incredible thing happens when we assemble, just sit together, talk together. [Not like in the round, in the workshoppy-style that SN, remarking on DK’s style of making circles, had once called ‘circle time.’ Was it 2014? It’s stuck since then. Circle time. Yes, we love circle time here, of course we do, but you just can’t always go into the circle space because sometimes you are meeting in public spaces and it just would be weird.] I mean, you might get kicked out. In this instance, for ‘N’ London: NOTEWORTHINESS, we convened at the National Theatre. While on the one hand I had made the good acquaintanceship of some of the people working there, who noticed that I was greeting people who didn’t know one another and would be later pointing the latecomers towards our table, asking, ‘Are you here for the blind date?’, and letting them know where I was, yes, while they were on my team, you could say, in making it happen that people whose paths might never have crossed were, at ‘N’, designed to intersect in one moment, well, I don’t think they would’ve been cool with it if we did some circling up and talking about things like I like to do sometimes at these sorts of conversation installations. I don’t know. Maybe it would have been okay at the Royal Academy (pictured), whose purple velvety cushioning made me want to curl up and read a book, any book, by, say, J. Krishnamurti (thank you JB), all evening and through the night and the next day, but then again, circle time is special. I don’t know. I think you have to just feel like it, in that moment. Like so very many things, that are good. That are noteworthy, even. But then, ‘Royal’ doesn’t start with an ‘N’, so that’s it, it’s a no-go, right there. Plus, ‘Royal?’ Who wants to make it all hoity-toity? Not me.

Unfolding stories

THERE IS SO MUCH more to say about ‘N’ and the things that preceded it, the conversations that revolved around that strong central gravitational point, ‘What’s remarkable? Why do we think so?’ I’m going to be sharing more about it slowly, through the eZine, but also, with guests who took part in ‘N’ London this time. There’s stuff to report to past guests, of ‘N’ in Bangkok and Phnom Penh, and the one to happen next, in Copenhagen. I’m getting to it. All of it. But I need some time.

Writing, today. In pencil, on the keypad. In my head. Writing for the sake of writing. Writing for the self. This is the time that won’t come back. This is the time to sit, quietly, and make a poem or two, and let the flow come as it does, when and exactly and only when it’s ready. These are the moments, aren’t they?, when time stops.

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