2 July | DK’s online photography x writing workshop-salon

NEXT MONTH, we’re going to host an online conversation called ‘Slow Moment.’

It’s designed for writers, photographers and people who practice slowing in all its many, many forms. In this post, I’m going to tell you a little bit about how the online projects here at DK work, and also, why we’re doing the 12-week sequence on the theme, ‘Slow Moment.’ I’ll start with the latter.

The idea started when we hosted ‘The Mirror‘, in which one prompt was ‘Slow Moment,’ and the responses that came were so fantastic that it led me to dedicate an entire 12-week block to just this subject. We talked about family, the woods, walking. Hikes, oceans, and being on our own. We talked about wanting to go places, going there, and what happened when we did. Relationships. Journeys. Endings, and new starts.

‘Slow Moment’ starts 2 July. Learn more >

 

OPEN SPACE. Popouts. Allowing people to spend more time talking together about the topics they are most interested in. That’s how Open Space works, and that’s how we’ve been conducting our four-years-and-counting online project, S P A C E. It’s a salon. It’s a workshop. It’s a community. (And it’s just celebrated its fourth birthday.)

For me, moving towards the focusing in 2018 on the conversations that have developed and progressed is a really cool, fun step. Maybe we’ll create an anthology, perhaps a photozine, to share sometime in the fall, based on where we take things now. You never know how things can flow, they can meander, they can fizzle, they can blossom, they can die. It’s not a big deal, really, what happens. It makes room for new things to grow. New input. Original thinking. Freshness, space… that sets the stage for innovation.

Now. Next. All set for the 2 July start of ‘Slow Moment.’

 

Designing more and better S P A C E

HERE’S THE THING. I could have continued doing design for the next hundred years, when the work was happening and I was getting into it, and clients were referring DK, and so on. But what did I do? Move to the other side of the country, start over. That’s how it changed into more of consulting work; but also, salons. Started doing weirder and funner things, like ‘Aether: Is the Medium Still the Message?’, a series in which we invited guests to talk with us about the old ideas and the new ones when it comes to making media. Took that from Durham NC up to Washington DC, then New York’s Bryant Park, then Boston. Came back and made even more, even weirder installations. (Like ‘I Went 2 the City (And There Was Nothing There’, and more. I can talk about them for pages and pages, but that’s not the purpose, here.)

I want to invite you to join us in S P A C E, if you are getting a link to this page from me personally, especially. When it comes to making this invitation, what I care about is the spacemaking. I show up. I have the thing designed. If people enter the box of S P A C E to play, and they do, they really do, sometimes, then I’m happy to host. That’s how it’s been and that’s what’s going to happen now. I’ve just received the first application for the 2 July start of ‘Slow Moment.’

 

New things

IT’S A PLEASURE as always to read these applications. It feels like getting letters in the mailbox. It’s personal, it’s warm-hearted, it’s sharing. People write a lot of beautiful things. I can’t tell you what they are, because of confidentiality, but the whole thing makes me feel very humble. If writing for the sake of writing were all there was, we would keep our manuscripts in drawers and never show them to anyone. Of course, that happens, and it’s cool, if that’s your thing to just write and be a writer or photograph and be a photographer, and never share, then cool. That’s you. But it’s not me.

 

The Mirror 2018 welcomed guests in online forum-spaces from around the world.

 

Rapid prototyping for S P A C E events in Finland

Sharing is a part of the experience, to me, of making art. And being ‘in’ on the process of how a thing is made is something, I’m just realizing as I write this, and as I make zines with people here in Finland, is a huge piece of my own approach to art. If you can’t see how it’s been made, what is the fun of seeing it in its final form? Especially now that we have this two-way medium of communicating (web!), why not enjoy the process of developing our works, as we are making them, with others to write with, share with, post pictures to, engage with. But I’m not talking about 1:N. I’m talking about very small circles. Like, four people in each. I’m inspired by my way back in the day fifth grade class, and the style we used to have there, in small groups. Four of us would have desks facing each other, and we had these little ‘pods.’ I’ve since learned about the ‘jigsaw‘ method of teaching, and realize what an impact it had on my own way of learning, approaching things, and asking peers for their ideas on what I want to know more about.

That’s probably why I’ve reached out, in recent months, to more than a dozen of my favorite photographers. People whose work I’ve seen in real life, or really admired and reached out to and subsequently met up with just to talk art-shop. People who are doing really cool things. Whom I wanted to ask, ‘What do you think about really seeing, really noticing, really going into the quiet spaces and enjoying them, and then, somehow, photographing or capturing them through written words? It’s a big question, for sure. But… what do you think?’

Some of their answers are already prepared for you, in the upcoming workshop… ahead.

But to give you a sneak peek, here’s some of what I learned.

 

Slow art

‘Slow Moment’ starts 2 July. Learn more >

SLOW MOMENTS let us remember what our story is. To ourselves, about ourselves, but also, who we are in relation to others. (And in an existential way, to the cosmos). In many ways, I think for many of us taking part in DK’s online salon-workshops, we’re just talking together in these online circles because it gives us a place to share.

I’ve been making S P A C E salons in real life for a while now, and the goal is to create a cozy space where people who don’t know one another can simply be together, and talk if they want, or not-talk if they feel inclined that way, and simply be who they want to be, which I hope, in S P A C E, is who they really are. So many other facades are out. So many guards are up. In the real world, I mean, and in the social media world, too. But who are we really? When I connect with people in S P A C E, I feel I’m talking directly to them, their real selves, without all the layers. That’s a privilege and a responsibility. But I think, I do really think, that I’m getting kinda good at this. That’s why I’m not quitting the salon-hosting online, not yet. I’m going to keep hosting as long as I get amazing applications. And I do. So I will.

 

S P A C E is where we write, talk, and comment; it’s asynchronous, and it’s international. I encourage pen names, too. It’s not about google-ability or sounding smart, or anything weird like social media commenting status quo goes. I don’t understand how social media got so out of hand. I really miss those days when twitter wasn’t algorithm-y, nor did it have promoted ads, and we could just say ‘hi!’ to @anyone, and it was chronological, and not driven by… agendas… Of all varieties.

Slowing into the moment. Seeing it. In S P A C E. Read more about S P A C E projects.

BE A PART of this. We’re taking applications currently, and we’ll select just 8. See you on the other side. –DK

 

 

 

Pienoislehtityöpaja

PIENOISLEHTIEN TEKEMINEN on Suomessa vielä harvinainen harrastus. Työpajajassa tutustut lehtien tekemisen mahdollisuuksiin ja opit taittelemanan ja tekemään uniikkeja tai monistettavia vihkosia. Sisältö voi olla kuvia, tekstiä tai ehkäpä pieni tarina.

PIENOISLEHTIEN TEKEMINEN on Suomessa vielä harvinainen harrastus. Työpajajassa tutustut lehtien tekemisen mahdollisuuksiin ja opit taittelemanan ja tekemään uniikkeja tai monistettavia vihkosia. Sisältö voi olla kuvia, tekstiä tai ehkäpä pieni tarina. Millaisen lehden sinä voisit tehdä? Pajaan osallistuminen ei vaadi aiempaa kokemusta tai valmista ideaa. Ohjaajina taiteilijat Dipika Kohli, Design Kompany (US). Ohjaus suomesksi ja englanniksi.  €10

S P A C E || Kärsämäki, DK 2018

 

 

MAKING ZINES. At this hands-on workshop, you can explore the possibilities of making a ‘zine,’ short for ‘magazine’. Learn how to craft unique, or limited-edition booklets. Content may be images, text or perhaps a small story. What kind of magazine could you do? Participation does not require any previous experience or a complete idea. This workshop will be hosted by artist Dipika Kohli of Design Kompany (US). It will be in Finnish and English. €10

Atelier S P A C E | Chiang Mai Thailand, DK 2014

 

Atelier S P A C E || Singapore, DK 2017

 

Atelier S P A C E | Singapore, DK 2017

 

‘Today I Love You’ art installation reception & zine reading | Durham NC, DK 2012

 

Zines as tickets for 16N | Hanoi Vietnam, DK 2017

 

S P A C E | Phnom Penh, DK 2016

17 June | Then & Now

Do you ever feel like it’s getting more and more difficult to find ways to meaningfully connect with others in stimulating conversation?

Let me repeat that.

Do you ever feel like it’s getting harder to meaningfully connect? I do mean meaningfully, not trivially

Was this easier in the past? (Or is that just an idea in my head? Like so many things, it’s easy to start to become nostalgic about ‘the way things were, before.’ But what are the bright spots of now?)

What are the modern, day-to-day items that give our life meaning, items we didn’t have before, but are important to us now? Let’s converse. Let’s meet and discover new ways of thinking, new perspectives, and new people. And old ones, too. Let’s talk about ‘Then & Now.’

In this series, you’ll have a chance to join a conversation salon that is designed to make it easy to talk deeply and connect with strangers in a very short space of time.

Hosted by Design Kompany, ‘Then & Now’ invites you to consider questions about where we are at this moment in time, where we’ve come from, and what we can imagine for our futures. Come with an open mind to hear expert speakers, make new friends, experience a ‘conversation salon’, play with improvisational theatre, and enjoy delicious food and drinks.

DK’s hosted salons since 2006 in Seattle, London, Malmö, and Copenhagen.

This conversation salon is part of the programme Atelier S P A C E.

S P A C E || Welcome to ‘Slow Moment’

I JUST LISTENED to Zeynep Tufekci‘s talk about AI on TED, ‘We’re building a dystopia just to make people click on ads.’ It’s about the specific ways companies like google and facebook and amazon are just selling our data… the way we do these things now, ‘communicating,’ I mean, where is it getting us? It is kinda sad, isn’t it? Fragmented and disconnected, more and more.

ISOLATION. We’re going into this crazy world of isolation, for what reason? Just so people can sell us stuff. Everything is so weird. No, I’m going to slow down, here in Finland. While also hosting Atelier S P A C E on International Zine Day (21 July), and bumping into the chance encounters here and there (and in, I think, Oulu). Let’s see what happens.

Focus.

SLOW MOMENT. Next up, our online salon and real-life photography project, ‘Slow Moment.’ This is going to happen both here on the blog, in online forums in S P A C E. (Warm welcomes to those just joining today–look for my email at 7AM USEST in your inbox.) More about the project, in case you’re not familiar with Design Kompany’s interactive online magazine S P A C E and its associated programmes, can be found here.

Photo: Helsinki Design Week

1 June | Atelier S P A C E moves to Finland

HELSINKI, Oulu, and Kärsämäki. New and different others. Conversations in S P A C E, intermingling with our online ones in these protected pages. Discovering and connecting people whose paths might not have otherwise crossed, that’s what we are up to, here at DK. Sounds like a big project, doesn’t it? I used to think so. But the more I go, the more I see that people are really interested in connecting, like for real, and that they truly do value genuine conversations, and the kind of space that lets those things just naturally happen.

Hard to find authenticity in the era of superficial social media, which is about bragging and facades and feeling bad, and stuff like that. I am ambivalent about it. I have an instagram account but don’t know what to use it for, or how. I don’t care to write about myself, not really, just the opportunities we are sharing for people who are curious to come out and check out the online and offline spaces. Why? Because it’s easier to discover more about one another when we actually take a chance and show up for a thing… this ‘hands-off’ thing that is the nature of our modern communications, in which replies come and go in sporadic fashion and people are available (or not) through so many multiple layers of channels of texting… It befuddles me. I’m an emailer. I have the occasional phone call. I converse with those guests who join DK in S P A C E. It’s working. We’re talking. Like for real, and I like it like this. On my way soon to find the next suite of guests for, I hope, ’16N.’ In which 16 strangers meet in one moment of conversation. Might it happen? We did this in London, Hanoi, Bangkok, and Phnom Penh. Could happen. Helsinki has an ‘N’ in it. The theme for ‘N’ Helsinki is NEW. Meantime, we’re also interweaving S P A C E the forum with the real life atelier in Kärsämäki: check out ‘Slow Moment’ to see how you can take part, it’s listed at our upcomings page. Here’s to the journeys, the new and the next.

ATELIER S P A C E || FINLAND. Atelier S P A C E happens in Kärsämäki on 21 July, which is International Zine Day. We’ll make a photozine this time. It’ll take place again in Helsinki, at the end of May and then again at the end of August. Somewhere in the middle of the summer when the festivals are on, we’ll also host an Atelier S P A C E session in Oulu. Check out the upcomings to see what’s what.

 

Arts & Letters Society | Kuala Lumpur

WRITERS, designers, artists, business execs, marketing coordinators, communications consultants, and digital agency directors are all invited to talk in this new and different conversation salon. Arts & Letters Society is an open circle that will meet just two times. You are invited to connect with Design Kompany at two A&LS meetups in Kuala Lumpur (25th of April, and the 25th of May).

Join in the conversations about art, design, the work of making, and the way we each engage with the creative process. Last seen in KL to host Atelier S P A C E, DK welcome a chance to invite the new, the different, and the serendipitous to see what magic we might make, together. Free for anyone who connects with DK through our new [S P A C E] 2018 announcements list. Find the link to that at our homepage, for Design Kompany. Hosted by A. Spaice. (Special VIP guests to be announced, will share the agenda and meetpoint by email.) Men, women, and other, are all welcome to this inclusive, yet small in scale, conversation salon. Arts & Letters Society looks forward to meeting you.

Add your name to [S P A C E] 2018 announcements list for more.

25 May | KL ‘Kaunter Tiket’ zine launch party

*Happening.* Free with registration.

Register at: https://www.eventbrite.com/e/arts-letters-society-tickets-44788701211

Open invite, +1s welcome. *Secret location* to be shared with registered guests only.

G R E E D

THIS IS a conversation salon for people who are conscious about the state of the world and the implications of G R E E D. It’s a space for sharing and processing, together, with others whose paths we might not have crossed. The idea is to mix things up: social justice, activism, international development, sociology, political discourse… we are looking for people interested in these topics. As well as those in business, in positions of making policy, of tempering runaway G R E E D. Is this you? Let us know. A new prompt will post each Tuesday. You’ll have a week to reply in an asynchronous forum, hosted at this website, and we’ll move the dialogue to what emerges, the following week. This takes place on Tuesdays in May. Let’s talk about G R E E D. Let’s work some stuff out.

Apply to be a part of it. Use this form:

Welcome to Connection, welcome to S P A C E

REPORTING TODAY from a secret location in Malaysia. For a bit of space, to reflect and connect, with some whose paths I’ve crossed very recently, and with those who are still engaged with DK through our mailings in [S P A C E 2018].

Allora.

‘New starts’, part LXII

I love starting over. I really do. It’s like when you open a new sketchbook and you’re just like, ‘Wow. Here we go. Where, though? Let’s go find out.’ I told some people in recent days I was in art school for like 10 minutes. It was way too early to be there, or really, it was way too wrong, for me, even then, even then I had a gut feeling about it… that style of making is just like production-oriented other schooling (commercial arts), and while I’ve no problem whatsoever with artmaking for a client (heck, that’s how I’ve lived these last 10+ years), I don’t think we should mess around with the ‘art of art.’ I will love to talk more about that in S P A C E when I get to interview someone whom I am sure you will adore meeting. I certainly have.

Anyway! This kind of quick-and-dirty art-for-the-sake-of-fame is just… not what I feel like real art is about. Real art is about experience, to me. About life, and about connexion-making. Not just you know, the usual kinds (love, work, blah blah), but about unusual and remarkable connexion. People whose paths might not have crossed, intersecting in fascinating new ways.

You know what most people say when I talk about this? ‘But, why, DK? Whatever is the point?’ These are the people who will never believe that I haven’t held a day job since 2005. The beginning half of the conversation with this set of people tires me. I stopped. I only talk now in S P A C E and with people I think would get into S P A C E aesthetically. It’s really weird. But anyway. Really, I should answer.

Why? Because quality. A pursuit of beauty that means we are noticing each other, for real. Not just superficially, gosh. Really? Come on, like how many of your ‘friends’ are going to show up for you when you ask them to come around to your show, or meet for a beer because someone just died, or something? Come on, be real about it. Ask yourself. Is all that stuff where you want to be spending your time? Not me.

Someone asked me for my facebook yesterday. I said I don’t have one. I don’t think he believed me. Then he asked for my number. I don’t have one of those, either.

‘How do people get in touch with you, then, DK?’

Mailing list!

Just being honest about it… about how I really… don’t collect people. I share, and interconnect, I hope, when it’s working that’s what happens, when we are all showing up for that kind of thing. It’s not arbitrary and it’s certainly not for everyone. The reason you have to get tickets for stuff we are hosting is because I want to filter out the people who are just bored and looking for something to fill their time. I want people to show up who want to show up for this kind of jam. New. New and different. New and different others, seeking meaning in a distracted world. Shall I add, an indifferent world? Because certainly this work we are up to at S P A C E and DK in general is morphing away, and very quickly, from simply being bored with boring (which is how it started, as a design studio), and catapulting headlong towards being intentional about noticing people who are not like you. Does this make it political? Possibly. I don’t know how this happens; wherever I go, I get involved somehow in things related to ideologies that move towards human connexion that builds, together, something interesting. Self-governance or maybe just art.

I’m not sure. Is it the same? Does one necessarily fertilize the other? What precludes these things? Is where we are going as a global society something to talk about, more? I wonder. (I’m just riffing here. Let’s talk, if you want to: there’s a form at this page.)

Day in KL

(Side story: ‘I studied the philosophy of art. A guy named __.’ ‘Oh yeah! What did he say??’ ‘It was a long time ago. I can’t remember.’ ‘…’ ‘…’ ‘…’ ‘Are you bored?’ ‘YES.’ <—- This is why I don’t go out, often, to the ‘normal’ places where it’s socially encouraged to mingle. And the exact reason I made S P A C E.)

I’m bored, of course, (of course? Is it a given, really?) with the status quo. Always have been. Always will be. The status quo is where stuff gets sucked into the pockets of mediocirty, the whole ‘We’ve already run that kind of a story,’ thinking or, ‘This is just how it has always been, DK, can we just go back to the way we’ve always done it?’ Me: Please, no. Please, let’s try something new. Can we? No? You don’t want to? Well, okay. Goodbye. How many times have I been stuck? 61. I counted. And now, let’s move forwards. Let’s go to Malaysia. Let’s go see who’s around, and what we can experience, together. Ready, set.

And… hello.

‘Kaunter Tiket’ the zine launches on 1 May. Hosting a few events with friends to kick things off. // Photos by DK and, immediately above, photo by: Araujojoan96

 

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‘Kaunter Tiket’

S P A C E || Kuala Lumpur

AVAILABLE in both print and soft copy, this issue of S P A C E is a 2-volume, limited edition zine. It was released on June 1, 2018.

It’s set in Kuala Lumpur in December, 2017, when DK and others were gathered there for Atelier S P A C E to look for the hyperlocal story and make a zine. It relates the honest dialogue between two women (‘both middle-aged, single, and tough with men’). In the story, two main characters, both brassy in very different ways, open their innermost vaults of secrets to one another, swapping candid stories about ‘the way it is,’ in their respective opinions, when it comes to love, admiration, power, and sexuality.

Sweet dreams are made of this/ Travel the world and the seven seas/ Everybody’s looking for something… —Eurythmics

These are the print version. Get one by postal mail, just click that option at the order page.

THE HEROINE of this piece is a woman whose real-life story left DK so speechless, that we completely overhauled the story originally published last winter. Since then, the team collaborating on the zine continued shaping the story, to refine the so that it is much more a portrait of one particular strain of a life, a style, and a philosophy.

In this work of creative nonfiction, ‘Kaunter Tiket,’ corporate exec Ritu Raj meets a remarkable and unexpected chance encounter, and sees in an insightful instant it will reframe her perceptions of material, and personal, success.

Worlds apart, but joined in their experience of a series of life experiences with common denominators, two women enter an all-night dialogue that will touch on all angles they can manage to delve into on the subject of love relationships.

Look forward in this short, packed zine to discovering an unexpected intrigue, witnessing closehand a superior poise, cutting up mainstream media’s images of female beauty, and being allowed to witness a bright, passionate resilience.

Set in the smoky billow of neither heartbreak nor apathy, but reality, the story starts somewhere behind Jalan Sultan Ismail.

New recountings of age-old narratives invite you to rethink painted facades and false illusion, to re-examine your own storages of untested so-called certainties that may just disintegrate when challenged arduously, (as was the real life experience that inspired this story), by someone who simply knows a thing, by living it, a thing very basic and primal, and yet, a thing that many of us will never be able to access. DK insist that true connexion starts with showing up, that means paying attention, noticing and being there when someone begins to let the floodgates open. In this case, an honest beginning of just such a kind of personal connexion led DK and the team at Atelier S P A C E to revise theories about ‘status’ and ‘motive,’ and to note with alacrity thanks to one woman’s wisdom, how nothing and no one are as they may at first seem.

How to order a copy of ‘Kaunter Tiket’…

Order here.

 

Introducing J A Z Z

‘What’s your music like?’

DK offer an 8-week online programme, JAZZ. It’s designed for jazz artists who want to be able to succinctly, genuinely, and meaningfully answer this question for new audiences.

First impressions count.

You only get 11 second to make that first impression, according to a friend in software sales.

And: ‘Oh. You like jazz? Jazz?… Jazz has a serious (design and) marketing problem.’

 

 

 

The problem with jazz today: ‘It’s hard to relate’

JAZZ MUSICIANS and jazz artists might have a great time making music, but when it comes to getting other people—fans—to see the value of it, that’s quite another skill set that takes more energy and work than many are prepared to do on their own. Hiring agents is one way, sure, but even then, you have to deal with them, and handle them, and that adds a layer of relationship management that is probably not ideal. Still, in a conversation salon with a gentleman who was in his 70s and worked in commercial photography all his life, we learned that if you don’t get an agent to market your work, for you, then you might as well give it up if you have aspirations to become ‘known.’

You do the work, make the art. Perhaps you’re aware of the commencement speech about this topic, ‘Make good art‘. But… is that enough? Artists and designers and musicians and architects and we smalltime business owners each struggle with this question. How much is enough? Where do I draw the line? Am I being true to the vision I set out to do?

But back to marketing. What if you could do it yourself, but do it in a way that really works?

That’s what we are investigating in the notes below. DK are searching the web and conversing with artists to get to know what works, what doesn’t work, and how to do this marketing stuff with real class in jazz, specifically. How do you keep it real?

What came back inspired this new 8-week only programme, JAZZ.

ART x DESIGN. Wherever we go and when we connect with our creative friends, we keep digging into this question, and others, like,  ‘What do you do when you’re not sure what to do?’ Artists. Designers. Illustrators. Manga-ka. People who are doing and making, and sharing, and competing with the world of clickbait, short-form, and the elusive arena of quality, which is becoming very hard to define, very quickly, in light of the plethora of ‘lookatthisnow’ and ‘lookatme’ selfie-ism and related attention-seeking bits.

 

IN SEATTLE in the 2000s, DK were in the business of designing brand identity. Sharpening focus, and getting people to see what it was they truly wanted to communicate. That involved deep introspection, of course. Reflective questioning. In the end, most of our clients were those in the creative fields (architects, designers, and software developers). It got interesting. It started to be about the question, ‘Why do we even make stuff?’ and sometimes more obscure and existentialist than that, ‘What am I doing with my life?’

Now, I believe, personally, from those experiences, that a big part of the reason why it’s hard to get people to see you as an artist of a particular kind (successful? Is that the word?) is because it’s hard to clarify the ‘what I’m great at’ question to yourself. I mean, communicating that in a way that people can relate to and they can see how this is going to make their life better, in some way. If you’re an artist, have you honestly asked yourself this: ‘What am I great at?’ Have you clearly narrowed it down to just one thing? When we walked through our old brand identity design process for a friend who makes electronic jazz music, he told us that the process ‘really helps me break this down.’ That was a good indicator that sometimes just talking it out and getting feedback and clarity through the process (the design process, let’s say), can get you out of the old frameworks where everything is a possibility and niching doesn’t seem possible… yet. Talking. Clarifying. Niching. These are the words of marketers, aren’t they?

In his article, ‘Marketing Jazz and the Public Perception,’ at AllAboutJazz.comChuck Anderson writes, ‘I have some thoughts on the marketing of jazz musicians and audiences. Though it’s easy to blame the media (and they deserve some of the blame), I think the biggest problem lies squarely on the shoulders of jazz musicians and the jazz community… This community has never promoted or marketed its art and craft at the level or with the same intensity as other musical idioms…  jazz… must be marketed with consistency and enthusiasm. It needs to recognize the role of fans in the success of any artist. The musicians have to do their part in promoting and marketing their art and craft… There is too often a distance and certain type of elitism that prevents audiences from getting “close.” This distance does not help spread the “good word” about jazz… The jazz musician and the jazz industry will, like any other business, have to invest in the services that are necessary to build a fan base and achieve worldwide exposure for their music, products and services. Read the article here.

Is jazz’ problem that people can’t connect?

Or something else?

What about ‘engaging with fans?’

This thread, started by jazz guitarist Henry Robinett, parses that query. Shows the difficulty in adjusting to the ways in which jazz musicians promote themselves and find new audiences. Is social media a great thing? Or is it a pain in the neck? What about the people who are ‘making it?’ What are they doing that’s so great, and are they really making it fiscally, or just in the eyes of their social media stats-watchers? I’m totally guilty of this myself; I met a pianist I thought was great and his big-deal promoter but when I went to twitter I saw he had not-that-many-as-I-thought fans. At the time I was on twitter a ton and was ‘growing my audience,’ but now, I’ve deleted it because… who cares? I’m interested in directly engaging, one conversation at a time… Maybe that’s slower… but I’m old school that way. I care about quality connection, that’s why I’m at DK. I care about art. Relationships are art. Music that’s great is great conversation, and that, too, is art. But I’m getting off topic, aren’t I? Check out that thread… it’s on a community forum about where the music is going and how to market it.

  • ‘Too esoteric.’
  • ‘Obscure.’
  • ‘Hard to relate to.’

I’m sure you’ve heard some of these things, too, before? If yes, let’s keep talking, because I think we’re hitting on something.

 

What jazz has that’s interesting to business: Creativity, flexibility and innovation

Maybe we’re not the first ones, though. Check out this abstract from a researcher:

This paper applies the metaphor of jazz improvisation to strategic marketing planning, making specific reference to Piercy and Morgan’s (1994) marketing planning model. Jazz metaphors have become increasingly prevalent in management studies, but as yet there is no specific reference to their use in marketing planning literature. The aim is to fill this gap by showing how the techniques of improvisation around a structural core can be applied to marketing planning models. Current models are too structurally rigid, and we outline steps to a more flexible approach. We invoke two models – ‘jazzers’ and ‘readers’ – and aim to show that ‘jazzers’ will yield greater success through greater levels of creativity, flexibility and innovation; elements that are essential to the success of strategic marketing planning. After characterising the models of jazzers and readers, we will apply them directly to Piercy and Morgan’s model of strategic marketing planning. —‘Jazz and marketing planning.’ That’s the title. Kind of ironic, isn’t it? Anyway, it’s by Noel Dennis & Michael Macaulay Read the abstract

 

Gain clarity and fine-tune the message with DK’s online workshop, JAZZ.

Jazz inspires business. Cool.

But what can jazz learn from business?

How to set goals, be clear about identity, make a commitment to a strategy, outline a program for communicating that vision. And yeah. Making sales.

 

‘Coletrane’ by DK, with DeLois and Carter Cue. Photo by OMNI, 2012

 

Sharpie art by DK. Photo by OMNI, 2012

 

 

If you are struggling with communicating your music and your style visually, DK can help. We’ve done a couple of really fun projects in the jazz scene: a drawing for a CD that came straight out of the notebook of a live-drawing session at a show in Copenhagen, for example, and a collaboration, ‘Math + Jazz,’ just ahead of a show of one of the mathematician-cum-pianists, who co-hosted with DK a small salon in the Elephant Bar at Raffles Royale in Phnom Penh. That was cool. Some pics:

Art by DK for Gunslinging Bird, 2016

 

Art that we make looks like this feed at instagram.

Curious what people have said about working with DK?

Check out what our (mostly brand identity design) clients have said, here.

 

SCHEDULE. This online workshop is 8 weeks. 

WHAT HAPPENS. Here’s how it works. Each week you’ll get an email with a thought-provoking conversation-starter. You’ll dialogue with DK and work through some of the ‘why do I do this?’ and ‘who wants to know?’ questions that anyone in marketing will ask you to think about. But with an additional component: a visual sketch of a single, unifying concept. The foundation for your brand. What does it look like? How does it ‘sing?’ These are questions designers like to ask their clients in early conversations during what’s called ‘the creative brief questionnaire.’ We’re going to go about it in online format, over 8 weeks. What you’ll get is a 5-word focus on the things your music does for people, and what makes it yours, uniquely, too.

WHAT YOU GET. Walk away with a clear picture of the ‘who I am’ and ‘why this matters’ questions. You’ll go through DK’s ‘focus’ programme, and we’ll work with you through an interactive conversation over 8 weeks to write your  ‘brand statement’. That’s the  deliverable.

FEES. This online programme is a flat, onetime fee.. Note: this does not include design, only dialogues and exchanges that lead to the ‘brand statement.’ This is a special sample-size programme that we offer so you can succinctly and memorably answer the question, ‘What’s your music like?’

 

Request more info

Use the form below to connect with us, sharing a link to your websites. More to follow, from there.

16 April | STAMMTISCH in Phnom Penh

STAMMTISCH is MONDAY. Guest artist Mike Dynamo will talk with us about music and writing. More below. Ticket registration page is here.

 

Salons: What are they?

Design Kompany hosts conversation salons. This is what it looks like. Pictured, from left: ‘The State of Publishing’ in Durham NC with Mercury Studio, MAKE at Fishmongers Durham NC, ‘Modern Sikkim’ in Gangtok India, ‘Breakfast in Cambodia’ at TINI in Phnom Penh, flyer for Designers Korner standing date at Stumbling Monk, which looked like the last image. Good fun. These happened 2011 through today, in (most of the time) very small circles.

Meet new people. Discover S P A C E. At Monday’s meetup in Phnom Penh, STAMMTISCH. What is it? A place that’s not home, that’s not work. For conversations with a center, and not sides. No agenda, not religious, just let’s meet and talk. But briefly. Let’s play?

When we first talked to Steve Zelle, or @idApostle, about creativity and the process, we realized the thinking would become more than just one short email conversation. It grew into a blog post, then a guest post, then a conversation salon, then a series. MAKE: ‘What is the creative process, who uses it, and what changes as a result?’ has happened three times and gathered more than 200 people. DK host MAKE in Phnom Penh as a low-key, small circle, at the standing date on Mondays called STAMMTISCH. (‘The creative process never looks like this’ graphic by Steve Zelle, first featured at his guest post, ‘A Sprinkle of Magic Dust’.)

 

Monday, 16 April’s programme: ‘Welcome to the Creative Process’

Phnom Penh-based musician and writer Mike Dynamo will be joining us at STAMMTISCH.

His blog post, ‘Has the Artist Been Killed and Replaced by the Entrepreneur?’, inspires this week’s session.

Meetpoint: Java 2F 4-6:30. At one of the outside tables.

Here’s a light agenda…

  • 4PM Podcasting
  • 5PM Artrepreneurship II
  • 5:30PM Short Salon: ‘MAKE: What is the creative process?’

 

About Mike Dynamo

Mike Dynamo is a Phnom Penh-based musician, writer, and thinker. He knows a little bit about a wide mashup of topics—culture, film, video games—and can converse at length about anything with remarkable energy. Substantially, not trivially. (Though he does host a weekly trivia night at Lucky Gecko). His piece, ‘Has the Artist been replaced by the Artrepreneur?’ starts like this:

There was an interesting piece in the Atlantic from two years ago that was about the relationship between art and commerce throughout the ages – what it means and where it is heading. The writer, William Deresiewicz, delved into the paradigm shift between the “hard-working artisan, solitary genius, credentialed professional,” and the birth of the creative entrepreneur. I could barely wrap my head around it because it’s so difficult to understand what exactly I’m trying to create while still clinging to the old ideas that art isn’t meant to be a pursuit of massive attention as much as a divine gift from beyond to be used for its own sake. Read the full story >

 

About Dipika Kohli

Dipika Kohli is an author, artist, and designer. Her studio, Design Kompany, was founded in 2006 in Seattle WA USA, and has been exclusively freelance since. While in the US, she orgnanized a salon, MAKE: ‘What is the creative process, who uses it, and what changes as a result?’. This gathered more than 70 creatives and scientists around Research Triangle Park (aka ‘The Triangle) in NC to talk about these questions, together. Out-takes are at this writeup on Processed Identity. Ahead of the event MAKE, DK had asked the Ottawa-based graphic designer who runs it, Steve Zelle, to share a guest post with DK. That post, ‘A sprinkle of magic dust,’ is really great. And it’s here.

 

FAQs

 

Are there ID or minimum age requirements to enter the event?

Ages 16+

 

Can I come for just a portion of it?

Sure. But as we have very limited seats, be sure to register to confirm your attendance.

 

Can I pay on the day?

You can, but we do have limited seating. If you’d rather show up on the day, bring exact change to help us out. The tickets are: $15 + 1000 riel, so as to cover handling fees.

 

Where can I learn more?

Get an idea of what will happen when you check out the range of Design Kompany’s events. To do that, go here: http://designkompany.com/ateliers. Questions welcome, send them on to Jas Plac, that’s me, at DK, through the form at this page.

A Nomadic Existence x Dead Poets Society

VISAS. RULES. WIFI CAPACITY. Coffee, cafes, open-mindedness.

Looking for the kinds of places where you can go in the world and just hang out, write, or work, from the comfort of your desk-that-goes-where-you-do?

DESIGN KOMPANY is offering a short course that’s completely online from [update] 7 October called ‘The Cojournal Project: A Nomadic Existence.’ In this, we will be communicating once a week with you about the kinds of topics that are popping up as people who are moving away from traditional 9-5 lifestyles and finding themselves in cafes all over Southeast Asia, where we are, are starting to talk about the way of life that, for a lot of us, is weird and curious but also… freeing.

Apply for Cojournal 2018 here.

This programme is hosted by DK’s own Dipika Kohli, who was a staff editor at daily in Seattle and a bi-weekly in southwest Ireland (2002-2005) before turning to interactive magazines and spacemaking for conversations that get us out of boxes. In 2014, she won a Ted Howard Scripps fellowship for environmental journalism, flying to Colorado to get to know more about the field of writing for the sake of not just infotainment but actually depth and substance. She got talking with fellow editors around the United States  then, and afterwards through continued correspondence, about how to make better space for conversations that actually move. That, for example, develop, progress, and teach us something interesting.

WRITING TO LEARN SOMETHING. Instead of talking about writing for the sake of publishing, what if we talked about writing for the sake of getting to know what we were even thinking. Like, writing towards a kind of clarity on who it is you really are, and what it is you really care about. A lot of people seem to go traveling to ‘get lost and find center,’ at least, that’s what I noticed from half o the people I’ve met on my travels in the 1990s (Ireland, India, Japan, USA), and more recently, in Southeast Asia (Malaysia, Cambodia, Thailand, Viet Nam, Nepal). Getting out of your space and seeing what else is in the world is a way of finding out a) what you want, and b) what you don’t want. But often we don’t have a chance to process what we are discovering because we are talking to the people we already know, instead of the people who are also on the same kinds of journeys.

A nomadic existence is a choice; it’s not for everyone, but it works for some of us. Knowing why and how, and being able to pinpoint those things for each of us, is a matter of simply delving into the questions and letting the answers come as they might. You know, you don’t have to have it all figured out at the start. You don’t even have to have it figured out in the middle, or at the end; the point is to know that you are searching and seeking with an intention that involves really caring about the journey. You have to care if you want it to become anything interesting.

What work you do, where you choose to ‘settle,’ if you choose to settle at all, whom you decide to partner with, if that’s something you want to do, and all the big questions of our lives that are related to these things that those of us finding ourselves in certain positions of privilege and capacity to move around the world and talk to people on the internet and somehow make some cash through that work is, well, a kind of curious set of things. If you are interested in writing towards some sense of self-awareness, and doing that with a small circle of others who are also ‘on’ for this kind of a challenge, consider applying for the Cojournal Project 2018.

We started this out in 2014, quietly, and it led to a short eBook anthology, The Mirror. In January of this year we opened The Mirror up as a separate workshop—100% online—that became a conversation space with forums, passwords and weekly prompts. I think that the interconnectivity of it is what made it truly great. Engaging with others who are very different from yourself: at least on the surface—is a way to start to get a perspective that is hard to find in everyday life.

‘Rereading Edward de Bono‘s book Teaching Your Children How To Think in recent days, I was reminded of the importance of sharing the variation of perspectives with young people,’ writes Dipika Kohli. ‘Of making it a priority to show them that there isomer than one way to look at a thing. That ‘rightness’ is a problem. That the argumentative stance that people like to take in Western societies, in which you get to feel good by putting someone else down, or by more eloquently arguing your way towards a position (even if it’s completely garbage, like showing through math that 2+2 = 5 (HT F), well, you see where I’m going wit this, right?)’

Make a space and find the muse

Meet your community and take practice to a new level. Apply here.

TAKE THE TIME to write with others. Journal your way towards clarity. Find the muse when you make the space. Not a lot, don’t worry. Each week’s prompt is designed to take just 20 minutes to complete. People say they like this because it holds them accountable to themselves, knowing that there will be a new prompt dropping into the inbox on Monday. Every week, 7AM USEST.

What’s different about this programme from the other online journaling projects we’ve seen online is that it happens in S P A C E, that is, it’s interactive. What you write influences what prompts follow.

This is not an algorithm or AI, this is a real person, Design Kompany’s creative director Dipika Kohli, for this project, will be customizing the next week’s prompts based on what you are writing in, as a small group. listening, sharing, empathizing: it’s all int here, but it takes showing up to get the best out of it. Take the 20 minutes of your week available to connect and to re-connect, first with yourself, then with others.

Design Kompany’s work is to make space for people to notice one another, and themselves. To pay attention. To notice the moment. That will dissolve before we know it. Ephemera, relational aesthetics, conversation space design… these are our beats. Ask us anything. Talk to us. Connect through the form at our ‘About’ page, and if this all sounds curious, try it out. We’re doing this for 12 weeks, [update] starting 7 October.

Application required. Open invitation. Apply here.

New tracks for April & May online workshops

HERE IS A QUICK outline of what’s happening in April and May, in case you feel like applying to join DK in one of our new writing streams. Things have evolved since the 2014 cojournal, with the new suite of stories unfolding at Design Kompany’s active spaces just for conversations in forums to evolve, progress, and develop. Some of what’s new for just-beginning with DK is outlined below. We are especially interested in hearing new voices, so if you are new to DK this year, we are interested in hearing from you. Scholarships are available for anything for the right candidates.

Three new tracks for April & May workshops

  1. SELF. SELF IS AN online workshop: this time, we’re focusing on the ideas of composition and sketching out the ‘who do I want to become’ question. This track is inspired by the work of Kandinsky. Another section, focusing instead on ‘how am I feeling now?’ questions, is inspired by Nin. Both are just underway so you can join us this week to be included in the new cohort for the 12-week programme. I’ll send you the orientation pack. The first prompt goes out Monday. SELF is USD $160. The artist’s way, the creative process, exploring the composition: that’s what we’ll be doing this time in both tracks. It’s for people who are in transition, who are curious about a new way of taking a good look at personal values and clarifying next steps. Built from a past career as brand designers, at Design Kompany, and working on, uh, a bunch of memoirs, hey! We are going to share more about that with anyone who decides to apply this week; learn more about SELF and how to apply at this page.
  2. MIRROR SECTION Z is also happening, starting 23 April, by application. If you missed it in January, this is your chance to get ‘in’ on some of what people have been calling ‘astonishing,’ and ‘an opportunity.’. THE MIRROR Z is USD $160-200. Find out more here
  3. COJOURNAL18. Next Cojournal is also coming into play, from 7 May. It’s 8 weeks or 12 weeks of writing to prompts designed to get us creatively engaged, and accountable, with and to one another. Limited seats. Application required. USD $120-$160. More here.

New ways of connecting, in S P A C E

Making the best use of the interactive form that is the blog, we are now:

  • Conversing with people in the S P A C E community through weekly prompts and new forums, which have passwords and stuff to keep things intimate.
  • These are the current active spaces.
  • New subscribers to S P A C E will get the first dibs on exclusives. Subscribe here.
  • View all upcomings

Check it out! ✨

Drawing: Wikipedia Creative Commons

 


Start conversations with DK in S P A C E.

 

S P A C E || Computing

‘THEY JUST…’

‘Yeah, well.’

‘Well, you know I can’t really judge. I’ve been doing the same thing all day.’

‘Computing?’

‘Yeah.’

‘I mean, if it was ten years ago, and MA and I were hanging out having our meetups on Tuesdays like we used to, all those many lovely weeks, I think… we would have turned it into something similar. Co-worky and everything. I’m sure of it, actually, now that I think about it. But we didn’t because we didn’t have that technology. Instead we talked. A lot, really. And those were memories I treasure from those days.’

‘You guys did that regularly. Every..’

‘Tuesday at ten. At Vicky T’s. I really got to know her over those chats. Something about showing up, regularly, over time. All those weeks, those doodling sessions, conversations, just letting things come up as they wanted to. Not forcing it.. .making the time for one another. Just us, that was nice. It’s actually the only thing I miss about Seattle. And JB, of course. JB, for sure.”

‘…’

‘And yeah, now that I think about it… it IS weird. Co-worky office-y over dinner with laptops, phones, and wine, and food, and phones, and phones and laptops and texts…’

‘…’

‘Sometimes I’m just glad I was born when I was. But then again, like I said, I did do the whole computing thing all day. So I can’t judge.’

‘And yeah. I’m about to go do that, now.’

‘You could just stay here, and do it.’

‘I could. Stay here. Yeah. I will do that.’

‘See you, then. After everything.’

‘Ciao, ciao.’

*

*emails* ‘That was fun, hanging out!’

*emails* ‘See you in a few hours!’

This is 6/100 in the series 100 conversations.