‘How did it go…?’
‘Really, really well. I am so… Inspired. To keep doing this sort of thing. You know, I keep on wondering if anyone’s reading or listening or anything and then, wham! It hits, like a juggernaut, heh, I just wanted to say “juggernaut.”‘
*smiles all around*
‘But you know? There was this moment of suddenly waking up, like as if, as if the whole thing about collecting scraps of Camus and Poincare’s stuff and bits and pieces over time, how many years now?–‘
‘–yeah, twenty!, jeez, anyway, I think it has been worth it. Taking it on this journey. Around the world, and all that. I have the handful of books, the books that when I hold them give me a feeling—that’s what I was talking about with—‘
‘Hey. I uh, Um… Can you, um?’
‘Oh, oh. Yeah, sorry. What time is it? Lunch in a few? And you have to get across town for that meeting, okay okay. But the point is, the point is!, that you know what? There isn’t really a point, but the thing I learned is that there is definitely room for this kind of thing. Space making and stuff. Getting it up and organized, the dialogue rooms, even if they’re borrowed spaces, that’s actually part of it, I think the charm of the special focus and thematic arrangement, as if a composition is coming together. I’m not musical, but I like it, and no, I love it, when there’s something fusing in a way that feels right. Feels good. Quality is what you like, remember? Remember that big ol’ book that had that in it? Zen and the Art of Motorcycle Maintenance? That you wanted me to read in the 1990s? And I was like, duh, no way, that’s a book about some dude and a road trip, and you know, later, way later, it was way more than that… It was about seeking things that are more interesting and intriguing and feel good.’
‘So yeah. I’m gonna keep going.’
‘You’re gonna keep making conversation salons? But I thought you were done with real life ones. That you were going to do the online things, like the magazine and the workshops?’
‘Oh, well, yeah. I have had such a great time with the conversations in S. P. A. C. E., and so, I got distracted. I stopped really doing anything with people in person anymore. And I guess not since Denmark, not since showing up and running about to see what might happen have I made any efforts in that dimension because, because, well, I think Phnom Penh is a bit slow on this sort of thing. I mean, not Phnom Penh… The expat scene here… The people I’m talking to, or I think I’m talking to. I think they’re a little bit too by-the-book, you know? Like, no scruffiness, no out of the box, nothing out of the extraordinary. So in form are they with the status quo that something that purports to buck the status quo—as simple and quiet as a salon is, in raising questions about how we are existing and the beliefs we buy wholesale without critique–well, I think it’s just… Sort of… Um. Odd to them.’
‘I mean, the whole thing is just too esoteric, or at least, that’s what I thought. But I’m reading a lot online and going through all these bits and notes like I said and yeah, I’m seeing the commonalities. The big thinkers in physics and psychology and even the motivated business leadership they talk about doing the thing you’re the Best in the World at, and I think… I think.. It’s starting to be clear, after two DECADES, that there is… There HAS to be a way to enjoy the engagements that come together in offline, non-agenda, common space in semi-public rooms where people converge from very disparate backgrounds and origins in order to discuss that which touches our core, as humans. As human beings, you know? Not cogs in wheels in some system that’s been designed by people who just want us to Work so Hard that we are constantly Busy (with what? For who? To what end? And how is it adding to our own long-term value-making, by the way?) for some reason. It’s gig to gig with people here, contract to contract. They’re not even trying, some of ’em. The quality—the competency—is dodgy, mate. It really is. It’s disappointing that people who aren’t interested in aspiring to be more, but just complacent with the paycheck and the pretense of being busy with something (though they can’t succinctly tell you what that something is), I mean… It’s… Gobsmacking.’
‘Don’t worry. I won’t write it up or anything. I won’t make a big noise about how disappointed I am when people aren’t, uh, very good… at seeing there’s way the hell more out there to do and be and seeking is part of it and it’s a choice…Whew, sounds harsh, but I think my people know already that there’s the rest, out there, way closer than anyone lets on… I need to gather them into these salons, so they can relax and engage and talk—I think that’s my Thing, you know? What I have to do, what DK is about… What Making Space can be for people is pretty… What’s the word… I guess you just have to experience it… Plus it could evolve, you know? It could… Be something. I can see myself taking this to Seattle and Portland—I think they’d remember DK from the past, perhaps? It’s not like there’s SUCH a big populace there and heck, why not just reconnect with a few… And…
‘Well, hey. I just promise I won’t complain. I’ll just…’
‘Keep going with the salons. Or whatever comes up next. Maybe they’ll catch on, in time, when there are enough people embittered with a system that takes and takes and doesn’t give them anything in return that makes their lives feel good. Feeling good, right? I mean, quality, right? I mean, yeah! I’m gonna do it.’
‘Do it. I’ve gotta—‘
‘Yeah, okay. Say hi to C.’
‘But dude, what’s that thing about yarn and mangoes?’
‘Oh, right. Remember when you said when we were younger that if you want to start knitting, and you were in Japan, and you were serious, you don’t just start with a set of needles, right, you have to kinda start from the very VERY beginning. Washing yarn.’
*laughing* ‘I didn’t say that. Did I? Someone else must’ve.’
‘No. You did.’
‘And when it comes to drawing, like those ones from The Cloud place the other day that I made, when I followed some people over there? Yeah, that time. I mean, live drawing isn’t something you just go in cold and start, the same way you don’t just go in and start knitting without knowing the yarn through and through, right? So I said, I said to people there, if you want to draw the human figure, I recommend starting with something else. And they said, “What?” And I said, maybe cause it’s the season, I said, “Draw mangoes.”‘ –JP
There is no excerpt because this is a protected post.
IT’S NOT QUITE A CHAPBOOK, nor a novella, but rather a curation of some of the most intriguing people we’ve met in the last two decades. A curated collection of poetry and line art drawings. Some images are photographs of collages.
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WHAT IT IS. It’s not quite a chapbook, nor a novella, but rather a curation of some of the most intriguing people we’ve met in the last two decades. A curated collection of poetry and line art drawings. Some images are photographs of collages. Visuals were mostly made on the spot, live to music. Mostly jazz. Paired with poems, collages, most of the time done right there, on the spot. The Book of Songs is 8 poems and one short story. Each is inspired by someone pretty darn amazing, and there are links in the back to some of their sites. It’s also a dedication: this book is for the memory of Soknea Teang.
SPECIAL OFFER. Get a free track from the Norwegian free jazz band Gunslinging Bird Quartet when you order the Book of Songs. Pretty cool song, ‘If Your Mother Was a Hamster,’ comes with your order.
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