TO TIE IN with Oulun juhlaviikot on seitsemän festivaalin (the summer festival in Oulu), DK will make a popup installation of zines, drawings, and cutouts. This is part of an international series, The Book of Songs. DK draws to live music, especially jazz, in cities like New York, San Francisco, Bangkok, Tokyo, and Kuala Lumpur.
Meet the artists, get the zine, and catch the poetry. And jazz. Free with RSVP.
RSVP through this form, location details will be announced only through email to those who get in touch. See you in Oulu!
ALKU ON VAIKEIN osa kirjoittaa. Aloittaminen, alku. Tunne, ettei tiedä, mistä asiat alkavat. Jos vain, jos vain. Kyllä kyllä. Kesä. Näen nyt. Yritän saada tunteita järjestäytyneeksi. Ei ole helppoa. Minulla ei ole aavistustakaan, mitä teen. (Mutta … ei ole näin, miten se alkaa, olen tuntenut hänet alle kymmenen päivää, onko se näin, se on, miten tällainen asia alkaa.) Onko kesä rakkaustarina. Minä en tiedä. Katsotaan.
LET’S TALK ABOUT IT. Neurosis.
In more than 50 conversations to date with people on the bus, on the street, in cafes, at pubs, passing through the town, looking left, discovering something, sitting still, not speaking, in libraries, distancing themselves, and telling me in some form or fashion that DK’s comics about this place remind them of ‘Finnish nightmares, and that I should look that up,’ well, in 99% of them, something uniquely common has popped up as a thing that everyone wants to tell to a total stranger. Maybe it’s because there can’t be judgment around it, or the fact that they’ll never see us here in Finland again. Maybe that’s why there’s an ease to it: the simple act of divulging personal data that, hey, were we to be living together as neighbors from hence forth, they wouldn’t ever, ever share. The thing is this. Mental disorders. As much as I want to share more about all the various things I’ve heard, I am not going to do that here, in this public space of the blog. Instead, I’ll collect the impressions and stories and 16 random people in Helsinki, and share at ‘N’ Helsinki: NEUROSIS, in the end of August when the time in Finland for Design Kompany’s team here comes to a close.
WHAT IS N? A conversation. A salon. A real life magic moment. For those whose paths cross DK’s, by sheer randomness, chance, and sometimes, internet discovery. I’m looking for people I don’t know—I’m engaging and connecting with some of you, here on the internet, and others, in real life. If you are in Helsinki or will be, you think, towards the end of August, hit me up. Or better yet, investigate on your own what I’m going to do by following the links at ’16N.’ We are just starting to make the move here, on showing up for ‘N’ here in Finland. It would be fascinating to see if we find all 16 people to make a ‘go’ of a thing that, honestly, wouldn’t be what it is were it not for 16 people taking a risk, showing up, and making magic together. A big blind date. Why not say yes? Read more about how to play 16N and then, if it’s a fit, I’ll invite you to register.
IN A FEW DAYS, I will be starting the salon in our protected-page space, ‘Slow Moment.’ It’s about slowing down. Recharging. Discovering yourself when you make time to show up… for you. No obligations, no ‘to-do’s, and scrapping the idea of ‘getting something accomplished,’ the idea of this particular programme is to let it flow. Flow. So important. I have been talking with people in online conversations for about four months now, setting things up for this special 12-week session. It’s our last online workshop, for the general public, as it just became obvious that for DK, making people be creative isn’t important. What’s important for DK is helping those who have already taken a step, of their own accord, towards some kind of transformative breakthrough. Of course you can’t have a linear path to breakthrough. Or transformative stuff of any kind. Of course it takes work, struggle, sloshing about, tackling vague ideas, throwing most of them away, and starting over, when you recognize that all the work so far has been ‘sketching.’ We call it P L A Y. Playing our way towards the new and the next is what we do around here.
Zining in Finland, Cambodia, et al.
ZINING HAS BEEN, for me personally, a way of slowing down. Zining in Finland, in particular. ‘This is Finland,’ said J., whom I met last night at the pub. ‘We just… be.’ Not bad. I really enjoyed our brief chat outside of the place; karaoke was on inside and it was a thin crowd. I cycled over there with my midnight ride in the pretty-bright-still-but-not-like-before light. Mist was out. Mist. This was what we talked about. Small town life. Passerby. Chance encounters. That’s the stuff of gathering the narratives that make S P A C E the zine; showing up to ask the questions and be prepared for anything is the jazzy jam that is Atelier S P A C E. (If I don’t show up for me, how can I ask others to show up for themselves? So I am living the practice. Go where you don’t know anyone. Find out stuff. Ask them things. Talk to people. Learn. Discover. Find a theme. Then, either with guests who are interested in joining in with you or without them, write a short 8-page zine that pulls together the best of that which you pick up, makes it contemporary, gives it a shape, and then, print some of them, and share them.)
Pubs are third places. They are where we convene. I know, I know. There is an objective, most of the time. Not me. I’m there for the conversations.
Here where I am about six hours north of Helsinki, things are quiet. Conversations are slow and easy. All around is nature—and it’s handy that you can cycle around to get the things you need. Foodstuffs. Provisions. Euros. It’s convenient, small, and just fine. I am not a stranger to small town life; and this stay has got me remembering all the things about Skibbereen and rural North Carolina that I used to really enjoy. End-to-end rainbows, for example. Which I talked about in the past, here on this blog, when ‘A Slow Moment begins’ got writ.
Poetry slams in S P A C E
WRITING MORE. Zining. Making poems with people around the world. ‘Whatever of philosophy is made into poetry is alone timeless.’ These words—I had quoted them in my TEDx talk, ‘There’s Not That Much Time Left.’ Something I haven’t admitted out loud anywhere on the public spaces of the blog is this: I was kind of winging that talk, there, at the end. You have to read your audience, right, and see where the feeling is going. You have to see what fits, what’s working, what’s not. It takes time to build up to that. It’s a long, simple crescendo. You get going and you start and you begin to get the feeling. Here is what’s the story. This is where we’re synching. It’s a jam session, to me—even me on the stage felt like that. I was laughing and enjoying myself with the people in the front rows who were laughing and enjoying themselves with me. (Afterwards, a ‘speechmaker’s consultant’ tried to pitch me, and said, ‘You really don’t want to laugh at your own jokes.’ But for me, for DK, for all he things that have become, since, S P A C E, if I don’t laugh, I’m not having fun, and if I’m not having fun, whatever the hell is the point?’ Of course I didn’t ask him to help me. In fact, that was the last time I got on stage, aside from one other time, in the same city on the same stage, in fact, for ‘Fuzzy Quantum Pop.’ Too fun.)
DG said it: ‘Throw away most of the stuff you write, because you know what? It’s bad. I did that. Do you do that? Throw away most of it?’ I nodded. He said, ‘Good.’ DG is a pianist. I get along with piano people, drummers. Maybe because they like to accompany… words. I am the vocals. I realize this now. Words are my thing. Pen is my medium. Whether lines in marker, or cut lines, or lines worked out somehow (it takes a long time sometimes, but other times comes in bursts, like now, unedited and uninterrupted—a story flows) into poems, or occasional ebooks, I make lines.
Slow moment? For me, bringing the lines into shape. Giving the scaffold in architecture blueprint to the ever-emerging shape of S P A C E. Something to say? Leave a comment, below. Comments are open, until the bots catch on.
DK is making S P A C E, a weekly interactive magazine and an online community for people who are highly engaged with the creative process.
DESIGN KOMPANY is celebrating International Zine Day in Finland with new friends. On the 21st of July, join us for a series of activities throughout the day at a mini-popup zine festival. This is made in collaboration with local retailers and an artist-run co-op. We are also launching a new zine in our international series, S P A C E. You an find out more about the photozine, S P A C E || Kärsämäki, here.
Author Dipika Kohli, co-host of Atelier S P A C E and a founder of Design Kompany, will read ‘Slow Moment’ to a small group. Dipika’s writings have appeared as columns in the Seattle paper Northwest Asian Weekly and in Charlotte NC’s Saathee Magazine. She was an editor for an alternative newsweekly in southwest Ireland and an environment editor for a Seattle daily before turning to publishing her own memoirs, in the series, Kismuth. She was invited to speak about her first book, The Elopement, live on air at NPR. Listen here. Today, Dipika hosts conversation salons in real life and online, working with others to develop dialogues that have centers, and not sides. She edited an anthology, The Mirror (DK // 2014) with others in the online circles that she convened, gathering each story that resonated into a compact collection. For photography, she won two Japan Foundation grants to document architecture in Kyoto and Tokyo.
‘Slow Moment’ is her first photozine.
This is an invite-only event for *just* those who pre-order the zine. It is USD $100. Make an online payment at this page.
Celebrating International Zine Day
PIENOISLEHTIEN TEKEMINEN on Suomessa vielä harvinainen harrastus. Työpajassa tutustut lehtien tekemisen mahdollisuuksiin ja opit taittelemaan ja tekemään uniikkeja tai monistettavia vihkosia. Sisältö voi olla kuvia, tekstiä tai ehkäpä pieni tarina. Millaisen lehden sinä voisit tehdä? Pajaan osallistuminen ei vaadi aiempaa kokemusta tai valmista ideaa. Ohjaajana taiteilija Dipika Kohli, Design Kompany (US). Ohjaus suomeksi ja englanniksi. €10 (hinta sisältää materiaalit, sekä kahvin ja leivonnaisen)
Mukana voi tuoda myös omia aikakausi- ja sanomalehtiä sekä askartelutarvikkeita kuten sakset.
MAKE A ZINE with just eight people.
Meet new people. Make a publication. Short, sweet, and on the spot. Join us at Atelier S P A C E || Kärsämäki.
DESIGN KOMPANY are hosting a popup workshop, Atelier S P A C E, at Kärsämäki in Finland.
This is a zinemaking atelier.
It will kick off on 21 July, which is International Zine Day. This is a family friendly event.
A zine is a short collection of images and words usually photocopied, in small quantities, and distributed by hand.
Here is why it matters.
Zine culture is making a comeback, as more people distrust the usual news media channels and turn their attention to what people they know personally, and whom they feel they can trust are saying, making, and sharing. That’s why social proof and social media are important. But there is the old, more traditional way of relating to people: in person. So let’s make time and come out for a real-life conversation series that gets us all talking together, with those we might not have met, in an unusual way. Working and collaborating to put something new into the world: a zine. It doesn’t have to be a big task, nor does it have to be ego-driven. Everyone knows what a pain it is to work with artists!
Art can connect us, but the specific kind of space that does it well needs to be designed. That’s where Design Kompany steps in. ‘I thought it would be neat to use the zine format to do the work of bridging silos,’ says DK’s creative director, Dipika Kohli. ‘Anyone who has ever worked in publishing knows how important the first few meetings are, where you simply brainstorm ideas together. That’s the fun part… seeing what others want to know more about, learn and discover in the world right around us. I remember doing that when I was in southwest Ireland, working with an alt newspaper there, very new, very fun, very loose, and very exciting. Given the times we are in now, we can try to engage people in ways that get us all talking, get us offline again, in public and semi-public spaces, to just simply be. Not work. Not home. Not the internet. But a place where you can just relax and talk with people about things that are going on. Conversation is important. Let’s make more of it, and then, let’s find a theme, and work together to make a zine.’
Atelier S P A C E uses the zine form to gather people’s voices, and interconnect those whose paths might not have crossed. The big idea is to make something new, together. Systems thinkers say that gathering people for spontaneous spaces that might lead to new insights is one way to begin the road to innovation. Breaking new ground starts with trying new things. Leaders in their fields recognize that finding a new way to discover is a real need. Creating opportunities for people to practice how to do that is one of the goals for DK’s ateliers. But so is good fun, and making something new, with people in a creative way.
‘Art, at its best, is a conversation,’ says Kohli, an author and artist who practices and studies relational aesthetics in her more recent work. ‘Making more space, and more quality space, for us to learn about and discover new perspectives, from new people, is what our ateliers, salons, and magazines are all about.’ Here’s how it works. ‘DK go to a new place, meet people and co-create something in a short, on the spot workshop that’s also kind of a performance art installation at times (when it happens in public space!). I think you can get a sense of it from our Instagram, dkompany. Generally, the idea is we’d make a piece with new writing and other visual elements for an 8-page zine, S P A C E. And add it to our collection of zines made in the same way in different cities.’
ABOUT DK. Design Kompany LLC started as a brand identity design studio in Seattle in 2004. In 2013, DK went on the road to practice the unknown, uncertain and different, which led to new connections, with new people, in new places. This set the stage for 2017’s and 2018’s intent to create zines, in the short spaces of time, while on the road looking for the chance encounter…. And folding it into S P A C E. Atelier S P A C E is a traveling zinemaking popup Atelier, designed in response to a new realization. People aren’t used to trying new things. People need space and time to get back to exploring, in a playful way, towards new approaches, and even innovations. Starting the tour in Southeast Asia in Sept. 2017, DK have created zinemaking ateliers in: Battambang, Singapore, Kuala Lumpur, Phnom Penh, and Bangkok. ‘The idea is to explore ways we can co-create hyperlocal, interwoven stories with new and different others who participate in the atelier’s salons. Through conversations, we find a theme. Together. It’s a collaboration to make a unified piece, and each issue of S P A C E highlights the conversations, places, and people we each discovered in the bounded box of either one, two, or 4-week ateliers,’ says DK’s Kohli. See the journey of S P A C E so far, at http://instagram.com/dkompany.
Special thanks to Kahvila at the campus of Kattilakoski Culture Cooperative. ✨
REQUEST INFO. We have limited seats for this event. Request more info by email to find out more. Here is how to connect with us:
TODAY IS FRIDAY. Tomorrow is Saturday. Not just any Saturday. It’s International Zine Day. Which, for the likes of people like me, is extraordinarily exciting. Because… zines! I love zines. Short and sweet, on the spot, made by hand, often, and inviting opportunities for real life conversation. That’s what they’re about, for DK, anyway. Making space for real life. Designing the magic moment. It all sounds very general and strange and weird but you know what, it works. When I was installating the show that’s on display right now at Cafe Onni here in Kärsämäki, I was like, wow. People are just hanging around watching a little, and os you know what I’d do? I’d ask, ‘Want to hold this here, for a second? Is this aligned straight? Are you free on Saturday, July 21? Come and open the books and have a look, just put them back when you’re done. Anywhere is fine.’ It’s nonlinear. It’s open space. It’s designed to invite the new and different, the interconnection, and of course, make room for PLAY. Play is our way.
In the neighborhood? Come and see what’s going on for Saturday. Here is the programme.
Eat. Drink. Make. Don’t be shy.
TERVETULOA viettämään aikaa, juttelemaan, valmistamaan oma uniikki zine. Aikuiset ja yli 6v. Hinta 10€, lapset ilmaiseksi. Sis materiaalit, kahvin ja leivoksen. Facebook: Hei Kesä.
CAFE ONNI and Design Kompany jointly host ‘Hei Kesä’ on Saturday, 21 July. Celebrating International Zine Day as well as time talking together in real life, this is an occasion not to be missed. It combines food, friends, family, and fun.
Discover the ‘zine,’ color with us, or just enjoy the time socializing. We’ll have pastries. Coffee and tea. And a demonstration of how to make your very own 8-page ‘zine.’ For creative people of all skill levels, this event is for anyone ages 6 and up. Tickets are €10, which includes something to eat and drink, and the event is free for children 12 and under. Find the event on Facebook, here.
FESTIVAL OF THE ZINE. This event is part of a daylong celebration, a mini ‘Festival of the Zine.’ Read the full programme here.
ARE YOU IN FINLAND? Great.
Join Design Kompany and new friends in Kärsämäki for a once-off event, a Festival of The Zine. Celebrating International Zine Day, this will take place in various venues on Saturday, 21 July.
What are zines?
Zines are independently published periodicals. They are not fancy, nor are they mainstream. Rather, zines are part of the “indie, DIY (do-it-yourself) culture” that shares its spunky style with punk and other subcultures. With a zine you can express yourself freely, without the need for an editor. You can make as many or as few as you like, and you can decide who gets to read them, if anyone. Unlike social media and sharing of digital streams, zines are hands-on, and they’re shared in real life, with real people. You get to have a conversation. You get to see how people respond. It’s much more about the exchange and the quality of the connection, we feel, than it is about ‘producing’ for the sake of making ‘content’ for the masses. In an age where the internet can confuse and lie to us, zines give us a tangible grip on the here, and now, and remind us that at the end of the day, we get to create and write our own stories. The stories of our lives. The stories that remind us who we are.
Click the pic below to read the full programme for the day.
CONTINUING. To make. Zines, mostly, in June. July looks different. July has a different feeling to it. The flowers are changing. The fragrances, too. I feel like I’m a teenager again: staying up really late, talking to people about everything, joking, cutting up paper and sending little notes out into the world, writing letters, sharing the time with friends, and generally being curious about ‘what’s going to happen today.’ Slow moment. Slowing. Noticing. Making things is a way to do that, of course. You put something together with your time, focus, and your craft. You make a thing that, after some time, begins to take shape.
This zine (pictured) was one of the first ones I made here, when I got to the residency and started obsessing about ‘producing stuff.’ It was a limited edition of just 3. Two of them went out into the world to new people I’ve met. One is left. It’s the favorite of the ones that people peruse, when they examine the three dozen or so little books that I’ve made since I’ve been here. I’m in a conversation with someone who is going to maybe help me put together a little exhibition, at the end of July, so we can share them in a giant popup style installation with the general public. It would be very DK. Come as you are, have a read if you want, put something back, take a look, enjoy the books, talk to each other, ask me anything. More and more, I’m realizing the books and art pieces are just conversation-starting prompts. They invite some query, sure, introspection, even. But like everything I make and do, it’s the conversation I care about most. The giving and receiving, the interconnection, the sharing of S P A C E, and of course, time. Art, at its best, is a conversation. Something I find myself saying over and over again, including yesterday evening upon parting with my new possible collaborator in the making of installation art here in, um, Kärsämäki. Finland, like. Who knew.
Friends and new acquaintances. Guests in ‘Slow Moment.’ Members of S P A C E. All of you are always welcome, to meet me in the aether, the forums, the real life spaces, the public squares of our lives and disconnect from the internet world, where there are only facades and cropped pictures of the things that are really real. But go to a lake or down by a river, look at a rainbow or find the moon and the sun together in a bright white sky, and there is no way to capture or record that feeling. The smell, the people, the ambient nature of it—you cannot put that into a square photograph and expect it to be received the way you’re receiving it. The scene, I mean. And that means… here it is, the crux of it, the thing I wanted to say, that means, when you just document for the sake of it without paying attention to where you are and who you’re with and the things that are being said with words and gesture and the blank space that convey far more than either, then you’re not really there. You’re not sending something cool and interesting into the world if you’re just shooting a quick pic and blogging it or microblogging it somewhere. You’re just… looking for attention or validation. Let’s admit this. Social media is about validation-seeking. Isn’t it? And you know what? That means–you’re not fully there when you’re presenting something to someone. What you send is vague and tattered, what’s received is even more so. That said, I’m concluding that this is probably the major reason I don’t have a mobile phone or trade texts with anyone or even use most social media these days. Why? It’s not a great conversation. And if conversation and dialogue is what I care about most–and it is, making great space for remarkable connexion and interconnection—then I better find the channels and media that work best to do just that.
Real life, for example.
Real life is best.
DK hosts ateliers in S P A C E in real life. Next up: Atelier S P A C E: Kärsämäki on 21 July.
‘SO YOU’VE TRAVELED the world.’
‘You’ve been everywhere, DK. You lived in… Japan, in Cambodia… where you wrote Breakfast in Cambodia, am I correct?, yes, I thought you had said that, and of course the places where you grew up, too. You have seen and done a lot. Now you have to make something out of that. For all of us to experience it, through your eyes.’
‘That’s a tall order!’
‘It is. But you can do it, DK. Show us. Show us the world.’
‘Art, right? Art can show us new perspectives? Isn’t that what you like to say, all the time? How it can make you stop, and think, in new ways?’
‘Um. This conversation isn’t going to be easy.’
‘I never said it would be easy.’
‘The world is right in front of us, but we just have to let ourselves see it.’
‘How do you do that?’
‘Slow down. Notice. Show up. Make time. Keep it real. Do no harm. All that.’
‘Like last night?
‘The tea party? Yeah! I didn’t know it was going to be such a warm, cozy affair. It was, though. We had just three, in the end. I had invited some people here and there around town, halfheartedly, admittedly, because I’m not one of those people who likes to throw a raging party, rather, I like small, quiet circles. Very small circles. Kind of like with the online projects: just a few of us, talking together. Quality, in depth. No superficial mumbo-jumbo and muscle-flexing and peacocking and so on. I hate that. You go out into the usual spaces where people mix and honestly, it’s a zoo. Why we get caught up in this dance of displaying something… facade-making… I have no idea about. I think it’s because people are incredibly bored.’
‘Which reminds me. I’m working on a new comic book. About Finnish, um, black humor.’
This is part of a series, 100 conversations. Made with the support of members of S P A C E.
When we slow down to look, what might we see? How do we make time to discover the new and different?
SLOW MOMENT. SLOWING DOWN SEEMS to be a theme coming up a lot in our S P A C E conversations in breakout spaces. So let’s talk more about that. Let’s set the stage for our ideal place and time to relax into ONE moment. Not a million, not five, but ONE. Says host of this programme, DK’s A. Spaice, ‘To commit to it, I feel, you need it to be just one thing. I think part of slowing down for me is eliminating the excess. That way I don’t get so overwhelmed. How does it work for you though, I’m curious? Slowing, I mean. Let’s talk ‘Slow Moment’ this summer in S P A C E… How do you find it? Where does it start? When does it end? What are the qualities of it that make it great? Can you set it up to *make it happen*?’
For this programme, DK will weave in real life conversations happening in Finland through June, July and August with these online forums; we’ll discover through the medium of photography how slowing into a moment can happen when we look for the quiet spaces through the viewfinder. Slowing. Stilling. For the awareness and the art to seep into the frames. Just 8 spots. Questions? Send us an email.
Participation in ‘Slow Moment’ begins with an application. Apply here.
DK and friends are together hosting a series of conversation salons in Kärsämäki, Finland, on the conversation topic, ‘Then & Now.’
Can we preserve an old way of life, or parts of it, as we move forward in time? How do we define ‘progress?’ What is important to keep, and how do we determine what’s okay to let go? What’s ‘culture?’ What is ‘preservation?’ What legacies do we want to leave for future generations, and what have we learned from past ones? Let’s meet. Let’s converse. When you arrive, you’ll get to know a few new and different others from this area. You’ll be able to participate in a new way of connecting that might be unlike anything else you’ve experienced. DK has been hosting conversation salons since 2006 in Seattle, bringing to the table a decade of experience in facilitating discussions that have a center, and not sides. Let’s meet, connect, and talk about ‘Then & Now.’
The venue will be Kahvila, a cafe just steps away from the local architectural gem, the Shingle Church (pictured), which as DK has learned was built in 2000 in response to the loss of an older church, using methods and materials respectful of a much earlier time. This is the beginning of a new series, ‘Hei Kesä,’ which will be held in coming weeks. These conversation salons are a hybrid of facilitation methods DK have adapted from Open Space hosting methods, years of design consulting work, and general curiosity about ways of gathering new and different perspectives.
Tickets inclusive of: 1 filled croissant + 1 tea or coffee, and 1 zine of your choice from DK’s June collection.
To confirm your spot, RSVP through this form:
Photo courtesy Kattilakoski Culture Cooperative
SURE IS BRIGHT. I’m still saying that. And it’s been three weeks.
What are stars, again? What is the dark sky? How does it feel to look up into the black?
Practicing today. The slow moment.
I found this emoji ‘white nights’ on a page with all-Finnish emojis… Very culturally informative. And speaking of dark skies, here’s what ‘kaamos’ is.