Slow Moment 2019

An online journaling x photography workshop-salon

S L O W  M O M E N T

By invitation only

***

W E L C O M E

WHAT THIS IS. ‘Slow Moment’ is a 12-week online programme that’s designed for writers, photographers and people who practice slowing in all its many, many forms. The idea started when we hosted ‘The Mirror‘, in which one prompt was ‘Slow Moment,’ and the responses that came were so fantastic that it led me to dedicate an entire 12-week block to just this subject. We talked about family, the woods, walking. Hikes, oceans, and being on our own. We talked about wanting to go places, going there, and what happened when we did. Relationships. Journeys. Endings, and new starts. Now we’re offering the ‘Slow Moment’ programme to just 4 people for the start of 2019—and by invitation, only.

 

The Mirror 2018 welcomed guests in online forum-spaces from around the world.

WHY ‘SLOW MOMENT.’ SLOW MOMENTS let us remember what our story is. To ourselves, about ourselves, but also, who we are in relation to others. (And in an existential way, to the cosmos. But that’s a different universe of conversation). For many taking part in DK’s online salon-workshops, we’re just talking together in these online circles because it gives us a place to share. Meaningfully. Not trivially. I’m pulling ‘meaningfully, not trivially’ from R. Pirsig‘s book, Lila, which is the sequel to a cult classic, Zen and the Art of Motorcycle Maintenance, which asks what Quality even is, and, by extension, how to find it. Some philosophy is to be expected, in ‘Slow Moment,’ for sure. You can pontificate: we’ll listen. We’re that kind of a group.

ABOUT S P A C E. DK have been making S P A C E salons in real life for a while now, and the goal is to create a cozy space where people who don’t know one another can simply be together, and talk if they want, or not-talk if they feel inclined that way, and simply be who they want to be, which I hope, in S P A C E, is who they really are. So many other facades are out. So many guards are up. In the real world,and in the social media world, too. But who are we really? When DK connect with people in S P A C E, we’re talking directly to them, their real selves, without all the layers. That’s a privilege and a responsibility. But it’s also a fantastic opportunity. To learn something about one another, and at the same time, about ourselves.

HOW TO JOIN. Participation in ‘Slow Moment’ is by invitation only. If you’ve been invited to apply, this is where to go. Tell us why you’re curious about this, and what you hope to get from the conversation. Show us that you are familiar with DK’s work and philosophy of bringing people together for remarkable connexion. Just 4 spots. [Unsolicited applications will not be read.]

 

 

S P A C E | ‘Fear for the Change’

THIS POST is for N.

N. Cool. I left you a note. I hope you get that, and this. I’ll see you in Riga, maybe. (One hundred percent serious).

I have to hold myself back from going into advice-giving mode, but I can’t help but write that thing the way I wrote it, and also, this:

There are good people running about in the world also asking questions, as you are. Don’t worry: we’ll find some of us, some of each other eventually, and then it won’t seem so daunting and crazy and big and hard. At least, that’s what I’ve noticed.

You left a great impression on me: thanks for that.

Lately I’m finding a string of chance encounters with young women who are reminding me of my earlier goal to put together a body of work designed to help teens, mostly, figure themselves out… or rather… to begin to frame the space that lets you discover yourself fully and completely and not quit in the middle because of some pressures to conform to some things that when you really think about it (as I see you are) really run counter to that. We are taught to be something, a certain way, a certain style, without investigating our way towards something… that we don’t even know what it is yet. Letting the journey come towards us… I remember my friend P in Durham NC saying to me that there’s a Native American tradition that says when a woman turns forty she chooses a name for herself…

*space*

Will do more thinking about what we said when I take the time this week to get away from ‘it all’. Or, wait. Maybe just not-think for a spell…

To the journeys, the new, the near and the next. See you in the up.

S P A C E | ‘Dear O.’

DEAR O.,

Well, hi.

Nice meeting you. Yesterday.

That was surprising and refreshing. I had no idea… that such a small, short question could launch us into, well, I like to call it, um, S P A C E. Designing it: that’s what I do, mostly, but it’s hard to talk about when you haven’t actually experienced it… the things we said, right? Life. The journey. Etc.

Yeah. Writing a blog post and writing a journal are similar, but I’ve turned this into something else… like, public-facing letters. This. This, too. It’s a letter. Like as if we could find a way back to those times we would send postcards (except, hey, mail gets lost… I’ve already heard that an envelope went awry because of floods in the southeastern United States and because of probably rules and things you can’t put into them towards Eastern Europe. Alas.)

But so? We have internet. So let’s use it. To connect. Say, maybe, this was a postcard, or written in pencil, maybe even cursive. (As you know, there are mostly keyboards around in the cafes here, these days).

 

The things we said yesterday

WELL, I SAID I’d write up what we talked about, didn’t I? Tell you what I heard, tell you as clearly as I can given the background noise (a large group of Ozzies, but they are family-oriented types, they seem to be having a very grownup conversation about whereabouts of the travels of the others; catching up). Mind, it would be easier to write if it was as quiet as when you were here and with far fewer distractions around. When it starts filling up, I feel like leaving a place. More about that to be reflected on, inwardly: when a place gets ‘discovered’ it’s time to move on. I had this short pice I wrote about Haapavesi, in Finland, and someone saw that and said, ‘You went to Haapavesi? Haapavesi!? You go to… peculiar places!’ (Oh. Do I? I guess… I’m looking for new things. And not the things that have already been written about, blogged about, instagrammed, blah blah.) Food coloring in my avocado in Bali. Food coloring so it would be greener. You know, for the instagram. (I returned it.)

Ahead. Well. Sure. Big topic. The things to come are what they are going to be, right? We talked about, in my words, ‘where the turn happened.’ Both of us, questing. Finding one another by sheer chance, in that magic moment that later in the day, I ran into K and he and I talked about that. Some more. And som either things about narratives, but it dived into something super fast-paced and multi-layered when that conversation shifted (place, moment) to another box of space, closer to BKK1, where M was waiting with an empty plate and a laptop and ready to talk. About. Everything. Which I love. And here we are again… S P A C E quests S P A C E, I’m starting to realize, and sometimes I bump into the likes of wonderful young women like you, O, and it reminds me that I have to keep writing towards you: and the others, who are probably, if you are anything like me, wondering what to make of ‘it all’ and how to plough forward into the rough seas of the darkness of not-knowing. A good question.

 

Forays and purple prose

THAT SHOULD be a book, really. A Book of New Things. Am working on it, with some friends, behind the scenes here, to be honest. (All kinds of meanders, wanders, forays into the field, but coming back, touching down, resonance-finding and discovering.) Recently, after asking for some advice about where to take DK in 2019, someone I don’t know well told me to get rid of, in a nice way, I mean, but to tone down all the flowery language. Ornamental verse, and all. Someone else had said that, too. ‘Just say it straight, DK. If you start getting attached to all the decorative writing, it’s nice, and all, but they won’t understand and they’ll just shake their heads and if they’re talking to you say, nicely, ‘I like this but I don’t know what the hell you’re talking about.’ Noted. But you know? When I talk all flowery in real life, it’s a different kind of a moment. It’s actually… sometimes… welcomed, in a way, I feel? Maybe because it’s so rare that someone wants to talk in a way that sounds like it’s being written as she talks. I guess. That’s just. How I am, sometimes. Purple prose: it’s cool.

 

***

O, YOU WERE RIGHT. It is like a journal. Yet, I get to say ‘thanks’ here, to you. For saying it like it is: if we are the type of person who thinks a lot about a lot, often, and I mean, like, really often, and we have no idea if what we’re thinking about connects to anything else that anyone else is thinking about, and then we find each other, thinking about things often and a lot and deeply and even to a pint, sometimes, of losing it a little, (yes, it’s a thing), then yeah. We can relax a little. ‘Because someone else is taking care of that part, and caring about it,’ and stuff like that. Co-creating the Work of Doing It All Better… More some other time. Leave me a note if you see this?… (I had more here but I realize I wanted to spend more time writing properly; so tired from the Water Festival traffic, heat, etc. Hope you found your way around town and that it’s all okay with the little bro, too.)

Reality and trust

Update: S P A C E members are invited to weigh in at this page. 

 

TWO PEOPLE will know what the title of this post is about. Two. Just two. I met them yesterday. A and T. The question I posed to elicit these answers is a private one, something I won’t share outside of my innermost circles. (That’s just a handful of people, around the world, with whom I connect deeply and talk about ideas with regularly, over time. For progression and depth. More about that in a second. But together, we call this journey, a foray into S P A C E). For now, I need to say thanks. To A and T.

Thank you both for being there, on the rootftop, for sharing with me and admiring as we, who are tenderhearted and questing, the view of the half-moon beneath the clouded, darkened, past-dusk, and past-nine polluted skies and the redness of that lunar orb: vague and yet, alluring.

For the last few years, I’ve been focusing so much on how to ‘design’ for these kinds of moments. So much, that I forgot how to just let the universe lead me straight into them. Which, of course, is how I first started. Running into this: the magic. The art. Oi, but it’s getting big. Already. That’s okay. That’s where the good stuff is.

Acquaintanceship

INTRIGUE. There was the mystery of it that drew me to that exact spot, to contemplate it for a bit. But also: stopping. Standing still, for a moment. Atop the world, there, or, at least, atop Phnom Penh. I’m not much of a going-out type of person, but I’ve made a pact with myself to ‘try new things’ more often, especially in the town that’s been where I’ve been lucky enough to stop for a while and take stock of the things that, for me, have been sieved out to be the clear, wide understandings that say, together, ‘This counts.’

Like I said, there was another moment, in another bar, on another roof, in the same town, on the same topic that you and I, A and T, together, explored. Because I’m a sort of nerd about relational art, I have to bring it up: I have to think about how that thing that was rests next to this thing that is. (Is this reality?) More about that another day, maybe when we all get better acquainted.
Continue reading “Reality and trust”

Winter 2018-19: ‘The Work of Art’

Line art by Aubrey Beardsley. DK first discovered these drawings at an exhibition in London 1999. They sent DK inspired with pen and paper, looking for space in flat, matte composition while exploring the negative space in which ‘anything is possible.’ ‘Anything is possible’ was the studio’s first tag line, in 2004.

In search of meaning


E X P L O R I N G _ T H E _ A R T
of
Human Relationship

 

Times, shifts, curiosity about new people and new ways of thinking, and the general crisscross of emails and vague fragments of thoughts are what we write and share about in S P A C E. Works are creative nonfiction short stories, co-created with members of Design Kompany’s team both in Phnom Penh and in the places where we are going to discover new and different voices ‘out there,’ in the field.

Where are the new and unusual perspectives, hiterto underreported or cast aside as ‘ethnic?’ Let’s go find them. Let’s write them, share them, co-create them. In S P A C E Meet us there? Introductory offer: subscribe for just $4/week.

S P A C E posts every Tuesday at 7AM USEST. When. you subscribe, you’ll get it every week by email, plus these exclusive PDF zines, too. Themes change but the idea is that we get closer to the study of what it means to look, listen, discover, hear what we are able to piece together when we make a space for quieting, and noticing, both one another, and ourselves.


Publication schedule

Into the Quiet

4 December
S P A C E | Kärsämäki, ‘ The Book of Slow Moment’

11 December
S P A C E | Oulu, ‘Kesärakkausjuttu’

 

Finding the stillness.


Encounters

18 December, 2018
S P A C E | Phnom Penh, ‘Angle of Incidence’

 Living in Cambodia: then and now.


Companionship

1 January, 2019
S P A C E | Tampere, ‘Miia’

8 January, 2019
S P A C E | Kyoto, ‘One Moment Cafe’

Alexis Jokela’s follow-up story, set in Tampere, to Jokela’s July piece, ‘A Summer Love Story’


Mirth

15 January, 2019
S P A C E | Helsinki, ‘Coat Check’

22 January, 2019
S P A C E | Brussels, ‘The Work of Art’

A. Spaice goes to Helsinki to discover 16 random strangers and talk to them, at a once-off conversation salon on the theme, NEUROSIS. Here’s what happened.


Enchantment

5 February, 2019
S P A C E | Rovaniemi, ‘Arctic Circle”

12 February, 2019
S P A C E | Berlin, ‘Strange Geometries’

A jaunt to Lapland, unplanned and spontaneous, lands a pair of wanderers at the gateway of an unmistakably enchanted forest. Inspired by H. C. Andersen’s description in The Snow Queen of ‘Finnmark’. 


Subtlety

19 February, 2019
S P A C E | Singapore, ‘The Prospect of Beauty’

26 February, 2019
S P A C E |  Malmö, ‘Vakt’

What makes something beautiful? Looking with a microscope for ‘the remarkable’ in a money-obsessed island.


 Calls for submission will be made through S P A C E. Subscribe to get the details.

Subscribe at our crowdfunding page >

S P A C E | The Book of New Things

LATER ON TODAY. The first conversation in S P A C E that’s actually in the cloud. A conference call. Connecting members. Across distance, and from spots of time that are disparate, for me. We met in 2011(?), (when was it, S.?) at a bar called James Joyce, for example. Or we met at a place that had a lot of people on laptops and not-talking so we started talking-talking because why not make that happen instead of becoming a zombie. ‘Play a game of cards with us?’ ‘Okay, yes.’ Thanks, MB, for being part of this long journey.

S P A C E | The Book of New Things. It’s not exactly a planning meeting, but you might call it that if you were a planny-planny type, which, believe me, is not my usual nature, but it is, kind of, also. Sometimes you get that side of me that’s like, ‘Right. We have the design intent. That’s 90% of the work, ladies and gentlemen. Now, let’s get crackin’ on this thing before we lose interest, scope creep sets in, someone has a personal crisis and drops out, or expectations get fuzzy and no one knows what the hell the thing is about anymore. Momentum, you could say.’

Which reminds me of this…

p=mv

A building of momentum: the product of velocity and a critical mass

Linear Momentum. Definition of Linear Momentum, Linear momentum p is defined as the product of the mass m and velocity v of an object. SI unit: kg·m/s. Example: A 1180-kg car drives along a city street at 30.0 mi/h (13.4 m/s). What is the magnitude of the car’s momentum? Using p = mv, we find p = (1800 kg)(13.4 m/s) = 15,800 kg·m/s. Dr. Jie Zou PHY 1151G Department of Physics.

Why make this kind of S P A C E? Well, for one, it’s terribly difficult to host the online workshops now. It’s just too much. Email is work. People hate it. People are busy. No one has time. I’ve heard all the excuses, and heard them again. A year goes by. ‘Not this time, DK!’ Another year. ‘I’m sorry ! I’m just really busy right now with my own things.’ Then, fair enough. Let me, also, become busy with my own things. Let me deepen the connections that are already blooming. Then, let me focus on tending these small and fragile things–relationships–while introducing the ideal into the new equation… the ideal being quality and authentic and genuine connexion. Human connexion, built over time. This is not an ordinary group of people. And this is not an open invitation. You have to have known me for 2+ years now, for this set. It’s crazy, saying that. (With one extraordinary exception: Stacia Yearwood, of PaperPassages and IHopeThisMessageFindsYouWell. Of course. Because she is an immaculate poet. Need beautiful words to express an emotion? Hire this extraordinary talent.) Maybe we’ll see S tonight. S gave me a great poem. And inspired the Epicurus-moment that we’ll be building in 2019, in S P A C E, which will take to the road. (BH, are you reading? BH, you should most certainly be part of this cookie. Seriously.)

It’s like having the kind of party that I most enjoy: gathering the people whose work I admire, whose conversations have inspired me, and whose art is good, for a brief intersection of paths and closing off of other channels so as to focus, notice, and be right here now. So far, three of us have confirmed being there. That means showing up at weird hours so that an international call can work; from Australia to the western edge of N. America, invitees to this poll were going to either say ‘yes’ to the showing up to the call, not knowing what at all might happen, or say ‘no, thanks.’ But since we’re talking about people in S P A C E, and not just regular people I happened to run into yesterday or something, not that that’s bad, I quite like that, too, and ZM and I’d met the day before one of our salons, in London, that was pretty cool, and TE, too, who said, ‘What are you doing tomorrow? I’ll guest list you for my show’ which was by far one of the top 5 I’ve been to (following Sun Ra Arkestra back in Durham NC when they came through, OMG, and a couple others I can’t say out loud here because, they’re personal, and I care about them, and I don’t like oversharing) but I’m getting sidetracked–

–Back on track, the thing is this. It’s different. When you know someone. Trust is there. I’m inviting people only whom I’ve been in close conversations with throughout the last six months or more, mostly in the online spaces of S P A C E forums. ‘Slow Moment,’ for example–and expanding that out into a call in thirty minutes is the idea here. So esoteric. So abstract. So WTF. But so? I’m doing this because these are the people who are like, ‘Okay. What time?’

90% of it is showing up. Since we’ve built relationships and had quality connexion and trust and many, many dates together thinking, writing, conversing, talking, learning, sharing, showing up for each other, and discovering more about all that intrigues us, outside of the normal bounds of ‘this is what we do for work, this is what we do outside of work, this is what I studied’ blah blah who cares what do you think about multiple universes, there, good chap, or have you ever seen the northern lights? That Phish song–always comes to mind–when I think about the northern lights. But the new things, the Book of New Things, is deep influenced by the recent trip up to the northern part of Finland, up, past the Arctic Circle, where, if you hold your breath and hope, you might get a glimpse of them. And yeah, if your eyes are closed, too…

Comments are open. But just for a bit.

‘What is important to learn and know about?’

MAKING ZINES. Writing them. Co-creating them. Publishing things, here and there. Quietly, in limited editions. One, three, and five. They may just look like pieces of paper, but enfolded within are a giant collection of stories. Our stories.

Not stories in books chosen by certain people about certain things they think we ought to see as ‘important’–ie ‘a curriculum.’  (And hey, by the way, who gets to decide what’s important to learn and know about? Asking that question, lately, behind the scenes here with a small circle of people we know well now, and can ask things to, and know that there is a history and we can confidently trust the connexion is strong. HT JŽ MOB SG & MR).

But yeah. Our stories. The conversations, the finds, the things that the sharing of special moments of showing up for being there together, in real life or even in S P A C E, can precipitate. SJA put it wonderfully, when she said to me that these zines aren’t just zines. Art is getting made. A different way, a different style, a superlative quality.We had spent a dozen weeks in one anothers’ company. Slowly, over time, progressively, with richness and complexity and the development of trust, she could say things and I could say things. And we could share. And I could show her the short book that I only show people in real life, in very select moments. These are the moments that, after all, are all we really have…

Showing up. True connection. An art of the moment. And zines.

A new philosophy, a philosophy of the moment

NEW THINGS. New beginnings. New frames. New perspectives. New points of view, voices, perspectives, world views, and conversation-starters. New kinds of jam sessions in our intellectual play spaces, which are coming from not books but from us, talking together, writing in S P A C E, in the moment. The moment being now. Our now. This now. The one that is relative to us, all of us, 7 billion and counting, on this planet, in this solar system, in this galaxy, in this universe. So much to talk about. Discovering, every single day, in real life as we amble about the geographies near and far that most intrigue, excite, invite, and challenge us, with our very small circle of curious and open collaborators and co-creators here at DK, so many things. New is what we are interested in. Finding new writers, authors, original thinkers, still-awake-to-possibilities-of-optimistic-outcomes dreamers, responsible social leaders, owners of third places, makers of all kinds, and, all of us, at our hearts, poets and philosophers. Can we get back to the 50 billion years of evolution that are intrinsic within each of us, to explore what we all know, in the ambient space between us? The ‘luminiferous aether,’ remember that old idea? let’s say, I still like that defunct concept, or Jung’s collective unconscious, or the things that Krishnamurthi writes about. He was interetsed in us being better, as a collection, as a species. Not just some of us, but all of us.


J. Krishnamurthi
J. Krishnamurthi

There is no end to relationship. There may be the end of a particular relationship, but relationship can never end. To be is to be related. -J Krishnamurthi 


Here, now

LET’S INVESTIGATE, can we?, for a moment, let’s just say four weeks, okay, how far we’ve come since evolving from trilobytes? Can we play in the imaginative spaces that link most handily to the warmest places of the human heart? Can we discover, in the chambers there, where we all want the same things, really (for our kids to be okay, for us to be able to live in a way that lets us be who we really are, with all the daily needs met and then some, with comfort and emotional security and stuff like that, yes: is this resonating?). Design can make things better. I’ve been seeing how, for 10 years at DK and before that in jobs in architecture, when, that is, the studios were really good. But it’s time to design a new social philosophy thats inclusive and extensive and rooted not in words that weren’t even made in a time when we had the new sciences that we have now (quantum physics, multiverse math). Let’s update, can we? Sure… so, let’s talk philosophy. A new philosophy. A philosophy of the moment. Artfully. With respect to one another, with respect ot the whole. DK are inviting people from near and far into our inner circles of conversation. A balance of place, but also, of the ways of thinking that will invite the kind of dialogue that we really need now more than ever: the kind with a center, and not sides (HT M. Angelou, Mark Twain, Jean RhysWilliam Isaacs, W. Heisenberg, Robin Davidson).

The whole thing starts here.

What is philosophy, though, anyway? In a nutshell, this:

Philosophy is a way of thinking about the world, the universe, and society. It works by asking very basic questions about the nature of human thought, the nature of the universe, and the connections between them. The ideas in philosophy are often general and abstract.


Melbourne-zine-design-popup-art-installation
S P A C E | Helsinki // DK 2018

 

Offline

READING, today, stories about #deletefacebook, and find myself nodding every time someone talks about how the social fabric is getting ripped apart because people are addicted to pings and hits and likes.

For example, I found these quotes in one of the first articles you get to on google if you search ‘delete facebook’… They are:

And that means that we need to sort of give you a little dopamine hit every once in a while, because someone liked or commented on a photo or a post or whatever. It’s a social-validation feedback loop … exactly the kind of thing that a hacker like myself would come up with, because you’re exploiting a vulnerability in human psychology. The inventors, creators — it’s me, it’s Mark [Zuckerberg], it’s Kevin Systrom on Instagram, it’s all of these people — understood this consciously. And we did it anyway. Sean Parker Former Facebook President

I feel tremendous guilt. It literally is [at] a point now, where we have created tools that are ripping apart the social fabric of how society works. That is literally where we are. The short-term, dopamine-driven feedback loops that we have created are destroying how society works. No civil discourse. No cooperation. Misinformation. Mistruth. And it’s not an American problem. It’s not about Russian ads. This is a global problem. Chamath Palihapitiya Former Facebook VP of User Growth

Ventilation // DK 2014

Of course we can argue about the good things and the not-so-good things about technology. But don’t think you have to have it if you want to live a meaningful, connected, or creative life: you don’t. I don’t have Facebook, not a personal one anymore, and though I’m on the fence about what to do with instagram. But okay, it’s fine. I don’t have WhatsApp, or even a mobile phone.

young cell phone addict man awake at night in bed using smartphone for chatting flirting and sending text message in internet addiction and mobile abuse concept. (Read Michael Bridgett, Jr.’s story, ‘Don’t reach for the phone first — Make art.)

Right.

I should repeat that last one.

I don’t have a mobile phone. Or even a non-mobile phone. Today I’m borrowing one of the latter, though, to meet up with some people in Phnom Penh who might be wondering what the hell I’ve been doing on the northern side of Finland all summer, and something about Malaysia, and yeah.

 

No phone

HONEST. I used to have one, in the mid 2000s, when I was living in Seattle and had ‘a business,’ which of course was DK in its first iteration—solid brick and mortar shop, complete with $800 laser printer, fax machine, cool phones that I still kinda miss because of their button design, giant computers, a reception area, a conference room, swivel office chairs: the works. But what I didn’t know then that I know now is that none of it was that important. Social media presence? Not a big deal, because DK sold itself through one-on-one interpersonal interactions in real life. We got gigs in Seattle. More, later, elsewhere,  too. But not because of the online stuff, or the appearances of something big. By being good. Really. That’s how it works. But being good is only part of it. You also have to be easy to work with. Not that easy to work with and not that good? Forget it. (Unless, of course, you’re cheap, and fast. But who wants to work with people who are just trying to penny-pinch and don’t care that much about the quality of the output?)

More thinking. More reading. More turning the clock back to think about where we’ve been and what we were doing. I am glad to say that it’s through the building of relationships that we are here, where we are, and continue to develop. Not that I’m the  greatest at this, in fact, I’m pretty shite at it. It’s DK’s Akira Morita, who took the time to build the networks and keep in touch with the people here where I am writing from (Phnom Penh) in order to begin that lattice-formation that has come to be one of the most important things we’ve ever had in our orbit. Social orbits are big: I was writing and thinking about these things quite a lot in recent days, conversing in S P A C E forums and real life and on voice calls. Less email. Less writing short. And the next podcast (!) will be about the internet—about the love-hate relationship with this thing that connects us (and keeps us from truly connecting, at the same time).

True connection starts, I’ve found, with showing up. Commitment to a person, idea, or project, or a job, well, commitment is what leads to trust. Trust is huge. You have trust, and you have all you could possibly ask for in a relationship. Trust the process, sure, but trust other people. Sure. It’s hard. Of course it is. Relationships are work. Did you see that thing I put here about George Vickers? How about Moominpappa? I feel like here at DK, Akira is the former, and I’m the latter. We’re interested in relationships, but he’s better at that, and I”m interested in possibility, and exploring to the edges: scouting the new and the next. Together, we’re still at it, officelessly and houseless-ly. We’re moving around the world looking for people who are ready to try new things, be they NGO-sector officials, small businesses, innovation-minded larger groups, individuals, or colleagues, or co-creators, or even friends. Are you ready to try to get to the next, whatever, or whatever, it turns out to be? Then that’s it. Talk to DK. Let’s play.

 

Reclaiming space for real life

I’LL LEAVE YOU  with this bit from the Guardian article, ‘Be a pioneer — delete Facebook’, by Jaron Lanier. And comments are open, if you’d like to say ‘hi.’

… these deleters are indispensable. They should be celebrated. We all benefit from them.

The primary value of a boycott in this case is not mere protest to damage Facebook, but to invent what life can be like today without the social network.

A deleter must reconsider how she holds her social life together. She will therefore rethink what a social life is.

Is having a publicly broadcast number of associates a good thing, or does it foster a meaningless sense of social competition? Does Facebook’s method, which combines user tracking with stimuli calculated to foster addiction and behaviour modification, really reveal the most beneficial options for her? Does an experiential feed constructed by algorithms serve her, or other people who are paying to modify her behaviour? Are the components of the Facebook experience severable or not? Can you have a modern social and professional life without the manipulation? Is it even conceivable? Who will ask? Who will find out? The deleters will!

And they already have. Making space for real life interfacing, for remarkable human connexion: that’s the whole thing, for some of us, writing, connecting, meeting, sharing, and, hey, living. Online is fine. I’m online to post this. Online is fine, but online isn’t the only place it’s at. Real life is out there. Let’s go get it.

Zine launch: S P A C E || Helsinki

A zine. Printed, limited edition. Ready to share these with members of S P A C E who pre-order by 29 Sept. Don’t miss the chance to get a printed zine in the mail that tells the story ‘Julia Set’.

JOIN DK and friends at the launch of the zine, ‘S P A C E || Helsinki,’ a creative nonfiction short piece that will be distributed in very limited editions on the day. Your ticket comes with one copy of the zine, whose pages are filled with words and collages DK gathered in real life in Helsinki in June and August, 2018. The zine’s lead story is ‘Julia Set,’ based on a conversation with a mathemetician about possibilites and multiple dimensions, but there is also a more low-key dialogue in ‘Exit Vantaa.’ Find out more when you check out the related blog posts, liket ‘Exit Vantaa,’ DK’s music ‘mix’, at this page, and more is also online about DK’s zines in S P A C E.

Pre-order S P A C E || Helsinki here.

Prototyping S P A C E in Gangtok, India

LIFE. STORIES. Multiple, divergent, intersecting, and contradicting pluralities of narratives: the things we are pursuing here are not so much about gathering outcomes and publishing stuff that sounds and looks interesting (but has no content); rather, we want to invite into our innermost circles, in S P A C E, the exact kinds of new and different others who will show us, together, as we get going, in our conversations in the protected-page posts that constitute, as a set, the thing we call S P A C E, well yeah. All of it. Is a thing now. There’s a bulk to this that I can’t deny; a gravitas and a resonance that stays with people. They tell me this. ‘I really enjoyed that exercise you did; it was super relevant at the time, do you remember, you put us in groups, ‘Past,’ ‘Present,’ and ‘Future?’ asked my friend MR, whom I’d met at one of my events in Bangkok and who went on to join DK again at something called ‘16N‘ in that same city, the next year.

S P A C E || Bangkok // DK 2015
‘N’, the big blind date

(Honestly, we didn’t recall that exercise or think much about what it might have meant to everyone; at the time, we were just hosting, and hosting means you’re talking to people and making sure everyone feels included, that her or his voice counts, that she or he is invited to all the conversations circling about, moving, changing, diving into other spaces, letting that happen.

Afterparty for ‘N’ Bangkok at jazZ happens! // DK 2015

Of course the afterparty for ‘N’ there had to be at a jazz club: improvising in collage and collaborating with jazZ happens! there, that was also very fun. With both, it’s a jam session: making it up as we go, but also, playing off what we learn, together, from one another. Most importantly, there’s no hierarchy. It’s flat. We’re talking, together, in dialogue. Round tables. Let me tell you a bit more about this idea, of circles. (SN, watching Akira Morita in action one time hosting a meeting, had called it ‘circle time.’ We love circle time, here at DK. Why? Lots of reasons.’)

Real dialogue

‘Book of Blue’ is an art book, made in Bangkok, Phnom Penh. 2014

Dialogues that are really good are the kinds ‘with a center, and not sides,’ as William Isaacs, had put it in his book, Dialogue. How lucky I am to have been able to reach out directly to Isaacs, ahead of my conversation salon series, ‘Modern Sikkim: What does it mean to be Sikkimese?’ which had happened in Gangtok, Sikkim–a part of India that my relatives in Delhi aren’t too familiar with outside of an image of ‘the snowy mountains’. Well, wow. There is of course Kanchenjunga, but before I go marveling about the miracles of the Himalaya, and daydreaming about going back there in November (yes: mark it! Atelier S P A C E || Gangtok is in the works), well, yeah, so what was I saying? Oh! This: I’m lucky, very, I could ask William Isaacs directly, over email, in 2013, thinking hard about the design of Modern Sikkim and how to collaborate well and whom I should contact to make a go of it and what we would do in the spaces-to-become, well, yeah. How I could make such a conversation salon series work well was important to me. Researching that. Learning what to do in the instance that someone tried to be overbearing (this happens a lot, in societies where there are hierarchies established from social class, economic status, or hey, let’s be real, male and female gender roles), all that normal stuff you have to figure in, and be ready to take on, when it does hit you, all that. And I remember the email coming back. What a good feeling, to get a note from the internet to say, Just do what you’re doing and here’s some more stuff to think about, more or less. Well. What a nice thing to feel reassured that no one knows what’s on the way, not ever, not fully, but that allowing things to pop up by hosting a space that is inviting, safe, comfortable, relaxing, and readied for the things-that-might-happen, well, that’s the work. And the art. So it began. A journey into making more and better such space, or, as I call it now, S P A C E. I’m the architect of it; we follow a checklist, it has 7 points, to do this in a way that works, in DK’s style. Which is what? Well, you can read my personal artist statement thingy at this website, if you’re curious about what interests me about gathering people in these ways. ‘I want people to relax. To feel air, space, and comfort.’ Find it in context at dipikakohli.com.

Modern Sikkim // DK x Echostream 2013
Gangtok roundtables begin with the conversations about the role of government. Over chai and biscuits. Doesn’t everything good start with ‘tea talk?’ I think so. // DK 2013

But in the meantime, there’s this.

Philosophy of the moment

8 October

GETTING SET. For our first-ever online salon, ‘Philosophy of the Moment.’ In which we’re going to share all of the best learnings and gathered notes from our decades-long pursuit of the big questions, ‘What are we doing here? What does it mean? What is ‘good’? What makes it remarkable? What does a meaningful life look like? How can I make changes so that I can better enjoy the life I have? What does it mean to love? How does it feel to let go? Where are the important notes to carry forward? What kind of legacy do I want to leave? Who am I? Who am I, apart from you? What is my role in society? How am I doing, and where I am going, and does it mean much to consider these questions, and besides, what is ‘time?”‘ What’s this all about? Find out.

Writing and designing, connecting and discovering in Aarhus, 2015. This was where we learned about ‘relational art.’ It’s been all relational art, everything, ever since. (HT AP, BM and SCH).

 

Salon: Origin

ORIGIN: ‘What is fromness?’ is inspired by ‘Ask me where I’m local’ by Taiye Selasi: ‘When someone asks you where you’re from … do you sometimes not know how to answer?’ Selasi speaks for “multi-local” people. In other words, people who feel at home in the town where they grew up, the city they live now and maybe another place or two. How can I come from a country?, she asks. How can a human being come from a concept?’

Origin: What is ‘fromness?’ Join Design Kompany in an informal setting for a conversation salon, ‘Origin.’

We’ll be talking about questions that help us all reflect on self-identity, whereness, and the notion of ‘where I am from.’ The program is light, and a slight redesign of our 2014 Origin conversation salon in Phnom Penh, in which 16 people gathered for an unusual experience of talking with complete strangers about close-to-the-heart questions. Since then the event has also been seen in Bangkok and Hanoi.

Come meet people from a wide mix of backgrounds. People whose paths you might not have crossed. Who are interested in taking a good, honest look at questions like: Who am I? Where am I ‘from?’ Who is my family? Where is my home? Questions that, we learned in 2014, truly open the heart. And help us learn more about one another, as well as ourselves.

  • ‘I never imagined I’d meet so many different people.’
  • ‘I wish we’d had more time! Thank you.’
  • ‘Weird and interesting!’
  • ‘Refreshingly honest.’

This event is for members of S P A C E and their guests. Learn more about how to become a member of S P A C E here.

S P A C E || Finland

Printed set of limited-edition zines from the new collection, S P A C E || Finland. For members of S P A C E.

Join S P A C E here.

‘N’ Helsinki: NEUROSIS

Tickets for ‘N’ Helsinki: NEUROSIS. ‘Let’s talk about it.’

HELLO.

WHEN WAS THE LAST TIME you struck up conversation with a total stranger, and found out something really cool about them and, in the process, about yourself, too? When did you last go out of your comfort zone to get lost in the sea of real-life conversation that wasn’t set up digitally first?

You are not a robot.

You are not your schedule.

You are a human being.

When did we all become option-seekers?

Can we go back to when it was different, when we used to just commit? Don’t wait to see if something better might come up – be a bold human being and just pick a date and show up!) And when was the last time you looked at another person, a stranger, like, really? Eye to eye, face to face. ‘You’re here, like me, in this world. Let’s converse?’

Introducing ‘N’

16N. ‘N’ gathers 16 people in 16 cities. Cities with an ‘N’ in them. Designing a way for people whose paths have never crossed to meet together, in one framed moment. Each city’s ‘N’ is themed. The topic starts with an ‘N.’ The big idea? Ever notice how people collect each other, as though we’re numbers? In each city’s big blind date, ’16N’ become 16 people. Phones and devices go into a box at registration. No recordings. Just real life. But briefly. And once. So far, DK have hosted: ‘N’ Phnom Penh: NORMALITY (‘What’s normal? Who gets to decide?’); ‘N’ Bangkok: NOW (‘What is ‘Now?’); ‘N’ London: NOTEWORTHINESS (‘What makes something remarkable?’); and ‘N’ Hanoi: NARRATIVE (‘What are the stories we tell to the world? Which ones do we tell to ourselves?’). DK are actively working on gathering participants now for a collage of new and different others in Helsinki for ‘N’ Helsinki: NEUROSIS (‘Let’s talk about it.’).

Are you up for the ‘N’ challenge?

#whynot #sayyes #play16n

A big blind date for just 16, in Helsinki, and just once

Tickets for ‘N’ Helsinki

OUR TRAVELING series 16N is next stopping in Helsinki. It’s a big blind date for just 16 people. (Who will be there? That’s the whole magic of it. The thing is a giant *surprise*.) It’s by invitation. Ask us for an invite, when you follow the story, here: http://designkompany.com/16n