DK INTERVIEWS OUR favorite portrait photographer in the world, Benjamin Nwaneampeh. Who says, ‘Tell stories. Make art.’
It’s on our soundcloud.
TAKING NOTES, visually, walking the cities was curious about.
Is how a thing got researched.
A thing that led to a draft, which was downloaded on a laptop, which got stolen, which there was no backup of, which was a kind of freedom, which led to forgetting the whole thing, which led to starting anew. But only when the right set of circumstances landed in front of me. Coming into shape, setting the new stage. Clearer, simpler.
Next up, from the S P A C E collection, is S P A C E || Sheffield. Which leads with ‘Briefly in Sheffield,’ and dips to London for a chat with a very old book by Johannes Kepler, pictured. Special thanks to Sokol Books.
Yesterday, a watch stopped. Hers.
This was the second time this kind of thing had happened. That is, a watch stopping. That time, his.
Both times, in the middle of a superb conversation that, really, slowed into a moment. Conversations with people that I had just met. That day, or a few days prior. Really good sweeping topics that spanned the universe, life and death, birth, stillness, space, poetry, philosophy, conspiracy theories (me), art, skepticism of nonsense (them). And you could feel it, just there. The stopping. Then, it was literal. How does this kind of thing happen?
Let me try to feel my way towards the ‘how,’ even if I don’t get there. With words, of course. Words are a sort of paint for me, the paintings I’ve been looking at this week reminding me to play with them a bit, to see where the layers might take us.
Yes, the ‘something’ that happened, let us call it ‘!*’, whatever ‘!*’ was, well, I know it happened, it happened because I felt it, not just in the way that you feel when you are feeling a shift in the breeze, or that kind of thing, but because you are sensing something inwardly shifting, which is reflecting something larger, very large indeed, and you know that the quantum bits and pieces are at play, or that strings are vibrating, or that there are nine other dimensions (nine? More?) that are resonating in the same hum, or a different one, or a new color, and that, taken together, these things are beginning to make a new pattern. Of course the intricacies of the design are beyond our capacity to ‘note,’ and NOTEWORTHINESS being the theme this week-and-a-half here in London, of course I have to philosophize a bit about it, here and there, when I find the urgency of the moment in which that frequency will suggest, in a gentle but firm whisper, ‘Yes, now.’
I HAVE BEEN QUITE LUCKY, this trip. I have met some of the most outstanding people I’ve ever encountered in my life. And all at once. At ‘N’. The most incredible thing happens when we assemble, just sit together, talk together. [Not like in the round, in the workshoppy-style that SN, remarking on DK’s style of making circles, had once called ‘circle time.’ Was it 2014? It’s stuck since then. Circle time. Yes, we love circle time here, of course we do, but you just can’t always go into the circle space because sometimes you are meeting in public spaces and it just would be weird.] I mean, you might get kicked out. In this instance, for ‘N’ London: NOTEWORTHINESS, we convened at the National Theatre. While on the one hand I had made the good acquaintanceship of some of the people working there, who noticed that I was greeting people who didn’t know one another and would be later pointing the latecomers towards our table, asking, ‘Are you here for the blind date?’, and letting them know where I was, yes, while they were on my team, you could say, in making it happen that people whose paths might never have crossed were, at ‘N’, designed to intersect in one moment, well, I don’t think they would’ve been cool with it if we did some circling up and talking about things like I like to do sometimes at these sorts of conversation installations. I don’t know. Maybe it would have been okay at the Royal Academy (pictured), whose purple velvety cushioning made me want to curl up and read a book, any book, by, say, J. Krishnamurti (thank you JB), all evening and through the night and the next day, but then again, circle time is special. I don’t know. I think you have to just feel like it, in that moment. Like so very many things, that are good. That are noteworthy, even. But then, ‘Royal’ doesn’t start with an ‘N’, so that’s it, it’s a no-go, right there. Plus, ‘Royal?’ Who wants to make it all hoity-toity? Not me.
THERE IS SO MUCH more to say about ‘N’ and the things that preceded it, the conversations that revolved around that strong central gravitational point, ‘What’s remarkable? Why do we think so?’ I’m going to be sharing more about it slowly, through the eZine, but also, with guests who took part in ‘N’ London this time. There’s stuff to report to past guests, of ‘N’ in Bangkok and Phnom Penh, and the one to happen next, in Copenhagen. I’m getting to it. All of it. But I need some time.
Writing, today. In pencil, on the keypad. In my head. Writing for the sake of writing. Writing for the self. This is the time that won’t come back. This is the time to sit, quietly, and make a poem or two, and let the flow come as it does, when and exactly and only when it’s ready. These are the moments, aren’t they?, when time stops.
LEGACIES ARE MADE AND BUILT based on the learnings we can articulate clearly, and share. Dialogue makes us gather our ideas and respond to those of others, too. Perspectives can shift and whole rooms of internal awareness can open, if we allow ourselves room to reflect. It’s why I am always taking pictures like this, I think. I like to make the space for zooming into quiet. Processing ‘N’, which just happened on Wednesday here in London. No pictures. No social media. Just quiet space, to feel what it was, and reflect. Quietly, alone.
NEXT. There are a few things coming together for 2017 for members of our online community, S. P. A. C. E. A different kind of thing than me posting blog entries, much more interactive: both real-life spacemaking events in cities like San Francisco and Bangkok, and conversation forums in online ‘rooms.’ The big idea is much like the 16N experience: connecting us to new and different others, making space for us to reflect and better tune in to our own selves, our own hoped-for legacy, whether we’re conscious of what it is or just open to ambling our way towards something bigger than simply existing day-to-day. I came to London a year ago to see George Bernard Shaw’s Man and Superman. In which similar questions of existence and purpose and meaning popped up. I can tell you where all this is going, but only if you are interest in hearing more. Are you? If yes, leave me a note.
‘HELLO. CAN I ASK YOU A QUESTION?’
‘What do you think makes a thing noteworthy?’
‘Makes a thing noteworthy? Is that what you asked?’
‘Something that is an experience.’
‘Good answer! Right. So what are you doing at 6PM? Because we’re going to have a conversation salon, on noteworthiness. Yes! And someone just cancelled their spot. I mean, these tickets were booked months in advance, some of them, and some of them just yesterday, but it’s all part of the design of it, you see, chance, and serendipity, and the connection that happens when, poof!, you meet, in real life. But briefly, and once.’
‘I’m interested, but not today… is it a regular thing?’
‘Good sir, briefly and once is the thing about ‘N.’ Because you can never set foot in the same river twice, et cetera.’
‘Think about it. I like your answer, and you seem nice.’
‘Yes, well, I have a client meeting at 7…’
‘Move it! ‘N’ just happens once! And ‘N’ is an experience.’
‘I, um. How can I get in touch with you?’
‘The website. There’s a form.’
‘CAN I JUST… um. This chair-thing? Can I use it? We have one person who is needing a chair-thing, over there.’
‘No? Excuse me?’
‘I got it. For my laptop.’
‘You got it for your laptop?’
‘Yes. From over there. I carried it over here, from over there. You can go and get your own!’
MANY THANKS TO THE DOZENS of people in our online and real-life community, S. P. A. C. E., for helping DK connect with the 16 ‘new and different others’ we are meeting for the first time in one moment tonight.
TONIGHT IS ‘N’. Here, in London. A year in the making, this one. We are getting together to talk about NOTEWORTHINESS, what’s remarkable? Why?
Esoteric perhaps in nature, the actual experience of an ‘N’ is, I hope, I think, I believe, much more playful, open, engaging and by design fun. What would be the point of it if it wasn’t fun?
Fields will be represented from many directions: mathematics, curation, anthropology, culture studies, photography, writing, design, business and technology and more. The magic moment is almost here. Tonight, tonight, tonight. —AS