A NEW COLLECTION. After the conversations that came of a 2012 lecture, ‘There’s Not That Much Time Left,’ Design Kompany created online ‘rooms’ for talking together with people we didn’t know about how to leave a legacy you can feel great about. By designing the life you want. Working backwards from the picture of ‘the ending’ and figuring out how to attain that kind of a goal is, of course, the stuff of applied design.
We made a few things together with this group in real life, in virtual spaces, and in invite-only salons that helped us all talk more about ‘uncertainty.’ About not knowing what’s ahead, and working with that, anyway. Maybe you will be aware of the launch of DK’s set of writings and recordings, The Art of Not Knowing, (which I’ll refer to as AONK), because of those inner circle conversations. If that’s you, this will be an event to further connect in an online reception for the launch of the collection. Learn more about AONK here.
Be part of the online conversation on 1 July when join us for S P A C E with a pass. Details to follow for those who confirm. Advance bookings only. Book here.
The idea. After a series of four really amazing ‘Rooftop Philosophy in Phnom Penh’ salons, limited to just a few people and small and informal in style, we bring back Rooftop Philosophy in Phnom Penh, this time the #5 edition, by invitation only. Share your availability with DK by email and we’ll choose a date and time that works for most. Max 6.
Agenda. Guided, prompt-led conversation. No experience or expertise necessary. Proficiency in English is best, but all are welcome. Light, relaxed, nice view. How to design space for great dialogue? Conversations that, I promise, will veer far from the vein of the above. That is the work of DK.
Fee. USD $15 per person to participate. Free for patrons of DK. (Want to become a patron? Here’s how.)
LEGACIES ARE MADE AND BUILT based on the learnings we can articulate clearly, and share. Dialogue makes us gather our ideas and respond to those of others, too. Perspectives can shift and whole rooms of internal awareness can open, if we allow ourselves room to reflect. It’s why I am always taking pictures like this, I think. I like to make the space for zooming into quiet. Processing ‘N’, which just happened on Wednesday here in London. No pictures. No social media. Just quiet space, to feel what it was, and reflect. Quietly, alone.
NEXT. There are a few things coming together for 2017 for members of our online community, S. P. A. C. E. A different kind of thing than me posting blog entries, much more interactive: both real-life spacemaking events in cities like San Francisco and Bangkok, and conversation forums in online ‘rooms.’ The big idea is much like the 16N experience: connecting us to new and different others, making space for us to reflect and better tune in to our own selves, our own hoped-for legacy, whether we’re conscious of what it is or just open to ambling our way towards something bigger than simply existing day-to-day. I came to London a year ago to see George Bernard Shaw’s Man and Superman. In which similar questions of existence and purpose and meaning popped up. I can tell you where all this is going, but only if you are interest in hearing more. Are you? If yes, leave me a note.
MANY THANKS TO THE DOZENS of people in our online and real-life community, S. P. A. C. E., for helping DK connect with the 16 ‘new and different others’ we are meeting for the first time in one moment tonight.
TONIGHT IS ‘N’. Here, in London. A year in the making, this one. We are getting together to talk about NOTEWORTHINESS, what’s remarkable? Why?
Esoteric perhaps in nature, the actual experience of an ‘N’ is, I hope, I think, I believe, much more playful, open, engaging and by design fun. What would be the point of it if it wasn’t fun?
Fields will be represented from many directions: mathematics, curation, anthropology, culture studies, photography, writing, design, business and technology and more. The magic moment is almost here. Tonight, tonight, tonight. —AS