The creative process is nonlinear and difficult to predict, but you’ll be sure to be part of something that will open your eyes to the various ways you can approach a big, open-sky project like Atelier S P A C E’s invitation to together find a theme and ‘make something that goes with it.’ There are no grades. No rules. No judgments.
DK frames the space for you to explore widely to discover your own way of perceiving and responding to the theme we’ll discover. It’s something we have done since 2005 with clients in Seattle, Durham NC, and of course in Phnom Penh, along with our past interns.
It’s fun, engaging, creative, and has a high potential for lots of learning. And collaboration—true collaboration, in which your voice will be an essential part of the story Sound good?
Venues will rotate throughout the week. We’ll start at Story.
Everything will be outlined in detail in your orientation pack.
Max 8 people.
Free, but an application is required. We are looking for budding writers, designers, artists, and illustrators interested in learning about the process of co-creating. Experience what that’s like, and ideation, and also, publishing something together that’s on-the-spot, timely, relevant, and now.
Meet new people. Make a zine. Share the journey of the creative process over this unique, once-off weekend conversation salon cum real life workshop. We’ll meet three times over the 3-day weekend workshop. Date, time, and place to be shared with those who are selected to take part. We’ll add the final works to our S P A C E || Cambodia collection, which has featured at the Singapore Writers Festival and the Georgetown Readers and Writers Festival, in 2017. Discover more when you apply. Apply here.
A DAY AGO, I sent an email invitation to a handful of people in: Seattle, Durham NC, and the place that I affectionally call ‘The Road.’
What kind of invitation? To join me for an online salon in October called ‘Philosophy of the Moment.’ I’ll tell you about that more in a second. But the feeling is this. So many people. So much time. So many places. And so many great conversations. What if I could find a way to wrap us all into one space, to talk together about ideas and things that have popped up, from these, that we would all find curious? Or maybe handfuls of us would? And if that could happen, what might we learn, together? What could we make, too, if things got really interesting? An anthology, perhaps? Like The Mirror, in 2014? Something in print? What about zines? What about, what about? And that’s how I got excited about it. The starting of the thing–an interactive forum-salon, in protected-page posts, that is S P A C E.
Let me elaborate.
Those places I met the people I invited? They’re from certain bases, of my past life in different parts of the world. Presently I’ve been thinking hard about such ideas as bases, because… well… it’s al long story, and one that I’m not totally sure I want to put here in the public space, but one in which a few of us explored quite nicely, in a 2016 writing salon called, ‘Home & Away.’ That was the first-ever forum-space. Some people really dug it. Some people left. But you have to take chances on things if you want to see innovations. And I like risk taking, if you know me you know that, but some of the time, I take much smaller steps than I wish I could. Writingwise and art wise, though, it’s much easier for me to take big jaunts out into the unexplored territories because, unlike most stuff, with writing and art I feel like I’ve had a lot of time and space to really practice. To get past my own qualms about, ‘Is this good enough?’ F yeah, it is. So go for it. So I do. I make S P A C E into salons, I do that because I like to correspond. I write a lot. Maybe too much. Maybe too often, certainly, too long at a time. This one, this [post] is long. I’m writing the extra bits in, I’m seeing that pargraphslong texts can be daunting, but… that the people I connect with best read. They read, to the end. And you know what else? They check links. AM and CW were among our very first clients in Seattle. (Hi, guys!) I still remember when they came to the office, that was my first one that I had ever rented, committing cold, hard cash to a thing as nebulous as ‘rent,’ because of a promise of it leading to ‘possibilities,’ which you know of course, it did. Big ones. Manyfolded. And at our meeting, I had said, you know, my blog has lots of long, long posts, that people don’t read. AM had countered, ‘I read. I read everything.’ And you know what? Most of the people I really like in life, they read. They read everything. The whole checking links thing was part of a post that used to be on this blog, about the Seattle-based DIY indie fair, ‘Urban Craft Uprising.’ I went to that not knowing what the hell to expect but finding
myself surrounded by a very specific type of person and writing a post called ‘Psychographics.’ In which I had quoted CJ, whom I’d met a the art gallery OKOK and run into again at UCU and he, there, upon hearing my comment, had said, ‘Yeah, yeah. These are very specific people all right. They’re the people that check links.’ Check links! Wow. Well, okay then. Let’s let that be a thing. ‘Kay, cool. Lessons learned: My favorite people, who are DK’s community and network and clientele and collaborators and friends, read til the end, read everything, and check links.
From out of left field
I GOT QUOTED ONCE, on study abroad, in the back of the ‘yearbook’ for saying something that, my goodness, my hero N. Bohr might have enjoyed hearing me say. I said, ‘I don’t make statements. I just say things.’ See? Statements imply you know something. But Bohr, good man himself, said: ‘The opposite of a profound truth may be another profound truth.’ The friends that I had in those days didn’t give two shites about quantum theory, or possibilities, or new angles, or the potentiality of multiverses and suchmuch. They just wanted jobs. Jobs! My jobs almost always turned into departments of philosophy. I can tell you some stories, but I’ll spare you. Because: Ichiro.
Instead of trying to ‘figure things out,’ or hit a homer for every single damn thing you try to do, the way that they tell you when you’re younger you need to, if you grow up in a country where I grew up, because success looks like a major league baseball game where all the lights are on full blast in midsummer and the crowds are loud. You go there and you watch and you see the big show. Casey at Bat notwithstanding, you go. You hit homers, if you’re good. That’s the thing. But me? I’m changing. I’m interested in other ways to do it, to show up for my own at-bat… Yeah. Show up like…
Yeah. I’ll rev up like Ichiro, try to make a poetic thing happen by just stilling into the moment. Show up for the on-deck circle, then head up to the plate. Batter up. A single to right field works for me, these days: no need to get high and mighty, trying to be Cecil Fielder, or anything like that. Work is getting around the bases. Work is making your way to home plate.
Arriving at home
Work is the work it takes to score the runs that earn the points for the team. Collaboratively. This. This is the new thing. Showing up, but also, being aware of the strengths of the rest of the team. And our team is pretty wide-ranging, now that I look at the whole picture. Some fascinating people have come through DK’s doors.
Things moved into cojournaling spaces, and now, we have the interactive magazine, S P A C E. And print zines, too. Lots, and lots, in other words: but the philosophy thread remains consistent. It’s where we are most intrigued. Exploring together the art of the conversation that gets us all thinking more critically and with an eye towards making our own lives more pleasurable. I read somewhere once that is the definition of philosophy. Then SY told me about Epicurus… And more to say, one day, about that. (But if you’re curious, read this fabulous poem that S had introduced me to, ‘Oriah’s invitation.’)
Clients, interns, part-time collaborators, commissioned artists, and more. I’m really lucky to have had that chance to make and share, and to work things out, in a way that’s evolved, these last, oh, I don’t know, what’s 2018-2005… okay… so, that’s what, 13 years. Thirteen years freelance studio-ing up at DK. I think we’ve learned where our strengths are: we have good pitchers, that’s pretty much the secret sauce around here. Pitchers who have a clear awareness of the simple but important fact that every at-bat is its own thing. That each batter up is her own ball of questions, struggles, philosophies, psychologies, temperaments, and triumphs. All of us are playing baseball, really. Just that, sometimes, it goes the way you think it would, like it’s a Cubs game from the 1990s, and you’re just watching them go through the motions. I can hear Harry Carey in my head saying it, ‘We’re just playing 1-2-3 baseball, here,’ and then, later, if things go his way, ‘Cubs win! Cubs win!‘ But the game is different, here. A wider field: the one that takes up the entire surface area of the globe. We’re going to play, now. A big game of giant rounding-around-the-bases. Batter up. And here’s the pitch…
Introducing ‘Philosophy of the Moment’
NOW THAT DK have been based in Asia, more or less, for the past four years, we’re using this angle on the way the world seems to have shifted to gather people in online forums and talk, together, about what to do to make stuff better. I know that sounds really heady, and lofty, but the truth is, that if we can make our own lives more clear to ourselves, and understand our own contributions to ‘the world,’ and I’m not talking about in a way that’s corny, cheesy, or ‘do-gooder-y,’ like toooooo many people [from abroad] come to Cambodia every single season (and last, if they’re lucky, three months to do… well, let’s see, what I’m really saying is… the stage is pretty giant, the stories myriad and numerous. Influenced by the new perspectives of having been, by sheer osmosis and inertia, in one place for so long (one year in motion in South and Southeast Asia, followed by four years at the time of this writing, in Phnom Penh, with the occasional excursions to Northern Europe–Sweden, Denmark, and [this summer in] Finland, and I’m not sure which spot is next but I’m going back, sometime, I can’t help it, the palette is what draws me, mostly, but more than that, the quiet spaces, but that’s a different story). And yeah. I’m ready. To share the conversations more widely: there are so many intriguing people whose paths have crossed with mine in these last five years, (the four here in Cambodia, and the one before that, on the road, in search of ‘uncertainty,’ or the practice thereof, long story, very esoteric, landed in no fashionable bullet-point list of outcomes, just lots and lots of e-correspondence in the time since with people all around the world whose ideas are still intriguing to me, people who have taught me very much, and people whom I’m really excited to interconnect, though S P A C E. More and more, lately. But in very small circles. Invite-only, kind of, since the end of the last registration period. That was for ‘Slow Moment.’ This time, it’s just a small circle of us probably who’ll join in to POTM. We’ll dive into philosophy. Of the moment. Ergo, ‘Phil. of the Moment.’ Like that?
Mm-hm. So okay. What is it? Philosophy of the Moment is a four-week side conversation online, nested in our ongoing interactive salons happening concurrently in our forum, S P A C E. We are going to spend some time over four weeks in
October talking together specifically about ‘Philosophy of the Moment.’ It’s open format. Four rules of Open Space: the people who come are the right people, it starts when it starts, ends when it ends, and the things that happened are the only things that could have happened. In other words, give yourself a break when hosting an Open Space because it’s about framing the thing and letting the jam just happen. As jazZ happens in Bangkok put it on email to me before we made ‘The Book of Blue’ together there, ‘Let’s let it roll.’
The people who come will be the right people. We’ll explore creative writing tips from experts whose advice has gotten us places. Collectively, sharing what we know from individual experience. Just like in our real life salons, like, for example, this one. We’re going to make things, too. A short anthology. This project is for people whose paths DK has crossed in recent months, whose writing and ideas have inspired, and intrigued us. We want to make a ‘room’ in a virtual space (that would be a protected page on this blog, with comment threads, and a password to get in), so that we can send weekly prompts to get us talking together, to get us learning together, too. From each other. I said that already, didn’t I. Guess it matters a lot to me: listening to one another, hearing each other’s voices and perspectives, being open to the possibility of being changed by what you hear. And all in a flat hierarchy. In which every. Voice. Counts.
‘The secret is to just begin’ –As told to DK by A. at AOTZ
MAKING SOMETHING through art or writing is one goal, but learning together is the main objective. Experiential publishing, this.
This is our method pre-start, this month:
Invite guests to take part. Make sure they are from a wide range of backgrounds, geogrphic locations, past experiences, and philosophies on life.
Ask people if they want to commit time to this project. Make sure they do have the bandwidth to do so.
Be interested in other people, and check through the application process if the guestlist also is so inclined.
Know that we are all going through this as if on a journey, together. That the outcome will be less important than the process of learning as we go. Being open to the veering and changing is hugely important, and we must communicate that up front: this is a journey we’re going to largely improvise, as we go. Are you cool with that? Then let’s begin.
Begin. Gather people to register before 8 October. Start on that date. Continue through the end of October. See what material has come together and. where we could push the envelope and see what kind of meaningful story or narrative or poetry or art we could fold into a short book. The anthology could be a collected work that becomes a digital book (if material is sparse) or a printed one. We’re in conversations with a book designer in Singapore about this, and we are quite serious.
Sample questions to get started: Travelers and artists, romantics and poets all know about the difference between time that is spent and time that is well spent. Kairos and chronos time, the shifting edge from one to another. Can we focus and look at these questions: when is it good, what makes it great? How do you know when to change things up?
With everything I make, I want people to relax. To feel air, space and comfort. Philosophy: the pursuit of making life more pleasurable through considering it from various angles. Let’s try this. (More about POTM is at this page.)
Let’s converse? Let’s play. Curious? Ask me anything. Leave a review. Comments are open. Say hi?
STARTING THIS WEEK, we are sharing the updates to the journey of Atelier S P A C E. through a new mailing list. I wanted to just acknowledge all the very many people I have met who have been a part of this, so far. Thank you, you know who you are.
It’s about us connecting in person, for a chat, a conversation, and a chance to write or photograph or draw. Together, on the spot. Part of the time I realize I was overthinking this. Overdesigning, too. It got out of hand, I fully admit that. What’s important to is to persist, and insist, as I do, that short form works are great for starting what is hard: starting. All if the creative process that comes out of the starting is going to be what it is, sure. But… Did we make a start at a thing? Atelier S P A C E asks you to take a chance, do a little jam, play a little tune, but instead of with music, with words.
We are still at it, still making zines. Next stop: Finland.
Not that we are ‘zinesters,’ but, it’s been fun to play with the photocopier and make these. A few from Sept.. 2017-March 2018. Sharing through tomorrow at our popup installation, Zinery & Finery, at DK World HQ in Phnom Penh.
On Saturday I’ll be here hosting the #8 edition of ‘Rooftop Philosophy in Phnom Penh.’ Where time has literally stopped. Expect the unexpected, and come see. More info at our website, see ‘Upcomings’. This time I’ll kick things off with what the bright physicist HL told me, about holography, time and space being one thing, and the three levels of intelligence in civilizations. Wish she could join us but good thing I took notes. ✨🗒
‘It’s good that we can still talk. A good conversation!’
‘It is. It was.’
‘About so many kinds of things! It keeps it new. I like that.’
‘I do, too.’
‘I think… I think that what’s really interesting is when you can have the old things and the new things, together.’
‘I was talking about this the other day, when I was telling you I had such a great conversation jam? That was really fun, and you know, there are more things to talk about, all the time, as we go, because the talking towards some kind of discovery, even with the limitation of language as that is there, you know Niels Bohr said—‘
‘Who you love to quote.’
‘Who I love to quote! Who I love!, and yeah, he said, “We are suspended in words.”‘
‘I think that S P A C E and writing like this is about suspension.’
‘Everybody thinks they want stuff to be grounded, you know. Clear. Crazy clear and understandable, the bullet-point list. The one-pager. But… We also like to curiously float off sometimes, too. No one admits this out loud! I mean you can’t. It’s crazy talk.’
‘But what you said, earlier, and last night, and everything. That was good. That was helpful. Informative.’
‘That was! Thanks.’
‘So we’re not fighting now.’
‘I like that we could skip over all the stuff we used to do, like sit around and process all the line-by-line stuff. I think I was just tired. And sick. I’ve been so sick. And all these papers, everywhere. And yeah. I’ve got to make a whole batch of zines, S P A C E || Malaysia has Ipoh, Cameron, Melaka, Penang, and Kuala Lumpur… And I’m only two-fifths done… And…’
‘Productivity isn’t the point.’
‘The journey is.’
‘Yes. But that is so… Philosophical and everything. But it is. The journey.’
‘So, where’s next?’
Join us in S P A C E for more conversations. This month, we are giving away to new subscribers a PDF copy of Dipika Kohli’s book, Breakfast in Cambodia (Kismuth Books // 2016). It’s also available here.
Join DK and jazzy guests at this conversation salon. Our theme is ‘The Prospect of Beauty’. Discover the parlor games ‘Art of Not Knowing’ and ‘Excerpts of Note,’ as shared in similar small scale salons in clubs in Tokyo, London, New York and Hanoi. RSVP requested. Tickets just $10p at the door, inclusive of materials, and exclusive of drinks. A concert follows, which is arranged separately by the venue. Advance bookings only. Book here.
JOIN DK, DESIGN PHNOM PENH, and others in a conversation circle about:
Anyone is welcome. We are going to talk about the creative process, with a few simple exercises that you can try together with us on the day. Anyone can join. No special requirements.
We will be talking together in an open format about the idea of play. About creativity. The process of starting with nothing at all and making something interesting. What makes a thing interesting? What is art? What is design? What can we do when we build something together?
Here is a chance to talk together about these things.
Let’s *make something*. Let’s play?
S P A C E || លេង.
Free. RSVP to Design Kompany, for venue.
This Atelier S P A C E is kindly sponsored by Design Phnom Penh
THIS WEEK AT DK WORLD HQ in Phnom Penh, we printed a zine. S P A C E, the first one that’s not digital. Just one copy. To look at it, to see how it feels. Stick it on the fridge, ‘live with it.’ And you know what?
A total flop.
OK. Now, perhaps, you’re thinking, What? They’re writing about their terrible flop?
The answer is yes.
The answer! Is yes.
Let me get a little bit nerdy here, now. About design. About quickly mocking something up and flying it by a few people and seeing if there is something there. Magic, that’s what I’m looking for in this kind of experiment. Does it have the magic in it? Is it really going to do something *cool*? You know the experimenters who design science [experiments] and stuff, they have hypotheses and that’s great, and they use these methods to discover things like The Uncertainty Principle and the Copenhagen Interpretation, which is marvelous. Because science matters, and the approaches it takes towards discovery are *awesome*. But! We are not scientists. We are designers. And our approaches are different. Our approaches start with throwing something together quickly and testing it, FAST. Fail fast, they say. The innovation people. The design thinking ladies and gentlemen. The ones talking about ‘Human Centered Design,’ which, let’s be honest, is just Good Design.
Isn’t that obvious?
No. It’s not. People aren’t used to testing things quickly, they don’t want to run it by someone and look stupid. They don’t want people to say, ‘Hey, you know, you spelled that wrong, dude.’ Because why? Because people take things so personally! You know, you gotta lose that if you wanna invent something cool. You have to just go, ‘What do you think of this crazy little prototype thing that I just printed, and I thought it was great, when I was laying it out, on InDesign, but you know, once I printed it, ooooh. It’s just sooooo off the mark. OMG. But that’s okay. That’s just my personal response. What do you think? What does this thingy do for you? Does it move you, in some way?’
So of course I took it along last night to my first social outing since 2001. Okay, I’m kidding, but you know. Going out for a drink, seeing what’s going on. Making smalltalk, my least favorite thing to do. And enjoying it, somehow. But also, sharing this little printout. Does it move you, in some way? There were a few people that seemed to be interested, to be intrigued. Watching how they responded, that was cool. I learned something. The things to note, I noted. Put them in my heart, let them sit for a night, see how it feels the next day, when I start all over, with a new file, and totally rewrite the damn thing.
Prototypes and improvisations
BEBOP JAZZ artists and improvisational theater people are probably the ones who get this idea, the most, when I start to go there, in that direction of… well, whaddyou think? I dunno. Because we are jamming. You have to have some creative confidence around this, sure, I get that. And it’s like this, a chicken and egg thing, because how do you get confident about a thing if you never actually get in front of anyone to talk about the thing that you are making? Jeez! Again!
And so, this prototype is a fail. It’s okay. I’m cool with that. I’m just redesigning, like mad, today. I’m happy. It’s gonna be better, as a result. Whatever is the point of printing anything if you never test it first? I see the ego in the vanity publishing industry and I feel sad that so much paper is getting wasted. People give me the books that they have written, and this normally would have seemed like, you know, a thing that would make me go, ‘Wow. You published something.’ But you know what? I didn’t read their books. I quietly left them behind, wherever I was. I gave them away. I wondered if those people I forwarded the books onto have read them. Bad writing? Maybe. That’s some of it. Ego? Sure. I hate the idea of self-publishing, mostly because it means you never collaborate with anyone, you just sort of do it anyway, all your way. [Uh, like blogging here.] No offense to our team members here who are self-publishing just about everything. But not printing it, mind you. They’re not printing because the life of the story is still in prototype phase… people are still reading, and sharing their thoughts. There is no final final yet, to anything we are making here, not yet. We’re not that old yet. We can take our time. This is fine. Go slow. Enjoy the journey of discovering your way towards something that is better, even better, than what you have just printed.
Yesterday, this printout.
Tomorrow, the world.
(Or, at least, a more thoughtful, more human-centered, better-received printout. Yes?)
Next in S P A C E
LET ME PUT some links here someday. Things like ‘innovation,’ ‘design,’ ‘chance encounters,’ ‘ideation,’ ‘systems thinking,’ ‘validate your ideas,’ ‘get to 50 ideas first, please, before you go and do the second one, by Akira Morita‘, et cetera. I need to finish writing my checklist-book, ‘The Quality of Space,’ and make it more of a how-to because the doing is what makes design interesting and good, there should be design doing seminars not just design talking or design thinking, but the budgets are for people to make design thinking seminars and not zine ateliers (which are really just mini moments of experiencing the design process, you see? By hand, in real life, in person, with HUMANS). Oi.
But you know what? First I have to get back to this S P A C E zine. I have to print it. I have to get it looking and feeling right, before I take it to Singapore, and hand out 8 copies to the 8 people who will together, with me, make the next S P A C E. Some of you reading this online in other parts of the world might also be curious about becoming part of our S P A C E programmes. Check out our calendar, if yes. Prototyping a few other kinds of things, there. Exciting stuff.
MEET DESIGN KOMPANY this week to get a copy of our new chapbook, Phnom Penh || S P A C E. It contains some of the highlights from our 2014-2017 series of images. It gathers select short, quiet moments in a new collection, which has not been shared elsewhere outside of our online community, S P A C E. Many of these will be unexpected images: this isn’t what the ordinary passerby will make a note of, we are certain of that. Only by staying still in one place for a time can you really start to finally see it. Which means, of course, recognizing that you can never see a thing fully, no matter how long you look or how much you investigate, unless you see it clearly, with your heart.
‘How arrogant it would be for me to write about Cambodia,’ I said to VS yesterday, an earnest young man who, after working in international development, is freelancing as a translator of English to Khmer, his native language. He tells me I should write a story about __. I say, ‘No. __ is not mine. __ is yours. These are not my stories to write: these are yours. What I can do is show you the viewpoint I have, as a person who sees space in a very particular way. This story, this visual communication, without too many words that can clutter meaning, this is what the Phnom Penh || S P A C E chapbook is about.’ Curious? Get it when you join S P A C E this month.
DK: ‘A Nomadic Existence?’ asked one of my longest-term mentors. ‘What is it about, exactly? Can you name that? Can you paint a picture of what it IS? In other words, what is the content of your forum?’ Let me answer that. What IS it about. It’s about lots. It’s about the things that happen, magically, when we simply make *time* and *space* to converse, together.
AS: How does it work?
DK: I post on Mondays. We have a week to write a response. Then, on Sundays at 7PM ICT, I respond and craft the next day’s post. It’s emergent, one step at a time. It’s N+1. All of this is behind protected-page posts on this blog. Those who are taking part in the online forums are participant, see, and I truly mean are participating in the making of the content, as we go. We don’t have to know each other for a lifetime, heck we don’t even have to know one another for one hour. Or ever have met in real life. But… we show up together, and there’s a pattern of how this works, and what we can do with it, and you know? It’s a kind of community, without all the weird things that some communities turn into… I believe that this is a conversation space, and it’s also an exploration. I don’t know why I’m going into this much detail. Because I care so much? Because I lack editing skills? That’s where you come in, A. Thank you.
AS: Why is it interesting? What makes it different?
DK: We are looking for the a-ha. It comes, at times. I believe there is a way to design space for meaningful, magic moments. Connexion. Real connexion. I believe it has to be designed for, this kind of quality of truly well-collaborated, well-made space. There is design, but design is useless if it’s not inclusive and inviting and welcoming and made-by-the-collection of those who are there.
LEARN DESIGN KOMPANY’s top 4 tools to uncover the answer to a very important question:
What will be your legacy?
Get four top tools from our toolkit, which DK’s creative directors developed in-house over more than 10 years while working with different kinds of people and engaging with their unique learning styles.
Here is what you will get. A workbook from DK with our best-of collection of 4 modules, which each give you the spreadsheets, tools, and instructions we will work through together. You’ll be able to apply what you learn right away to manage and direct your career, make better-informed decisions, and look forward to the next steps with confidence. This is our agenda:
Module 1. Starting & Self (as seen in Bangkok)
Module 2. Finding Flow (as seen in Malmoe)
Module 3. The Chart & Choices (as seen in Siem Reap)
Module 4. The Plan
This will be in English. It is aimed at mid-career professionals. It’s for people who are interested in doing work they really care about, work that matters, work that will leave a true legacy. We’ve been working with people in Europe, N. America and Asia for 12 years, and we are ready to share the highlights of what we know works. This is a unique workshop where you can explore with others also interested in taking time to look at what work is personally important to each of us, and why. You’ll walk away with a 5-word ‘self-concept,’ and a professionally-worded summary statement. Useful for resumes, especially when looking to work abroad. This is designed and hosted by Design Kompany’s Dipika Kohli (TEDx, ‘There’s Not That Much Time Left’).
Your ticket includes lunch, tea, and snacks. Lunch will be a Khmer meal, served family-style.
ABOUT DESIGN KOMPANY. DK started in 2006 in Seattle, USA, working with discerning architects, software developers, artists, and other process-oriented people to design or redesign their brand identities (Capitol Hill Chamber, Baltic Room, NW Asian Weekly). Since arriving in Phnom Penh in 2014, DK branded NUK Cafe, and took on several ad hoc projects to get people thinking more clearly about how to clarify goals so as to optimize for the right metrics. ‘Lifehack’ is part of a fall series of workshops and programmes in S P A C E, an online community that meets regularly in destinations around Asia. Find out more about that here.
Are there ID or minimum age requirements to enter the event?
Ages 25+. Best for mid-career professionals.
What can I bring into the event?
No need to bring anything. Everything will be provided on the day.
How can I contact the organizer with any questions?