‘Kaunter Tiket’

S P A C E || Kuala Lumpur

AVAILABLE in both print and soft copy, this issue of S P A C E is a 2-volume, limited edition zine. It was released on June 1, 2018.

It’s set in Kuala Lumpur in December, 2017, when DK and others were gathered there for Atelier S P A C E to look for the hyperlocal story and make a zine. It relates the honest dialogue between two women (‘both middle-aged, single, and tough with men’). In the story, two main characters, both brassy in very different ways, open their innermost vaults of secrets to one another, swapping candid stories about ‘the way it is,’ in their respective opinions, when it comes to love, admiration, power, and sexuality.

Sweet dreams are made of this/ Travel the world and the seven seas/ Everybody’s looking for something… —Eurythmics

These are the print version. Get one by postal mail, just click that option at the order page.

THE HEROINE of this piece is a woman whose real-life story left DK so speechless, that we completely overhauled the story originally published last winter. Since then, the team collaborating on the zine continued shaping the story, to refine the so that it is much more a portrait of one particular strain of a life, a style, and a philosophy.

In this work of creative nonfiction, ‘Kaunter Tiket,’ corporate exec Ritu Raj meets a remarkable and unexpected chance encounter, and sees in an insightful instant it will reframe her perceptions of material, and personal, success.

Worlds apart, but joined in their experience of a series of life experiences with common denominators, two women enter an all-night dialogue that will touch on all angles they can manage to delve into on the subject of love relationships.

Look forward in this short, packed zine to discovering an unexpected intrigue, witnessing closehand a superior poise, cutting up mainstream media’s images of female beauty, and being allowed to witness a bright, passionate resilience.

Set in the smoky billow of neither heartbreak nor apathy, but reality, the story starts somewhere behind Jalan Sultan Ismail.

New recountings of age-old narratives invite you to rethink painted facades and false illusion, to re-examine your own storages of untested so-called certainties that may just disintegrate when challenged arduously, (as was the real life experience that inspired this story), by someone who simply knows a thing, by living it, a thing very basic and primal, and yet, a thing that many of us will never be able to access. DK insist that true connexion starts with showing up, that means paying attention, noticing and being there when someone begins to let the floodgates open. In this case, an honest beginning of just such a kind of personal connexion led DK and the team at Atelier S P A C E to revise theories about ‘status’ and ‘motive,’ and to note with alacrity thanks to one woman’s wisdom, how nothing and no one are as they may at first seem.

How to order a copy of ‘Kaunter Tiket’…

Order here.

 

‘Briefly in Sheffield’

S P A C E || Sheffield

Order here.

Set in England, November 1998 and May 2016. Creative nonfiction based on real life encounters, S P A C E tells stories in third-person narrative. ‘Briefly in Sheffield’ is part of the larger series, S P A C E, a set of interwoven stories spanning the past, present and near future.

‘Briefly’ is one of DK’s first zine releases, and to help us all understand more about it, I recently interviewed the author, Karin Malhotra.

AS: You’ve been working on this a while, right?

KM: Twenty years. Jeez. That is a long time.

AS: And you’re finished? Why now?

KM: Timing. Chance. Discovering the thread in a moment that felt just right, and that tied up the loose ends into a work that is cohesive, to me, aesthetically. Also it was finished over Khmer New Year, and I was in Phnom Penh, pretty much not able to do anything else but write, since not a lot was open, people were away, and the atmosphere was quiet enough to focus and work. Not on the thing I imagined I would write (an assignment) with the time I had, but this just sort of flowed. I am glad about it. It has been meaning to be written, but I just… couldn’t… figure out the form… and other stories got made in the meantime, based on recency, interviewing people, wrapping quickly.

AS: Any examples?

KM: Sure. We collaborated to make S P A C E || Penang, which leads with ‘4/4 Measure,’ or S P A C E || Cameron, ‘Highlands.’ Fast is Design Kompany’s usual style; one of our team was at a daily, in 2004-5, so the tempo is real fast. Got used to quick wraps, now with the early zine prototyping at DK in 2016, practicing for this series. Ironic that ‘Briefly’ took two decades.

AS: Did you not just participate in Atelier S P A C E in Phnom Penh?

KM: Well…  yes. But we couldn’t get inspired, not yet, to make a zine for Phnom Penh. I guess it is too soon. We did get the cover shot, though. A window, a wall.

AS: So we will see it in 2038?

KM: *laughs* Um.

Sheffield. ‘Everyone always asks… Why?’
Peak District side tour

AS: So what about Sheffield?

KM: I went there in 2016.

AS: Because of Z.

KM: Inspired by. Not because of. Different. I remember writing a version of the first scene of this in like, 1999. But it was too soon. Plus I knew I really needed to get there, to Sheffield, I mean, if I wanted to get the story right. With proper details. I’ve always really wanted to write about my favorite people and places… Z. is based on someone I had met very briefly, but who challenged me to articulate ideas I couldn’t find words for, not yet, not then. It took ages years to get there, both the city and the necklace of the storyline, but when I did, I could finally respond to some of the big questions we had tussled with.

AS: Such as?

KM: Usual ones, for kids like us.

About life, work, and duty.

About culture, family, and social responsibility.

AS: ‘Kids like us?’ What do you mean?

KM: Oh. Being second-generation. Non-white, in countries like America and England.

Mugen Tea House, Sheffield
City Centre

AS: I know that this is an important subject for you, and I would like to hear more about it. Can you elaborate?

KM: Honestly, I’d rather not intellectualize this. If you want to really understand the feelings, the feelings are written into the story. I think art’s job is to get us to see things for ourselves, right? Too many times, I feel, authors and publicity people want to put words into nice, tight paragraphs that sound good, and goad you into buying stuff. That’s just not what matters to me. What matters to me is telling the story, telling it well, and showing the personality of Z., whom this is about, really. The earnest, soft, kind youth of a world apart from mine; our parents lineages’ clash, you see, India, Pakistan… that about sums it, right? But yeah. Second-generation. He was so different from me, and yet… awake and curious to learning the how and why of a new angle on life, and philosophy, even at that young age that we both were, at the time. Long story but I’ve put it down in a short form… Zines are handy, that way.

AS: A zine. What is that?

KM: A zine is a short, DIY-published piece, usually photocopied in limited edition and distributed by hand. But in this case, it’s a soft copy. An eZine.

AS: Okay. Let me understand this. It took you 20 years to write this. And it’s a work of creative nonfiction. The story, ‘Briefly in Sheffield,’ is set in England in 1998 and 2016. Why publish it now? Why Sheffield? 

KM: Fair questions. Okay, so, the zine, S P A C E || Sheffield, is part of a larger collection, S P A C E, that interweaves people and place, and hits square on underasked questions about: origin, cultural identity, and self. Isn’t now a good time to bring up these topics, given the world situation? I thought so. That’s why.

AS: Where can I get it?

KM: Scroll down.

AS: But okay. Twenty years??

KM: Working out the ideas and getting to a stance on things… that took a while! But I’m glad I waited. I’m glad I let things percolate, so that when I wrote the last chapter of this, it would mean something. It would have come from a place of substantial rumination, of query and argument, discussion, revisiting, reboots and regenerations. So much is packed in this.

AS: What happened when you finally got to Sheffield?

KM: You’ll have to read the story!… Many thanks to Golden Harvest and Mugen Tea House in Sheffield for the excellent conversations. And ZM, for whom this zine is written. *Chuffed*

 

How to order ‘Briefly in Sheffield’…

Order here.

 

 

S P A C E || Zines

NEW. Zines. Creative nonfiction pieces. Are now for sale here at Design Kompany’s site, exclusively. These were created at Atelier S P A C E, a popup, roving, zinemaking atelier that seeks to interconnect people in hyperlocal narratives. We write them, on the spot. With the people who take part. It’s pretty fun, light, conversational, and really all about seeing what emerges when we frame a space to ‘get lost, together.’ Improvisation, poetry, philosophy, breaking out of boxes: and yet, doing all this, within the confines of a specific time-bound and space-bound frame: that’s it. That’s the whole thing. That’s Atelier S P A C E. See the journey so far in pics at our instagram, or follow the posts here.

Currently available for immediate download and pre-order:

The collection, shown below, is set to be completed by December, 2018. The entire work will interweave narratives of people, place, and story. The first story is set in 1996, in Kyoto. The last store is set in 2018, in Phnom Penh.Each zine will be released to members of our S P A C E community. Join here.

 

S P A C E || Zines

Research. Reporting. Creative nonfiction. Digital publishing. Limited edition photocopied zine-making. Popup atelier hosting. Welcome to the S P A C E collection made at Atelier S P A C E. Started in Sept. 2017, and is moving to new places to discover people there, get us all talking together, and publish the stories of here, and now, in new editions of the zine, S P A C E.

‘The world is a beautiful book, but of little use to those who cannot read it.’
–Anon

Breakfast in Cambodia

Breakfast in Cambodia (Kismuth Books // 2016) is the story of finding orderliness and a firm sense of self in the midst of a whirl of mixed identities.

Breakfast in Cambodia (Kismuth Books // 2016) is the story of finding orderliness and a firm sense of self in the midst of a whirl of mixed identities.

Author Dipika Kohli (NPR, TEDx) explores, with a meander and a style that doesn’t fit into a specific traditional genre, what it’s like to get lost… like, really lost, and discover through the journey a sense of who you really are.

Breakfast in Cambodia

‘Finding ritual, daily, in a routine to take myself out for breakfast every Saturday morning for 10 years, that was how I found my way to calmness, clarity, and a stronger sense of self,’ says Dipika. ‘Being in Phnom Penh or wherever the year on the road would take us, prior to settling in here, meant finding a ritual and a sense of calmness in the day to day disruption of uprooting, wherever it was, whenever it was, was always temporary. Even in Phnom Penh, so much changes, so fast, that it’s hard to get a root and feel at ease. But this helped, and I wrote it down, and talked about how I had to go sit far from everyone, on a boat in Sweden, for six weeks in Scandinavia to figure out what I already knew, deep down. The truth of how to slow and calm oneself in a sea of chaos, that’s the secret that we each have to arrive at individually, but in Breakfast, I have put it down, the things I felt, saw, and heard, and how I got to know that it’s this ritual that makes it work.’

Get Breakfast in Cambodia here.

2PiR

THIS MONTH in S P A C E, DK are sharing the new collection, Circumference. It’s a selection of short articles DK had first shared in our eZine S P A C E. The pieces were written from January through December, 2016, the ‘Year of the Circle.’ During that time, DK explored big questions with our members in S P A C E, together delving into ideas about what it means to become part of ’round and not square relationships.’

What came out of that is what is inside these pages. You’ll get to enjoy a Q&A with a software designer in Leipzig who gave us the rundown on ‘How to start anything,’ plus ‘Remarks on Noteworthiness,’ a miniature report from behind-the-scenes of what it was like to create the space for ‘N’ London: NOTEWORTHINESS, which asked 16 strangers to convene at the National Theatre on a cold day on November 2016 to talk about ‘What’s remarkable? Why do we think so?’ Streams of consciousness from Kismuth Books. And a note about things found, and lost, in Phnom Penh. A medley, culminating with the new kind of writings to emerge in 2018: a transmission from the fourth dimension, ‘20804d.’

Generally, the series in ‘Year of the Circle’ pursues this line of query: What are some ways that we can do our work better, together?

Download it here.