New zine: S P A C E || Århus

“You wonder what I am doing?” asked T. E. Lawrence. “Well, so do I, in truth. days seem to dawn, suns to shine, evenings to follow, and then I sleep. What I have done, what I am doing, what I am going to do, puzzle and bewilder me. Have you ever been a leaf and fallen from your tree in autumn and been really puzzled about it? That’s the feeling.” –TEL in a letter to Eric Kensington, 6 May 1935.


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‘Odder vs Aarhus’

As all the pieces in the creative nonfiction series, S P A C E, this piece, S PA. C E | Århus, collects the stories of real people met in real life, on the spot, in autumn 2015 in Denmark. DK edits and connects in the zine a warm collection; these are the introspective and thought-provoking conversations that, even in 2018, we’re still puzzling and mulling over. The depth of thought, the intelligence, the openness to new ways of thinking, and the acceptance of a plurality of co-existing ‘truths’ are what we most were enchanted by in Denmark.

HT AP.

7 May | What can digital nomads learn from Dead Poets

NEXT up, in our interactive magazine S P A C E, is ‘A Nomadic Existence.’ Our 12-week programme lets you drop into the ‘rooms’ where we are hosting deeper conversations on topics popping up each week. What’s been talked about, and what’s being talked about now, are in the protected-pages posts at this blog.

Learn more here.

A Nomadic Existence x Dead Poets Society

S P A C E || Zines

NEW. Zines. Creative nonfiction pieces. Are now for sale here at Design Kompany’s site, exclusively. These were created at Atelier S P A C E, a popup, roving, zinemaking atelier that seeks to interconnect people in hyperlocal narratives. We write them, on the spot. With the people who take part. It’s pretty fun, light, conversational, and really all about seeing what emerges when we frame a space to ‘get lost, together.’ Improvisation, poetry, philosophy, breaking out of boxes: and yet, doing all this, within the confines of a specific time-bound and space-bound frame: that’s it. That’s the whole thing. That’s Atelier S P A C E. See the journey so far in pics at our instagram, or follow the posts here.

Currently available for immediate download and pre-order:

The collection, shown below, is set to be completed by December, 2018. The entire work will interweave narratives of people, place, and story. The first story is set in 1996, in Kyoto. The last store is set in 2018, in Phnom Penh.Each zine will be released to members of our S P A C E community. Join here.

 

S P A C E || Zines

Research. Reporting. Creative nonfiction. Digital publishing. Limited edition photocopied zine-making. Popup atelier hosting. Welcome to the S P A C E collection made at Atelier S P A C E. Started in Sept. 2017, and is moving to new places to discover people there, get us all talking together, and publish the stories of here, and now, in new editions of the zine, S P A C E.

‘The world is a beautiful book, but of little use to those who cannot read it.’
–Anon

2PiR

THIS MONTH in S P A C E, DK are sharing the new collection, Circumference. It’s a selection of short articles DK had first shared in our eZine S P A C E. The pieces were written from January through December, 2016, the ‘Year of the Circle.’ During that time, DK explored big questions with our members in S P A C E, together delving into ideas about what it means to become part of ’round and not square relationships.’

What came out of that is what is inside these pages. You’ll get to enjoy a Q&A with a software designer in Leipzig who gave us the rundown on ‘How to start anything,’ plus ‘Remarks on Noteworthiness,’ a miniature report from behind-the-scenes of what it was like to create the space for ‘N’ London: NOTEWORTHINESS, which asked 16 strangers to convene at the National Theatre on a cold day on November 2016 to talk about ‘What’s remarkable? Why do we think so?’ Streams of consciousness from Kismuth Books. And a note about things found, and lost, in Phnom Penh. A medley, culminating with the new kind of writings to emerge in 2018: a transmission from the fourth dimension, ‘20804d.’

Generally, the series in ‘Year of the Circle’ pursues this line of query: What are some ways that we can do our work better, together?

Download it here.

S P A C E Battambang: A new start in zine print publishing

P U B L I C A T I O N S
A U T U M N 2017


S P A C E | Battambang, is available for download as a PDF. Order here >

The zine, S P A C E | Battambang. The first of a series of internationally co-created zines made in the roving popup ‘zinemaking’ atelier. Atelier S P A C E. It gets all crazy and everything, S P A C E. I love it.

 

 

Original post

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WAS IT YESTERDAY? Yes. I said I was going to redesign the entire zine. It’s done. The 8-pager is going to be printed later tonight, or tomorrow. This is a sneak peek of the cover drawing, by Dipika Kohli. This will be folded into the 8-page zine format you may have seen if you were at ‘Remarks on Noteworthiness,’ or ‘Excerpts of Note’ in London, or if you were at ‘Origin’ in Phnom Penh or Hanoi. The idea of a simple folded thing that you can just put in your pocket works well, for this particular one, which is S P A C E || Battambang. Going to print just 8 copies, to distribute to the 8 guests who will take part in Atelier S P A C E || Singapore from 10-12 November.

Simple collection, limited edition. Distributed P2P, with kindness and love, personally shared by hand. Isn’t that where the magic is? Person to person, eye to eye? Let’s *make* something. Let’s play. To the journeys! —AS (PS Digital copies of S P A C E || Battambang are going out this coming Tuesday, in S P A C E.)

 

The work is in the doing

GOING THROUGH THE EMAIL. Doing the work. ‘N’ work, that is. I have got a new list of invitees to reach out to, an old one to follow up with, and the rest.

Got to talk to more than 100 people if I can find 16 to say ‘yes’ to ‘N’. (Learned this from ‘N’ Phnom Penh and ‘N’ Bangkok last year, phew.)

MAKING ’16N’. This is the biggest project DK has taken on so far: gather strangers in one moment of a conversation, in a space designed and hosted by one of us. In a city that starts with an ‘N’. It’s kinda nuts.

But why? Why even bother?

People do ask this. A lot. Why does this work matter to you guys? Why does it mean anything to get people who don’t know each other to meet, and talk, offline, in real life?

Long story, this. I’ll cut to the chase. Without discovering people and their ideas—of new ways, new to a person, that is—that person can’t grow. Adapt based on new inputs. Learn.

Part of maturing is, sure, about being open-minded.

But you can be as open-minded as you want and sit alone in an armchair reading books and not really having active knowledge of what it’s like to look directly at the eyes and straight through them, into the heart, of the Other.

Other doesn’t have to be Scary.

Other can reveal something to us about… ourselves.

(Enter Jung. Exit Jung).

Othering.

This is a term that just walked into my world one day in recent conversation with DM. It’s weird. I never thought… But then, of course…. And so….

My Western colleagues and I have been programmed to fear or disdain or isolate ourselves from Others.

Others who think about a different kind of clothing to wear (this as teens).

Others who are not like us in physical appearance.

Beliefs, dogmas (dangerous, this last one, but I’ve said why in 30K words in a book you can find here).

Others who may, just maybe, judge us. Fear.

Fear is put into us because we don’t know.

But physics! Physics at the very small scales is ALL ABOUT not knowing!

‘We have no idea where that bit got off to,’ et al.

The mystery of the universe becomes a fun thing to think about, to conjecture. I talked about this with a particle physicist, SW, who had been touring about in Asia with some kind of software. It was a random encounter and an unlikely conversation, but taht was the upshot. ‘Where did it all start? Where soup did we all come from, anyway?’ More just me marvelling into the cloudy nothing, awed about the whole of the every. (Kind of gets metaphysical, huh.)

No one has to be right. Contrary to all the stuff that we’re taught to believe (getting famous is good, the great genius and his remarkable breakthrough is to be sought, etc), it’s not like anyone can ‘figure it all out’ without any sort of input. And the richness of that input is what invites fertile ground for sowing the sorts of seeds that lead to brilliant blooms.

Getting poetic, now. Sometimes that just happens.

Anyway, the point: No one human being alone can know.

But what if we could know, at least a little, the feeling of Other and the Unknown? Through bit by bit engagement? As in, a little bit at a time of learning what another way is like? You don’t have to take a college course to experience a little bit of, ‘Huh, that’s new.’ You can just have a conversation salon.

NEW DIRECTIONS. Starting things up. In the staged spaces of Designful Meetups. More than anything, the work is about the invitation. Which is why there are so many of these going out, this week and through the weekend. Why?

The invitation is THE most important part.

Of quality spacemaking, that is. Subject for another day.

Unless you feel like you’re personally invited to something, unless you feel like the sender is someone who actually cares if you’re part of the story they’re making, then it’s going to fall on deaf ears. You know what else? Everyone says they’re so busy and stuff, but what are people so busy with? That kind of intentional decisionmaking of where to spend time on what and with whom is kinda important. Because before we know it, our time’s gonna be up.

When people get together for ‘N,’ for example, when they meet to talk together—16 people per city—and talk on topics that start with an ‘N,’ it starts to be clear.

The arbitrary nature of constraints like ‘Has to have an N in it (the city, the venue)’ and ‘You have to get a ticket ahead of time, since I want to really make sure this is going to happen and not just let’s just talk about it)’, these.

These are frames.

To design a space.

To hinge a great dialogue—but maybe that’s too heavy a word—a great conversation jam upon.

The secret? It doesn’t matter WHO comes or WHAT happens in the box. The point is that it HAPPENS. Which means all the work of designing ‘N’ is, quite honestly, in the drudge work of slogging through email and making tons and TONS and EVEN MORE invitations. Because I’m looking for the magic set of 16. Sixteen in each of 16 cities, eventually (2 have happened so far), who will say, ‘Yes.’

If you’re a new invitee, I get it. You don’t know me from Adam. Don’t know what’s involved. And I’m asking you to just trust the process. Walk into the unknown.

When it works, it’s cool. I love it.

A wide mix opts in, I’m noticing. (Gotta start with 100, though.)

But…

That means no cliques, clubs, or preaching-to-the-choirs. It’s hard, this, because everyone is programmed to think, ‘Wait. Is this about ME? Or is this something ELSE? Is this OTHER?’ Which makes it kinda tricky.

Hm.

Okay, yeah.

The box.

You get enough framing up (date, place, time, people) and you have a bounded box.

A safe space.

You step into that space and meet.

We meet.

Guests and me. Their hos for ‘N,’ for example, and other conversation salons, workshops, commissioned facilitation thingies, and so on.

BUT THE MOST IMPORTANT PART OF THE LEARNING for DK has been to discover that whatever happens IN the box isn’t the point.

All salons and events—for commission or for fun—are about gathering people in spaces where they might feel a little out of their usual routine, meeting people they might not have otherwise have met. Most consistent feedback is, ‘I had so many great conversations. We talked about __, but I never thought about  it that way before.’

You get a lot of molecules together and they start heating up and guess what, they get ‘excited.’ That’s what we called them, in science class, in seventh grade, didn’t we? Molecules are getting excited. Excited states are fantastic. You get amped. Wait, no. That’s voltage…

So what am I doing today? Making the invitations.

Emailing like mad.

The new invites.

For ‘N’.

London, Copenhagen, Ha Noi, Bologna. The work is in the doing… We have to get 16 per city… That means 100×4… 400 invitations…

It’s gonna be a little busy, hunkering down over the internet these next few days.

Making my way around the world, looking for people to play 16N.

Naming, concept and brand identity for NUK Cafe in Phnom Penh

Nuk Cafe, Design by DK 2014A VERY SAVVY team approached Design Kompany through a mutual friend and that opened the door to a fun project that tapped all of our best creative offerings. Naming, concepting, and brand identity design. That was exactly what they didn’t know they wanted, but appreciated, at the end, in the manner of clients preceding them. ‘NUK’ came about as a name idea after a series of serious conversations, and a visit to the site, which was then under construction.

Nuk Cafe, Design by DK 2014
Nuk Cafe, Design by DK 2014


Client:
NUK Cafe
Work: Concept, Naming, Brand identity + consulting on interior design
Location: Phnom Penh
Year: 2014

Naming, concepting, and brand identity design. ‘NUK’ came about as a name idea after a series of serious conversations, and a visit to the architectural site. A section towards the back of the first floor seemed well-suited to holing up with a great paperback. That’s how we found our way to the name ‘NUK,’ a play on ‘nook, but minus the visually awkward double ‘o.’

Fewer letters—heck, even just an ‘N’—made for a versatile motif that one could just take in as a total image (that’s what a logo mark is, more than ever, just an impression, not a ‘word’ to be read—who has time to think?). As soon as we presented the name idea to our clients, three people got on cell phones and called friends in Vietnam, Thailand, and even further afield via Line and WhatsApp. ‘How does that sound? Does it mean anything bad? No? Good.’ Nuk fit. Snug.

Many times designers will do what you tell them to do. But you two would not. You would say, ‘No. That’s not a good idea, and we’re not gonna do that.’ That was new. You made us think, and in the end, we got to a stronger design together. Thank you. —Kenneth Hui, NUK Cafe

NUK opened on Street 154, and our clients invited us to sample the ice cream. Last we heard, they’re gearing up to open a second store.