A new plateau

LEGACIES ARE MADE AND BUILT based on the learnings we can articulate clearly, and share. Dialogue makes us gather our ideas and respond to those of others, too. Perspectives can shift and whole rooms of internal awareness can open, if we allow ourselves room to reflect. It’s why I am always taking pictures like this, I think. I like to make the space for zooming into quiet. Processing ‘N’, which just happened on Wednesday here in London. No pictures. No social media. Just quiet space, to feel what it was, and reflect. Quietly, alone.

There are a few things coming together for 2017 for members of our online community, S. P. A. C. E. A different kind of thing than me posting blog entries, much more interactive: both real-life spacemaking events in cities like San Francisco and Bangkok, and conversation forums in online ‘rooms.’ The big idea is much like the 16N experience: connecting us to new and different others, making space for us to reflect and better tune in to our own selves, our own hoped-for legacy, whether we’re conscious of what it is or just open to ambling our way towards something bigger than simply existing day-to-day. I came to London a year ago to see George Bernard Shaw’s Man and Superman. In which similar questions of existence and purpose and meaning popped up. I can tell you where all this is going, but only if you are interest in hearing more. Are you? If yes, leave me a note.

Tonight is ‘N’ London: NOTEWORTHINESS

MANY THANKS TO THE DOZENS of people in our online and real-life community, S. P. A. C. E., for helping DK connect with the 16 ‘new and different others’ we are meeting for the first time in one moment tonight.

TONIGHT IS ‘N’. Here, in London. A year in the making, this one. We are getting together to talk about NOTEWORTHINESS, what’s remarkable? Why?

Esoteric perhaps in nature, the actual experience of an ‘N’ is, I hope, I think, I believe, much more playful, open, engaging and by design fun. What would be the point of it if it wasn’t fun?

Fields will be represented from many directions: mathematics, curation, anthropology, culture studies, photography, writing, design, business and technology and more. The magic moment is almost here. Tonight, tonight, tonight. —AS

A letter to guests of 3N


Once the date is set this sort of moves pretty quickly: finalising the guestlist, sharing the agenda, confirming that you can be there, making sure you know where we’re meeting. That kind of thing. Just like any great party, you have to do all the detail stuff way ahead of time, right? But also, like any great party, it’s about who comes more than anything else, at all.

So I’m very excited to meet some of you for the first time and reconnect with those I haven’t seen for quite a while. More than anything, I’m looking forward to the dialogue to come amongst you all as we gather for the first time and last time, most likely, in this ‘onceness’ experience of ’16N.’

Next I’ll share the details of the venue. An agenda. And the exact meetpoint.

NOTEWORTHINESS being our theme, I’ve been brainstorming quite a lot about this, also talking to people here about how to best host a conversation salon on this theme. Pretty excited about some of the playful conversation-starters that have come towards me from this wonderful group of people who are also making spaces to engage with new and different others. We all have our methods and styles and ways, but I think gatherings are just so great. So I’m looking forward to it.

More soon on email…

Add 62

TODAY I AM GOING TO UPDATE the page that tells the story of ‘where is N’ now? The story is happening. There are conversations going on. This is really exciting now, there is momentum, let’s talk about momentum! Gumption gumption gumption. And magic. Flow. And what’s even better than all of that? Guests. So happy to be hosting ‘N’ for you. I can’t wait to meet you. To the journey!

Who I make N for

THERE COMES A TIME IN EVERY LIFE where we face a crossroads.

You know when you’re there. It’s a big deal, this noticing of the moment of having to make a very significant choice. Which way will you go?

Who are you, and why are you doing this? The guest had asked.

Sincere question, and yet, I couldn’t find a way to answer honestly, not quite. I mean, I had some ideas about what ‘N’ was about when I first hosted it, here in Cambodia’s Phnom Penh. I got clearer when I did this again in Bangkok. The goals for ‘N’ Phnom Penh: NORMALITY and ‘N’ Bangkok: NOW were, I think, more about making something interesting actually happen. Rather than, you know, sit around and imagine how much better everythign could be and complain that there is no good art anymore, and why is that, and the banal nature of everything that gets popular on YouTube (a woman I had asked on twitter about why her post went viral said she thought it was because there was an element of ‘hating on’ someone else, that those were the posts that went around quickly, and so, she was writing more of those kinds, to get attention, even though, she admitted to me, she really felt like her other works were better.) Quality, then. A space for something magical to happen. What does tat mean? It’s different for everyone.

But I think, really, when asked if there is a point or a purpose to gathering people in 16 cities around the world, cities which have an ‘N’ in them (two ‘N’s is better, of course), to converge with 16 strangers to talk about a topic that starts with an ‘N’ is that, really, well, these are quite arbitrary constraints, no?, and that, in fact, there is no point.

Let me reiterate..

The point is this: there is no point.

Something I learned from Man and Superman, last summer in London at the National Theater. Sitting in the audience in a place I had booked two days prior, while home and searching the internet for people to invite to ‘N’ in that part of the world and discovering, well, look at this, it’s Ralph Fiennes acting on stage, and this is Bernard Shaw, and, well, I simply must… attend this.

Is there a point?


That’s what they said.

That’s what they said, right there, on that big stage. The world of theater is so brilliant, sometimes I fall in love with it, and it’s very good to keep going to things. I’m not the type to just up and go to foreign countries on account of plays happening, not usually, in fact this was a lark, but I am so glad I did. Because I care about learning, and people, and connection, and Art. Capital ‘a’ Art, that is. The kind that you can experience over time, across distance. I don’t think the same feeling would have emerged if I was reading it, but I did find it on Google books and got a few of the lines that most moved me. One of them of course, and I’m paraphrasing because the best bits that you feel when you hear them may not fit the agendas of those who post online with quotes that back up their own viewpoints (it’s really real, isn’t it? Bias.) But my own bias is this. I believe that the purpose of living is to live in the moment, the unadorned, unattached, unexpecting right here and now. And ‘N’, I think, is about onceness, chance conversations and connection happening in a closed, bounded space where someone (that would be me) is ‘holding the space’ for people so that they feel safe, included, welcome, invited, warm, and, if this goes well, and I think it has, judging from the past experiences with 32 people I didn’t know before in BKK and here in Phnom Penh is that, yes, that is valuable. Yes, people want converastions that go beyond the usual variety of ‘paid or laid’ agenda. I know! I’m saying that. Out loud. Here. I want to talk to people who want to talk to me, about the big things, the art the culture the light the space the beauty the moment the magic. The magic! It’s very exciting when we can discover one another, and arbitrary constraints are a big part of design projects. So the brief I made for myself went as such: Find 16 people in 16 cities. The people won’t know each other. They will show up for a ‘big blind date,’ they will have decided a date together, collaboratively, and they will do this by making a commitment first (in this case, purchasing a ticket). Such a commitment makes it easier to believe that it will happen. I have made a promise to the guests who have registered. 16 people. In one moment. To meet and talk, together, about NOTEWORTHINESS. That’s the London one. The Copenhagen one is about NEARNESS. Hoping that the dates for both will be kind of close enough together that I can just make one big trip there and go to both places, so that, you know. Airline tickets. Time.

Here’s another one, from Man and Superman:

‘This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are thrown on the scrap heap; the being a force of Nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy.’

Can you dig it?

#play16n on: twitter instagram facebook

Now registering for ‘N’ London, ‘N’ Hanoi, ‘N’ Copenhagen, and ‘N’ Bologna. Say hi through the note below, if you’re curious. I’ll share more.

The work is in the doing

GOING THROUGH THE EMAIL. Doing the work. ‘N’ work, that is. I have got a new list of invitees to reach out to, an old one to follow up with, and the rest.

Got to talk to more than 100 people if I can find 16 to say ‘yes’ to ‘N’. (Learned this from ‘N’ Phnom Penh and ‘N’ Bangkok last year, phew.)

MAKING ’16N’. This is the biggest project DK has taken on so far: gather strangers in one moment of a conversation, in a space designed and hosted by one of us. In a city that starts with an ‘N’. It’s kinda nuts.

But why? Why even bother?

People do ask this. A lot. Why does this work matter to you guys? Why does it mean anything to get people who don’t know each other to meet, and talk, offline, in real life?

Long story, this. I’ll cut to the chase. Without discovering people and their ideas—of new ways, new to a person, that is—that person can’t grow. Adapt based on new inputs. Learn.

Part of maturing is, sure, about being open-minded.

But you can be as open-minded as you want and sit alone in an armchair reading books and not really having active knowledge of what it’s like to look directly at the eyes and straight through them, into the heart, of the Other.

Other doesn’t have to be Scary.

Other can reveal something to us about… ourselves.

(Enter Jung. Exit Jung).


This is a term that just walked into my world one day in recent conversation with DM. It’s weird. I never thought… But then, of course…. And so….

My Western colleagues and I have been programmed to fear or disdain or isolate ourselves from Others.

Others who think about a different kind of clothing to wear (this as teens).

Others who are not like us in physical appearance.

Beliefs, dogmas (dangerous, this last one, but I’ve said why in 30K words in a book you can find here).

Others who may, just maybe, judge us. Fear.

Fear is put into us because we don’t know.

But physics! Physics at the very small scales is ALL ABOUT not knowing!

‘We have no idea where that bit got off to,’ et al.

The mystery of the universe becomes a fun thing to think about, to conjecture. I talked about this with a particle physicist, SW, who had been touring about in Asia with some kind of software. It was a random encounter and an unlikely conversation, but taht was the upshot. ‘Where did it all start? Where soup did we all come from, anyway?’ More just me marvelling into the cloudy nothing, awed about the whole of the every. (Kind of gets metaphysical, huh.)

No one has to be right. Contrary to all the stuff that we’re taught to believe (getting famous is good, the great genius and his remarkable breakthrough is to be sought, etc), it’s not like anyone can ‘figure it all out’ without any sort of input. And the richness of that input is what invites fertile ground for sowing the sorts of seeds that lead to brilliant blooms.

Getting poetic, now. Sometimes that just happens.

Anyway, the point: No one human being alone can know.

But what if we could know, at least a little, the feeling of Other and the Unknown? Through bit by bit engagement? As in, a little bit at a time of learning what another way is like? You don’t have to take a college course to experience a little bit of, ‘Huh, that’s new.’ You can just have a conversation salon.

NEW DIRECTIONS. Starting things up. In the staged spaces of Designful Meetups. More than anything, the work is about the invitation. Which is why there are so many of these going out, this week and through the weekend. Why?

The invitation is THE most important part.

Of quality spacemaking, that is. Subject for another day.

Unless you feel like you’re personally invited to something, unless you feel like the sender is someone who actually cares if you’re part of the story they’re making, then it’s going to fall on deaf ears. You know what else? Everyone says they’re so busy and stuff, but what are people so busy with? That kind of intentional decisionmaking of where to spend time on what and with whom is kinda important. Because before we know it, our time’s gonna be up.

When people get together for ‘N,’ for example, when they meet to talk together—16 people per city—and talk on topics that start with an ‘N,’ it starts to be clear.

The arbitrary nature of constraints like ‘Has to have an N in it (the city, the venue)’ and ‘You have to get a ticket ahead of time, since I want to really make sure this is going to happen and not just let’s just talk about it)’, these.

These are frames.

To design a space.

To hinge a great dialogue—but maybe that’s too heavy a word—a great conversation jam upon.

The secret? It doesn’t matter WHO comes or WHAT happens in the box. The point is that it HAPPENS. Which means all the work of designing ‘N’ is, quite honestly, in the drudge work of slogging through email and making tons and TONS and EVEN MORE invitations. Because I’m looking for the magic set of 16. Sixteen in each of 16 cities, eventually (2 have happened so far), who will say, ‘Yes.’

If you’re a new invitee, I get it. You don’t know me from Adam. Don’t know what’s involved. And I’m asking you to just trust the process. Walk into the unknown.

When it works, it’s cool. I love it.

A wide mix opts in, I’m noticing. (Gotta start with 100, though.)


That means no cliques, clubs, or preaching-to-the-choirs. It’s hard, this, because everyone is programmed to think, ‘Wait. Is this about ME? Or is this something ELSE? Is this OTHER?’ Which makes it kinda tricky.


Okay, yeah.

The box.

You get enough framing up (date, place, time, people) and you have a bounded box.

A safe space.

You step into that space and meet.

We meet.

Guests and me. Their hos for ‘N,’ for example, and other conversation salons, workshops, commissioned facilitation thingies, and so on.

BUT THE MOST IMPORTANT PART OF THE LEARNING for DK has been to discover that whatever happens IN the box isn’t the point.

All salons and events—for commission or for fun—are about gathering people in spaces where they might feel a little out of their usual routine, meeting people they might not have otherwise have met. Most consistent feedback is, ‘I had so many great conversations. We talked about __, but I never thought about  it that way before.’

You get a lot of molecules together and they start heating up and guess what, they get ‘excited.’ That’s what we called them, in science class, in seventh grade, didn’t we? Molecules are getting excited. Excited states are fantastic. You get amped. Wait, no. That’s voltage…

So what am I doing today? Making the invitations.

Emailing like mad.

The new invites.

For ‘N’.

London, Copenhagen, Ha Noi, Bologna. The work is in the doing… We have to get 16 per city… That means 100×4… 400 invitations…

It’s gonna be a little busy, hunkering down over the internet these next few days.

Making my way around the world, looking for people to play 16N.

Pushing through the dip: on process and perseverance, or something

I WANT TO MAKE ‘N’ for London and Copenhagen and Ha Noi this year, and I’m going to just have to keep on inviting people until we find the magic sets of 16 per city. Bearing with me are the guests who’ve joined so far. I’m so lucky and grateful that a few of us are on for new things, for challenges, for learning as we go, for mixing it up, for giant blind dates, and for, yes, the human connection that can happen when we unplug, show up, say hi.

DK’s 16N project gathers 16 strangers in 16 cities. Cities that have an ‘N’ in them. On topics that start with ‘N’. This began in April 2015 in Phnom Penh with ‘N’ Phnom Penh: NORMALITY, then in October that year continued with ‘N’ Bangkok: NOW. We are now inviting new guests for ‘N’ London: NOTEWORTHINESS and ‘N’ Copenhagen: NEARNESS. Here is an update from the series, ‘Diary of N’.

Published in S. P. A. C. E.

Get new insights every week in DK’s eZine S. P. A. C .E.

MAKING MY WAY OUT OF THE BOX. It’s true. I’ve been hiding, sort of. I’ve been avoiding the work of actually inviting more people, because it takes a lot of mental effort and huge emotional reserves. I mean, not like the kinds you would need to go through trauma or anything.

Just—when you are idealistic and hopeful and optimistic and believe like anything in the power of people to work together collaboratively, beautifully, together when they only have a chance to meet and get over their initial seeming differences then yeah, you get discouraged to see that most people, I’m talking about 99% or so, but I haven’t done all the math yet, will not agree with you.

Maybe they’re scared. Worried. Not into it. Don’t think it’s important to ‘go outside the comfort zone.’ Is that what I’m asking people to do? It seems that way. That is what I hear, mostly, in the responses to my invitations—

‘You’re asking me to go outside my comfort zone.’

And sometimes, that is a welcome thing. I guess now that I’ve been hiding for a while I’ve had a chance to regain my enthusiasm for ‘N’. Some cool people are joining and I have made a promise to them, that I will make this happen. I am the kind of person who does what I say I will—it’s a huge value I inherited from my father, who is stout, and stubborn, sometimes keeping us from getting along, but boy, do I love that about my dad: his consistency in doing what he says he will. Later in life, I learned that is the best way to build trust and quality relationships—for work and for personal stuff, too. Show up. Do what you say you will.

I want to make ‘N’ for London and Copenhagen and Ha Noi this year, and I’m going to just have to keep on inviting people until we find the magic sets of 16 per city. Bearing with me are the guests who’ve joined so far. I’m so lucky and grateful that a few of us are on for new things, for challenges, for learning as we go, for mixing it up, for giant blind dates, and for, yes, the human connection that can happen when we unplug, show up, say hi.

I’m sharing the journey in some updates on our blog, but mostly in email conversations with people who have opted in to our mailing list at Design Kompany. (Just go to the contact page and click ‘get updates by email’ if you are curious.) I’m guessing most people are not aware of the quality level I am looking to make for ‘N’.

I AM GUESSING THAT they would see this, initially, as some sort of quick buck thing. They don’t know that it’s actually running at a loss. That is to say, the sponsor that everyone asks me about is actually my own studio. And we’re not rolling in it, like. We’re just… we care about uncertainty, trying things, taking chances, showing up, making something beautiful if we can find people also interested in those things. (Lately, business execs, generation Z, and innovation R&D heads.) It’s not everyone, for sure. And that is the learning, to date. It’s actually very, very few people. But then again, it wouldn’t be worth it if, through this giant maze, I didn’t find my way towards them.

TO BE HONEST, I don’t know how I would respond if the tables were turned. That is, if someone from the internet whom I didn’t know asked me if I wanted to get a ticket to some event that had never been done, with people I didn’t know and couldn’t read up on beforehand, and on a date ‘to be determined’ together by the registered guests, Hm, what would I say to that? Maybe it’s because of the challenge of trying to be more open this year, to say ‘yes’ more, to try new things myself that I wanted to keep going with ‘N’ after Phnom Penh and Bangkok and really try to make it to 16. I’m not saying it has to happen all at once, perhaps a break after the UK-DK tour this year. The rest can wait. It can happen over sixteen years, if it must, because what counts is the moment of it happening, in those places, not the hurrying through… I care about ‘N’. I guess I care about it because it is introducing me to a very neat set of people, (you know who you are), and the future ‘N’ guests to be determined, and it is for them, for meeting them, the chance to know them for a bit, that I want to keep pressing forward, and push through this awkward ‘givey-uppy’ moment, the one that some people call ‘the dip.’

To be continued….

#whynot #sayyes

Published in S. P. A. C. E.

Get new insights every week in DK’s eZine S. P. A. C .E.

Mini afterparty for guests of ‘N’ Bangkok

THE COOL THING ABOUT ‘N’ BANGKOK was that, up until right before, and even after the start, I wasn’t sure if everyone would be there. That’s partly because a few of the guests I had just met, and one of them, earlier that day. It was a sort of a hunch: for true spontaneous invitation, for the real and authentic practice of our theme for BKK, which was NOW, I’d need to simply go to the city and discover the last four guests in person, in real time, on the spot, and even on the day of. Why not? Thank goodness for CM, who came in to do that short, lovely improvisational piece that wasn’t what, I think, he had intended, but whom, I think, enjoyed the playfulness of ‘N’ BKK: NOW. I, for sure, did.

Since we had a short series, and since ‘N’ is designed that way and can’t quite happen in the same configuration (exactly 16 people, exactly once per city) again, I thought, why not invite a few who want to keep talking to an afterparty? A free one. It was, it so happened, to be this place that I’d been thinking about using as a venue for ‘N’, but which was small, too small for our intentions, when I’d gone there in person to suss it out. So I thought, since I’d been there, and liked it, and it had that vibe for being fun, it might be cool to do a small get-together with whomever would like to be part of Part 2, which was informal and collage and bricolage live session, with me and a few others making pieces together and taping them up on the window. At jazZ happens! It’s such a nice spot, and if you’re in Bangkok, I recommend a visit. If you’re into this kind of thing. Local, low-key, off the touristic scene, and very youthful, really, what with the college right next to it.

That was fun.

There was a Part 3, too, that was a few of us peeling off from this spot, finding a spot to talk some more not far from there, where it was easier to sit and hear each other and keep the conversations flowing since there wasn’t a lot of noise. So that was, unexpectedly, a highlight of the event, which really wasn’t the event itself, which of course was also bright and had its own sparkle, because ‘N’ is made for that, it’s designed for the magic moment to happen within and it happened there, and people wanted to go to another one, in another city, but no. ‘N’ is just once for the people it’s for. And in the whole world, there will be 16N in 16 cities. And that means, just 256. A finite number. I’m working my way towards inviting them, slowly slowly slowly. It may take a decade before I get to the last one, ‘N’ New York. But I know what the theme will be.


And why New York? That is where I started.

T. S. Eliot: ‘The end of all our journeying will be to arrive at the place where we began, and to know it for the first time.’

Art school.

And incomplete.

I left.


Because why.

Apart from RM‘s shop, I didn’t see any art. More about timelessness, when I start to make the invitations for ‘N’ NY.

To be continued! To the journeys! To ‘N, N, N!’

November 17: FLOW. Hit your peak productivity with this workshop in Malmö, Sweden

MOST IMPORTANTLY, what we care about most now is co-designing space with people in locales around the world. But not just any people. People who are interested in connecting in real life, connecting with one another, eye to eye so that we can have some good old fashioned human style conversation. It really is awesome when it happens. We get into it. There is a sparkle.

imageThis week in Malmö, Sweden, we are hosting our first-ever workshop on productivity. It’s called FLOW.

GREETINGS FROM SCANDINAVIA, ladies and gentlemen. DK is ambling about here for a spell, bumping into people and places so as to make space for real life. Workshops and conversation salons, that is, for people we are meeting in Malmö and Copenhagen.

(It seems pretty wacky to be writing that, but then again, it seemed weird to be hosting tweetups in Hanoi and esoteric salons asking, ‘Is the medium still the message?’, like we did with Aether, in New York’s Bryant Park, and other stuff. So much to share about past stuff, and how we are changing towards more conversation-space design in 2016, but the present moment is pressing upon us and so let me not get carried away reminiscing or projecting.) For now, it’s really about happening upon an insight: what we care about most now is co-designing space with people in locales around the world. But not just any people. People who are interested in connecting in real life, connecting with one another, eye to eye so that we can have some good old fashioned human style conversation. It really is awesome when it happens. We get into it. There is a sparkle.

ON FRIDAY, DK GOT TO MEET SS, a photographer lately taking images of airplanes. They’re supersaturated pics, because they’re printed on metallic paper, I learned. He told me this and a lot of other things, things I was enjoying more than what the previous art reception (larger, boxier), had to say about anything. Oh, and how did I get to SS’s show? I followed some people out of the other place, a fancy gallery, one of those that I once thought were really cool but now see as institutions. This person I struck up conversation with invited me to hop into the giant bucket attached sturdily to the front of his bicycle. Why not?, and there I was, climbing in just like a kid might. Room to spare in this. Viking country.

So nested, I asked, ‘Um. So, where are we going?’

‘I’m not sure yet.’

I like this kind of party, already.

But we are going to meet SS, I find out.

Who will talk about planes and photoshoots with musicians everywhere in the world, but in a light, nonpretentious way that makes me feel glad that I came to Denmark. Then we will go on to philosophize, of course, about how to find the flow and make work that is truly interesting. Creativity, productivity, flow. Call it what you like. Portraiture comes up. Selfies. Chuck Close. ‘I like that Chuck Close quote,’ says S, ‘about working on things.’

I think he meant this one:

The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case. —Chuck Close

THIS SENTIMENT, interestingly, is also going to feature in our workshop this TUESDAY in Sweden. Who’s around? Stop by, say hi. 🙂 —DK

Flow Workshop
Foo Cafe, at the Media Evolution City building
Malmö, Sweden
‘Flow Workshop’ event page on Facebook > | Foo Cafe’s Flow Workshop registration page >


Design is in motion for new ‘N’ events in Bangkok, London, and Copenhagen

YOU MIGHT BE WONDERING what all this ‘N’ stuff is about. That’s cool, I mean, I think that part of the idea of creating something is to let it discover itself, as it grows and matures. Kind of like a plant. Or a toddler.

We are just 1/16th of the way into the big project, ’16N’. First one was in Phnom Penh, back in April. After ‘N’ Phnom Penh I have a bit more to say about the how and why of ‘N,’ but also, it’s largely going to become what it does because of who chooses to self-select and become part of it, too.

As in the case with Phnom Penh, there are going to be 16 people who choose to join in something that doesn’t have a clear point-by-point “what it is” because part of the whole journey is the exploration. That’s not to say there is zero formality. You will, if you get a ticket and register and everything, get an agenda, and instructions about the expectations, too. It’s like a cross between a workshop and an improv theater and something else: maybe just school. Without grades. All of us are teaching and learning, because we all have so many extraordinary things to say. It’s amazing. ‘N’ is for uncertainty, it’s for ‘Anything,’ it’s for… whatever it feels like it is to you. When this all got started, I had this crazy notion about the ‘N vector’ but then it got really mathy and geometry and Euclid and non-Euclid started coming into the picture, and when I started to go on about it with SM in recent days and things got quiet for a split second he said, quite astonished and astonishing me with the clarity of it, ‘Where do you get these ideas?’

Oh, well, that’s a long story. But for now, I can share the themes?

Themes and space for interpretation

Here’s what’s up:

  • COPENHAGEN. For ‘N’ Copenhagen, it’s NEARNESS. As in: What’s close? How does it affect me? Proximity. Self-awareness. Relationships of all dimensions. Thinking about Denmark and reminiscing on a trip there eight years back, I recall the comment: “We have to speak English. It’s a small country, with so many others on so many sides.” As in with NORMALITY as a loose theme we picked for Phnom Penh, the idea is to leave things open enough for some play and interpretation but also give a frame for the upcoming event. ‘N’ Copenhagen will be a space for 16 people I will invite personally between now and then to spend some moments thinking together about this very abstract idea. Because it is in a new country with a different language from mine, I’m asking for help from a few people in CPH, too. Want to help? Contact DK >
  • BANGKOK. ‘N’ Bangkok is on the way, too. Theme is ‘NOW’. What’s happening in this moment? Can’t think of a better place to have a conversation installation about the very essence of what ‘N’ is about, which is, namely, celebrating the MOMENT. Framing the urgency of NOW. I know, I know, it’s all so very esoteric and philosophic. But really, it’s play. Design Kompany has always been about play, and it won’t stop just because we grew up a bit.
  • LONDON. ‘N’ London is getting sorted, as well. Theme: ‘NOTEWORTHINESS.’ What’s remarkable? Why? In a big city like London, you have a lot of people going about their business, looking at their feeds, processing data, making data, all of that. But what of it is really worth taking note of? How do we know?

The idea isn’t to make a long-term party or networking “thing”, but rather, see who comes forward in this self-selecting way to participate in something that’s by design a little quirky. Playfulness is more relaxing. Play and sharing, seeing what might happen, emergence, that sort of thing. Improv is part of this story. Serendipity, chance. Want to help? Contact DK >