THIS is the cover. The cover always is the last part, in the book-making process here at DK.
The reason is you just don’t know until the very end what might become, what is going to become and how it becomes is the work of the creative process. You have to start somewhere, for sure, but where and how to begin the compositions… that is the question for physics experiment designers as well as those standing and looking, at the canvas, whole.
There comes a time when you write and you collage and you find out that something exists that isn’t even in the words or the image. It is the intention. And when that intention came out in such a way that it was 10 people’s shared work, the work of looking deeply, within, well, wow, we had magic. Even though I’ve never met some of the contributors to The Mirror 2014, there are the connections that were built from correspondence and more than that, attention. Because attention is the highest currency now, isn’t it?
Readying to open THE MIRROR 2016. A new volume is poised to be co-created.
I don’t have any idea, right now from this vantage, what the new collection will look like. Who’ll be part of it, what stories will be loosed? What will be the cover, what will be that new collection’s title, look & feel, and list of contributors and their stories’ names? It is a mystery, this. But the invitation is the first part. Setting the stage comes next. These things I learned from a different kind of artist—the musicians.
Playing pen, playing line, playing words, or playing notes. The compositions flourish most brilliantly, don’t they?, when they start from… what…?
‘Starting to start?’
‘Simple: it’s this. An open heart.’
‘Trust the process?’
‘Trust the process. Of… becoming.’
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