Rebranding the Northwest Asian Weekly

Northwest Asian Weekly, last print edition. (Amanda Snyder/Crosscut)

 

Rebranding a 25-year old paper

Editors, copyeditors, publisher, designers, other staff, occasionally those passing by, and DK worked together to come up with a fresh update, a new template set, typeface selections… the works.

 

Concepting took a good effort, but it was important, for us, to get the story first. So we sat. And talked. For several sessions, just setting things up so the real talking could begin. In this way, we could do what all designers love to do when they are writing their own creative brief: be present, listen, and make sure you hear everyone. Goal, for DK, then, was to gather inputs from the full team at NWAW. 

But it started with the whole big metaphysical question, 25 years after you got started, ‘Who are you now?’

A box over the i, which you can see accented in the design for the masthead, was inspired by the answer we found, together, through dialogues at a round table. Which was, ‘A window to the world.’

Will need to find the better resolution files from our redesign process.

Why I bring this up is because I do recall a particular file that I had placed onto the CD of files I had delivered. That was at the time when this project ended, which was, ‘Brand Story: A living document.’ A word file, meant to be something that future editors and designers could visit, and reshape, as time moved on and needs changed.

It was easy to think of the new identity’s main idea, given what DK had gathered about what the aim, vision, story, and idea was for the redesign. ‘Window to the world.’ That’s the square over the ‘i’.

It fit. It worked.