AT LAST, the picture of our guests at ‘N’ Hanoi: NARRATIVE. What stories do we tell to the world? Which ones do we tell ourselves? In this brief encounter, 16 people whose paths might not have otherwise crossed conversed and wrote, read and listened, in a space of just 2.5 hours. A magic moment. *!
[Update: Before Design Kompany became a roving atelier to gather people’s stories on the spot in real life, we were gathering perspectives in our online community, behind protected-pages at this blog. This post was originally an exclusive for a forum, ‘The Village,’ on work, life, and relationships.]
TODAY I INVITE you to read a short email conversation with Michelle Lynn Stephens, a poet I’ve been in touch with since the time we met at a fun open mic. We share roots in Durham, NC, and recently reconnected when I hosted a tweet chat about self-publishing. That opened a space for an entirely new conversation, in which I got to know more about where things have gone for Michelle since we met. Here’s our interview, which took place over email through the spring of 2017. This piece was originally published as an exclusive for our online community, S P A C E.
Venturing into the unfamiliar
DK: We talked in our email conversation about journeys. And leaving, and how that can inspire us. Can you talk about this a little bit?
MS: How interesting that you should ask this question, as I met you at the beginning of my open mic journey! I am definitely the adventurous type. I love trying new platforms and traveling to different venues. I have met so many wonderful people who have been very supportive and eventually became my creative village.
DK: Can you tell us about what you’ve written, so far?
MS: My book is The Divorcée Chronicles. And I co-authored an anthology, Single Mama Dating Drama.
DK: OK. Besides writing and traveling, I think we also talked about family. And… dating?
MS: The sequel to Diary of a Divorcée Diva is all about dating, but nowhere near finished. There is a tad bit of dating adventure in the first book and my short story in the anthology is about getting back out there after divorce. The anthology is focused on single mothers, so that may be where you are remembering the parent thing.
DK: But then, there is the massive adventure of parenting right? The ultimate adventure into the unknown?
MS: Kids are fun and inspiring! The only downside is losing sleep sometimes when they are young and finding courage to let them go off own their own when they are older… While my toddler is my only biological child, I have had a plethora of little ones in my life and don’t feel particularly new to parenting. I have always taken care of children and it feels very natural to me.
My mom tells me that I wanted to do whatever she did with my baby sister, such as feeding her, combing her hair, rocking her and such. I took care of my baby cousin, I have several godchildren who call me ‘Ma’, I volunteered at daycare and after school care programs as a teen… I once had stepchildren who I adored and I take my niece and nephews around with me quite often.
DK: After we met in Durham, where have the journeys taken you?
MS: My circle in Durham encouraged me to share my talents with so many others. I may have been afraid to venture back out after my California dreams faded into the working world, if it were not for my arts experience in Durham. It is a place that embraces and supports the arts tremendously. The path from Durham led me to the next town over, then to major cities like Atlanta, Washington, D.C. and Philadelphia to share my words. I gained the confidence to submit my work to some heavy hitters in African American literature and became a part of a book project that turned into a #1 National Bestseller. My territory is ever increasing and I dream of seeing my work on the big screen someday, but I would also like to remember where I came from and remain a part of the circle that started me on my way.
DK: On your way… to where? Curious.
MS: I have back and forth from the DMV area often, as my significant other takes on mostly government contracts. I love the arts up there as a spectator, but unfortunately have not been able to participate much as an artist. I have no support system there, as far as babysitting goes. There’s always a book festival, library event, or museum to stop by in DC and the scenery is quite inspiring…
DK: Venturing out seems important to you.
MS: I am a firm believer that venturing out into the unfamiliar serves to strengthen your creativity. It opens your eyes to things you have never seen and expands your worldview. I have not traveled as far as you have, but testing the waters up and down the East Coast has been very fulfilling. Even before I began doing poetry and publishing, I was off to California and exploring the performing arts world. I experienced being among the best performers, in the audience of great theaters, in studios, filming for television on Hollywood sets, at casting and modeling agencies and briefly attempted to form a singing duet. My time there was amazing and continues to influence my writing and stage performances today. There is, however, a time for stillness when it is time to gather your thoughts on the page.
DK: Who are your favorite artists?
MS: My favorite artists are two alumni of North Carolina Central University, my late aunt, educator Barbara Tuck Ebron and the incomparable Ernie Barnes, a Durham native.
DK: Art venues?
MS: My favorite museum is the Smithsonian American Art Museum. They have very diverse exhibits with everything from presidents to Native American experiences to African American musicians and writers on grand display.
DK: Can we share an excerpt of one of your books?
From The Divorcée Chronicles: Diary of a Divorcée Diva…
I never felt so free as I did on that flight to LAX. The sky was the limit and I was literally on top the world, looking down on it from Cloud Nine. No one could tell me anything would ever go wrong ever again at that moment in time. After chatting it up with Darren a little bit about my hopes and dreams as always, he suggested that maybe I should look into moving to Cali, too. It would be the perfect place to start a totally new path in life and get away from all my troubles. I daydreamed myself about it right on to sleep.
“Good evening, passengers. This is your Captain speaking. I hope you have enjoyed your flight. We are approaching our destination and fully expect a safe and uneventful landing. Thank you for joining us. Have a good night.”
Waking up to stare out the window at the stuff that dreams are made of was surreal. The view of the Concrete Jungle, with all that water surrounding it, was amazing. I saw nothing but miles and miles of highway and bright lights! I had on my cute little sleeveless cotton dress that was hit just above the knee and got a rude awakening when I stepped onto the tarmac. The cold, sweeping air hit me right in the face.
“Whoa!! How can it be freezing in California in the middle of July?!”
“Kay, this ain’t Cackalacky. Ain’t none of that humidity out here. Don’t you know this is the desert?” Darren was always so thorough in his ex-planation of everything. Always had been, even back in the days when he was trying to tell me why we needed to break up and just be friends.
“You gone love the way it feels outside tomorrow when the sun is out, though. I’m telling you, Kay. The wea-ther is addictive.”
“Ok, I’m just gonna have to trust you on that one ‘cause it’s just freezing my legs off right about now!”
That night as I looked out the 12th-floor window of the hotel at all the lights that put the dark, tree-lined streets back home to shame, I was hooked and my mind was made up. If the rest of Cali was like the view from here, I was gonna call it home and soon.
The next day, Darren and I headed out to paint the town. He was right about the weather being gorgeous and we checked out the usual tourist traps like the Hollywood Walk of Fame and the Chinese Theater, then watched the many talented hopefuls acting out at Venice Beach. We toured the star homes and rode past all the famous places like Roscoe’s Chicken and Waffles, Capitol Records, and the Hollywood sign. We even checked out South Central and in the words of Ice Cube himself, I gotta say it was a good day.
“Tomorrow we’ll go look at the apartments I found online”, Darren said.
“If you decide to move here, you can just find something when you get to town because people move in and out around here all the time. It’s not like back home.”
DK: Thank you! Last question: What’s the best advice you ever got?
MS: Never give up!
‘THE ATOMIC POEMS and the philosophy of naturalism espoused by Margaret Cavendish were influenced by Epicurus.’ Says the internet. Epicurus and the internet sometimes give us intriguing tidbits, indeed. Things that philosophers in this modern era might be heartened to read, because we sometimes get railroaded into thinking that what counts is what can be counted (but we know it isn’t always the case, right? Anyone who has listened to a great poem read aloud to her, one on one, for example, and especially if it’s very personally pointed in her direction, can attest to that.)
Cavendish’s poem, ‘All Things are Governed by Atoms’ is below.
Like I said, I found it while reading about Epicurus’ ideas.
These, specifically: that we should be able to spend time with our friends; be free of the need or anxiety that comes with having to make a living the usual way in our day and age; and also, the feeling that we gotta spend some time analyzing life. Epicurus has inspired us quite a lot here at Atelier S P A C E and I’m looking forward to revealing more as we go, in the journeys ahead. Meantime, find the poem and more about Cavendish posted at the page here.
But for the moment, here is All Things are Governed by Atoms…
All Things are Governed by Atoms
Thus life and death, and young and old,
Are as the several atoms hold.
Wit, understanding1 in the brain
Are as the several atoms reign,
And dispositions good or ill
Are as the several atoms still.
And every passion which doth rise
Is as the several atoms lie.
Thus sickness, health, and peace and war
Are as the several atoms are.
Client: NUK Cafe
Work: Concept, Naming, Brand identity + consulting on interior design
Location: Phnom Penh
Naming, concepting, and brand identity design. ‘NUK’ came about as a name idea after a series of serious conversations, and a visit to the architectural site. A section towards the back of the first floor seemed well-suited to holing up with a great paperback. That’s how we found our way to the name ‘NUK,’ a play on ‘nook, but minus the visually awkward double ‘o.’
Fewer letters—heck, even just an ‘N’—made for a versatile motif that one could just take in as a total image (that’s what a logo mark is, more than ever, just an impression, not a ‘word’ to be read—who has time to think?). As soon as we presented the name idea to our clients, three people got on cell phones and called friends in Vietnam, Thailand, and even further afield via Line and WhatsApp. ‘How does that sound? Does it mean anything bad? No? Good.’ Nuk fit. Snug.
Many times designers will do what you tell them to do. But you two would not. You would say, ‘No. That’s not a good idea, and we’re not gonna do that.’ That was new. You made us think, and in the end, we got to a stronger design together. Thank you. —Kenneth Hui, NUK Cafe
NUK opened on Street 154, and our clients invited us to sample the ice cream. Last we heard, they’re gearing up to open a second store.
TODAY, A GUEST POST from Eric Chuk, who took me up on my challenge to write an answer to the question, ‘What is intrigue?’
This originally appeared in the final issue of the INTRIGUE sequence in our eZine, S. P. A. C. E.
A MATCHSTICK IS COMMONLY composed of a small piece of wood and an ignitable coating at one end. When struck against a suitable surface, heat generated by friction causes the coated end to catch afire.
This simple mechanism is actually the result of centuries of development, not counting the preceding usage of flint and steel or the later advent of portable lighters. These implements for generating sparks or flame make it easy to focus on the accomplishment — the activities that require a greater source of light or heat than a match. The substrate itself is often overlooked.
Yet ‘what is to give light must endure burning.’ If ignition can be a metaphor for all that inspire and impels, why not the kinds of things can be burned? Why praise the fire of creativity but not its fuel, intrigue?
By some considerations, artistic activity depends on creativity as the energy that sustains it, and intrigue is thought of more as the spark. But to define intrigue as a momentary thing, bright but so quickly expended, is to ignore the need to sustain attention even after the original impetus is gone.
What makes a story?
AS AN EDITOR and writer, I am especially intrigued by the following—one is a technique while the other is an open question about the nature of storytelling.
In writing, the technique of ‘showing,’ or describing using concrete facts, is known to be more effective than ‘telling,’ which is to rely heavily on adjectives and adverbs.
Of course there is subjectivity in all writing, even so-called factual writing, because writers choose which facts to include and thereby bend them to their purpose. So this implies that given a representative, well-sourced collection of facts and subjective observations, the reader is supplied with enough fuel to be intrigued, to read and form an opinion about the issue or the writing itself.
Published in S. P. A. C. E.
Editor’s note: First published in S P A C E in 2017, this short Q&A about the creative process still rings true today to those of us at DK who remain very curious about how to continuously improve on what we make.
OFFLINE CONVERSATIONS lately are turning to the process itself, and, to take it further, discoveries that happen on the way to ‘making.’ Maybe it’s in the air? Looking back on what creative people have told me about this work of making, I recalled something I learned from science podcaster Jai Ranganathan. (Find him on twitter at @jranganathan.) We had met at a science conference in NC’s Research Triangle Park. That was the kind of place where bunches of people convened to share tips on making science interesting to a general audience, more or less, and I discovered Jai was set to instruct scientists at University of California Santa Barbara on how to use social media.
DK: What do you need to think about when opening a wide-open project like a podcast? That’s a pretty big blank canvas.
JR: First, define your purpose. Then, what’s your scope? Do you want to be a local brand? Have a national audience? If you want a large audience, people really go for video.
DK: OK. So if you know your purpose, then what? Any tips?
- Think about where can you add value. Ask businesses, ‘What’s a problem you have?,’ and then share, ‘Here’s how we might solve it.’
- Give your product away so people want to know more.
- You can do latest tips. Interviews. You could have seminars.
- Just get started. Do it frequently. Keep it short—2 minutes.
DK: Wait, so you just have to be prolific?
JR: You don’t have to be flashy, or always funny, or the best-looking. But you have to be compelling in your voice. Be engaged, animated, and interesting.
DK: But what about talent?
JR: Talent is overrated. You have to be interesting/entertaining first, or else it doesn’t matter what you have to say!
DK: How do you do that?
JR: Boring podcasts are that way because people are checking boxes off a how-to list, as opposed to doing something that’s really them. Anything creative like this—podcasting, video, or writing—is about deciding what you want to say, and what’s your way of saying it. How to make that your own is key.
DK: How did you get into this?
JR: I was doing my postdoc in conservation biology. If you’re not a scientist, your job is to write papers. I was disenchanted after a while. How likely was it that what I wrote would lead to action? So as a hobby, I started interviewing scientists. I’ve always really liked radio. Someone found me and offered to pay me to do this, so now I have $2,000 broadcast-quality equipment and I make a good living. But, I had hoped more people would listen.
DK: What can others learn?
JR: It takes a while to figure out what you’re doing and why the heck you’re doing it. Don’t make it too scripted. You can have a script, but don’t read it. Imagine somebody giving a talk and reading a script–it’s death! And you know, you have to like doing it. And keep doing it, that’s key. Don’t wait to get good. No one sprouts out of the earth fully formed.
Published in S P A C E, 2016.