I REMEMBER THIS. Spam comments. Requests for jobs at DK. This must be what happens when you start blogging again. I mean, like really blogging, not just writing the clickbait-y stuff that I think so many people who write blogs that are professional service company people with a ‘plus a blog with them’ do. I mean, it’s easy to get caught up in that. Writing isn’t easy. Writing is work. Writing for the sake of what end, you wonder, and so, like everyone else, you turn into a market-markety bloggy-blog. Which is terrible. Because it’s not just irritating to find silly ad-like links everywhere, it’s also bad art. Bad art isn’t acceptable, so let’s move forward.

Shifts

Am reading about social capital. And how capitalism has taken what used to be stuff we did for each other because we’re human beings, and commodified it.

Social capital is, for example, when we take care of each other’s kids. When we help one another with homework, do the work that it takes to go out of our way to help someone else out with finding lost keys or getting to the next city or taking the right bus or whatever. Social capital is when someone kindly invites you to dinner when you know that all the restaurants are going to be closed because it’s a holiday, and nothing is open for five more days which means you’ll be stuck at the ‘mart’– which sells more processed garbage and smells, when you walk into it, like Capitalism.

[Long-winded side rant deleted]

And social capital is this kind of thing, the soft architecture of spacemaking: making space that is, for one another. To reflect, to share. All those old dialogue roundtables we did before, I remember some of them were very, very interesting, were a kind of ‘public space,’ the very sort that we need if we want to find ways to feel more connected. Like the things we are here for matter. Like we’re part of something more than just the day-to-day of churning out ‘stuff’ in exchange for our time. Selling our time, that is.

Being there, closely. Listening, and participating in the creative process of Life… Oh, no. I’m getting lofty again. (‘Come off the mountain, DK!’) Right, right.

I’m making this new stuff because I want to add more social capital to the pot of the ‘stuff’ that’s out there, now (which is largely boring, to me). I don’t go to networking events. Or weddings, if I can help it. I try to avoid all social chatter that revolves around ‘like-minded people are gonna be there’ because to me, ‘like-minded’ is an echo chamber I don’t wanna step into. I’m interested in the mix. The flow, the journey… But if you know me, you already know that. If you don’t, well. I guess I’m writing, at the moment, for the people who know me or potentially might—let’s see. The internet, as much as I give out about it, has made it possible for me to meet new people on the road in the very kinds of journeys that I’m also on… I don’t mean ‘like-minded,’ here… I mean, more of… the questioning, quest-y types… Not for everyone, of course… but. About 1 out of 100 will be reading this far. And looking for the ‘what do I do now that I’ve found you?’ call to action. (Is this you? It’s around, somewhere, I promise.) If it wasn’t for the internet, I’d probably still be thinking that my job at a daily paper was ‘creative.’

No.

But through the process of trusting the process, I found out what is.

Writing. Sharing. Every single week.

New currencies

Okay, then there’s the whole thing about what to do when we start to charge everything for everything, like, you know, babysitting and homework help and stuff like that. I mean, sure, we all have to earn cash because that is what it’s about right now, cashy-cashy. Still, I think we can start trading in something that is more old school. The currency of trust.

Why? Because, despite the worship of those little pieces of paper that we give and take from each other (more and more facelessly than ever, sadly, I feel) it’s not like we really need cash to get things to happen. We need trust. Like old times. We need to know who we can count on, and for real. To do things. Make things. Move around. Discover. Make time for each other. Be. All of this is what leads to stillness and reflection. And that leads to better art. Design is only a means towards getting to the better art. Art, art, art, ladies and gentlemen. I am not talking about what someone decided was artistic and put into a fancy pants gallery, either. I’m talking about stuff that moves us. makes us sing, connect, feel, and even brings tears to our eyes because it shows us our own…. there’s too much to write here and if I’m writing in this public space, which it looks like I don’t see the reason to make this a protected page post because those are reserved for the conversation-continuing, not starting, and what I hope to do is maybe make a few new starts, here. Today or soonish. But they have to be good starts. They have to have art in them.

My parents told me that I shouldn’t study art, so I went to engineering school* and then I worked for some architects, and then two different newspapers (fortnightly, daily), and then I started a design studio, and here I am writing away about art. All of the past experiences have informed the ways to design structures in which we can most excitingly discover the concepts that lead to great works. That’s important. Scaffolding. For S P A C E for ex. I’ll need to talk about it, sometime, if you are one of the people who are wondering how to connect with us in a better way than just reading this blog sometimes. There’s real stuff, it really is cool. It’s working, it’s been working, and there’s… a new beginning. And more…

*Looking for samples of what different bridges look like? This is a cool site.

‘More of what, though?’

Existing more artfully, in the same exact time frame, means you get more. Experience something fully by focusing on it, while you’re in it, and not getting distracted by all the so-called possibilities and ‘options.’ Sorry. I just don’t. Get that. I like to go with it when I know there’s a beginning there, that feels right. That works me, challenges me, instructs and delights, and best of all, delivers—all that is ahead, for me, is the quest of this kind of ‘more.’ Not more stuff. Not more friends. Not even more… anything, really. So what am I after, then? What am I questing? Questions. And people who ask good ones.

So far I’ve been very lucky. There is… an ambient… community. Behind the scenes here there are a small group of us talking together in very intriguing, even intimate ways, even though maybe we’ve never met in real life. Real life is the best channel, of course, but when we can’t have that it’s nice to have this and then gear up towards having that, one day. It does happen. It’s great. S P A C E started in 2014. So. There’s that. And most importantly: there is trust. Trust is what we’re dealing in, like I said. Trust trust trust trust trust is what we human beings always went with when it came down to it: ‘Do I believe you? Are you reliable?’ Please don’t act like you’re interested in what I’m making when we first meet and then turn out to be a really flaky flake: that is a huge, huge pet peeve for me. Be real, dude. Just: be real.

 

Towards a better art

Art! So much to talk about. I did go to a fancy art school for like five minutes but dropped out because it wasn’t where the meaning was getting made, it was where old, dying ideas about what is ‘good’ were getting pushed on young people who would go on to do, what Banksy wrote in something somewhere, the kind of work that just isn’t art because (and I’m paraphrasing) the best minds went to work for people who used them up to get us all to click links and buy stuff we don’t need. I left art school to take up odd jobs and then go travel, and then, more stuff, but yeah, it was a lot of movement, there, fora while. To quest the artful. I used to have two big categories at this blog, before it got deleted accidentally (long story). The categories were: 1) In Search of Meaning and 2) In Pursuit of Beauty. Then I think there was Found and also Trust the Process. Mostly still probing in these four compass points, about a decade and a half later.  Maybe we met in 2004 at something like Biznik. Maybe we met last week in Vietnam. Wherever you come from, wherever we’re going, we’re at this journey that I’m really excited about, that’s coming into shape quite nicely, in S P A C E. And since those four original points of query were so important then, is it any wonder, then, why we are talking together in online spaces in protected pages about existential philosophy, aesthetic moments, relational aesthetics (HT JB) the work of design, the meaning of art, the value of money, and much more related tangentially to these ideas?

So many philosophy magazines are a pile of junk, I think: they’re… well, let’s see… to put it bluntly?… they’re… just quoting the same old people saying the same old things, from a bygone era. (I have a habit of doing that sometimes, but some of us and I’m assigning myself to this role ought to be seeking up the new philosophers and publishing them: new voices, from the not-mainstream). Our real cool contemporary and updated modern philosophers are right here, amongst us here and now, talking, every day, about the way it all unfolds or doesn’t… I’m rambling. Oi. I’m going to stop now… Because. Art is the point. Not me making a point.I don’t wanna go down that silly path of logic-worship. Intuition is better. Intuiting the ‘rightness’ of things… and falling forward, towards them. Forward motions.

Such movements, after all, for S P A C E, are the point. So much to say. Will save it all up, for ‘Postmodern Nomads’, and the invite-only sequence ‘Strange Geometries II’. These new bits and pieces and unfolding meaning-making  conversations to come in Spring 2019, with the launch of a new series in S P A C E, ‘The Book of New Things.’

S P A C E QUESTS S P A C E. All of this to say that you can join the conversations, but please note that you have to be able to add to what we are doing. Contribute ideas, words, time, show up for stuff, be there. Be part of the journey. Fiscally that’s fine, that’s one kind of contribution, but we’re wiling to take trades of all kinds. Always. That’s the new thing, around here; trade something for us, for S P A C E. It can be what you think makes sense. Bartering around the world, we are, lately. I’m serious. Banked on it; it’s working. Trust. All the conversations that have built up in meaningful ways to date over these last four years as we prototyped and pivoted, tested and scrapped dozens of failing directions in order to come up with the theme, the concept, the sequence, and the small team that is the right one for us here at DK, well it’s a lot. But yeah. They started with: showing up. And conversations that go somewhere.

Social capital. Is that, and so many other things, enfolded into its coat sleeves, pockets… places we’ve forgotten about as we chase the bigger kind of more prominent style of ‘more.’ (Fame, money, popularity, all that stuff). But… let’s be real: social capital, the good stuff that it brings to us, and the community it builds, is the most important kind of ‘capital’ there really is.

 

Feature illustration: By Dipika Kohli // Phnom Penh 2015

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6 February 2019