Issue #46: S P A C E | Huế, ‘An Art of the Moment’

The artists gathered for this co-created zine are four very curious people.

Art, natural patterns, and words intertwine in a collaboration between them.

 

The nature of art

Lee Moore Crawford, a floral designer and artist, once struck up a conversation about the Japanese art of ikebana when DK happened upon her arranging flowers at a coffee shop in Durham, NC, circa 2011. We never forgot it.

So when DK collaborated with another creative person who takes inspiration from nature to make the cover image of this issue (Dipika Kohli took the original photograph in Huế, then forwarded it to digital processing artist Nils don Sihvola in Finland), we wanted to ask Crawford what her feelings would be. Lots came of this interaction, including a short piece, ‘Bloom.’

To give the collection continuity, we then circled back to former culture editor Michael Bridgett, Jr., whose article, ‘Why I Art,’ opens yet another fresh perspective.

Order it here.

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Thanks ;)

 

18 Oct | S P A C E Phnom Penh, ‘Miniparty’

 

See all the finished zines in our online store >

Evening  meet up for those interested in writing, design, editing and self-publishing. I’ll share the zines set in Phnom Penh:

  • ‘Angle of Incidence’
  • ‘Angle of Reflection’
  • ‘Angle of Refraction.’

More about our zines and work in Cambodia 2014-2019, is here.

First four guests to register will get a printed copy of one of the zines from our S P A C E collection.

Be a part of it

DK has hosted parties like S P A C E in Phnom Penh before, bringing a magic moment into shape.

There was also ‘Math & Jazz’ at Raffles’ Elephant Bar, plus a series of eight ‘Rooftop Philosophy in Phnom Penh’ events along with the first-ever ‘N’, our ‘theater of now’ big blind date party that you can read more about here. Don’t miss this chance ot catch DK on a short hop through Cambodia en route to Penang, Kuala Lumpur, and maybe further afield.

Book to register

Limited seats. (Just six).

Advance bookings only. USD $16.

These are the details.

Book here.

Protected: Writing in my head

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How we’re making S P A C E on the road

Best part of making S P A C E is the chance encounters, stories-in-the-field, and finding out of things that happen when you simply create a bounded box of ‘where’, and ‘when.’ To show up. And see. What the things that are there (and also within, and so many more things to say about this), can tell you. ‘See what making S P A C E can reveal to you about… you.’ That’s what I had once written and shared on a website page that existed far away from this one, in another time, another moment, when I still believed that most people want to do the hard work of reflection. And trust me to help them do that. But what I found is it’s far too hard to do this, let alone subscribe to someone else’s method, and when all that happens, you also have these moments of deep metaphysical questioning, and sometimes that gets a little tricky because we have a lot of things to bring up and some of the time it’s not comfortable.

 

‘Bigtalk’

Talking about business and talking about ‘tasks’ and talking about ‘things to do in order to reach success’ are more often toted into the public spaces of conversation. (Which I find terribly boring.) Rather, what if we could make more S P A C E for connexion, on a different level. Talking about ‘purpose,’ for example. ‘Values,’ and ‘drive.’ Where this picture was taken is where for a little more than two weeks Design Kompany designed, hosted, dialogued about, and conversed deeply about things related to these latter. Who we are and why things matter most to us, in these instances of sharing in the bounded box of time and space, for the Atelier S P A C E that invites us to look at things but also to let go of the looking, and just engage and enjoy whatever falls into the space, too…

 

Quieting, stillness

This one was really good. I’m going to write about the things we uncovered in a future zine, set in the town where this picture was taken, and made in this very space. Writing. Designing. Editing. And most importantly, thrashing ideas about. But then, letting go of them, too, and feeling the way towards the rightness of the things to share. Sharing.

More is awaiting. In the ateliers to come. And in the conversations shaping up through the online zine S P A C E, and its attendant small circles of communities too. To the journeys, then. The near, the now, the next.

Currently: Making S P A C E in Việt Nam

DK are on the road. Indefinitely. Again.

Putting all the stories together in-situ, both for friends, for editors I know and whose work to help me make things better is very much welcome and valued, and for the guests who are part of our online forums and are subscribers to our online community, S P A C E.

Progressions

Without S P A C E conversations, things wouldn’t develop or progress: we wouldn’t have richness and complexity, and continuity, without which stuff just stays superficial and boring and rah-rah ‘be like me’ style of blogging or lifestyle crud that doesn’t help anybody in any way at all, if you really look at it underneath the veneer. Who wants to read a blog or writing by someone they don’t know? Think about that. That’s why I’m focused *only* on writing my very bestest stuff for S P A C E. And friends. And, of course, collaborators.

Coming up to the middle of February and we’ll start sharing the on-the-road zine-making progress in real life at popup salons in cities and towns around Việt Nam.

First one is set for 19 February. Today I’m inviting a handful of curious people I’ve met in recent weeks, who are based the city of… well. You can click the link.

 

Next

I’ll be editing and cutting, pasting and sewing, these into miniature books and sharing those out by postal mail—yes!—since the service is excellent here, at the end of my time in this country and before the next one. So as to make more and better—and different-er—S P A C E. Follow the story–and be a part of it (interactive forums starting soon)–when you subscribe and get our weekly zine.

 

 

S P A C E | Brussels, ‘The Work of Art’

Philosophy is sometimes described as the conscious examination of life, so we humans can be aware enough of what surrounds us in order that we may make qualified decisions. By so doing, we can choose to exclude or include certain experiences or design our societies. Yes: design them, so that we (plants, animals, et al, too) can all live more pleasurably.

 

How DK are making S P A C  E

In this issue, new photography from Brussels, taken by S P A C E  art director Jānis Žguts, is paired with an essay by S P A C E  culture editor Michael Bridgett, Jr., and line artwork of Dipika Kohli that’s been curated by BOSS. It’s a collaboration that began loosely in 2016, at dk‘s conversation salons, ‘Rooftop Philosophy’ and ‘True Connexion,’ both held in Phnom Penh, and has evolved from the seed of a simple, open-format invitation: ‘Who wants to talk, in real life, together, about this, perhaps with other people we don’t yet know?’ (From there, new conversations about what philosophers invite us to mull over emerged, evolved, and expressed themselves in short bursts of extended query, or over monthslong quiet spaces where the team could reflect in permutations, both separately, together, and with others, too.) Such conversation spacemaking is exactly what S P A C E is designed to invite. •   

How to get S P A C  E | Brussels

Get this issue when you subscribe to S P A C E this week: learn more at our crowdfunding page.

Contributors

Michael Bridgett, Jr.
mikedynamo.wordpress.com

Jānis Žguts
janiszguts.com

Dipika Kohli
dipikakohli.com

Winter 2018-19: ‘The Work of Art’

Line art by Aubrey Beardsley. DK first discovered these drawings at an exhibition in London 1999. They sent DK inspired with pen and paper, looking for space in flat, matte composition while exploring the negative space in which ‘anything is possible.’ ‘Anything is possible’ was the studio’s first tag line, in 2004.

In search of meaning


E X P L O R I N G _ T H E _ A R T
of
Human Relationship

 

Times, shifts, curiosity about new people and new ways of thinking, and the general crisscross of emails and vague fragments of thoughts are what we write and share about in S P A C E. Works are creative nonfiction short stories, co-created with members of Design Kompany’s team both in Phnom Penh and in the places where we are going to discover new and different voices ‘out there,’ in the field.

Where are the new and unusual perspectives, hiterto underreported or cast aside as ‘ethnic?’ Let’s go find them. Let’s write them, share them, co-create them. In S P A C E Meet us there? Introductory offer: subscribe for just $4/week.

S P A C E posts every Tuesday at 7AM USEST. When. you subscribe, you’ll get it every week by email, plus these exclusive PDF zines, too. Themes change but the idea is that we get closer to the study of what it means to look, listen, discover, hear what we are able to piece together when we make a space for quieting, and noticing, both one another, and ourselves.


Publication schedule

Into the Quiet

4 December
S P A C E | Kärsämäki, ‘ The Book of Slow Moment’

11 December
S P A C E | Oulu, ‘Kesärakkausjuttu’

 

Finding the stillness.


Encounters

18 December, 2018
S P A C E | Phnom Penh, ‘Angle of Incidence’

 Living in Cambodia: then and now.


Companionship

1 January, 2019
S P A C E | Tampere, ‘Miia’

8 January, 2019
S P A C E | Kyoto, ‘One Moment Cafe’

Alexis Jokela’s follow-up story, set in Tampere, to Jokela’s July piece, ‘A Summer Love Story’


Mirth

15 January, 2019
S P A C E | Helsinki, ‘Coat Check’

22 January, 2019
S P A C E | Brussels, ‘The Work of Art’

A. Spaice goes to Helsinki to discover 16 random strangers and talk to them, at a once-off conversation salon on the theme, NEUROSIS. Here’s what happened.


Enchantment

5 February, 2019
S P A C E | Rovaniemi, ‘Arctic Circle”

12 February, 2019
S P A C E | Berlin, ‘Strange Geometries’

A jaunt to Lapland, unplanned and spontaneous, lands a pair of wanderers at the gateway of an unmistakably enchanted forest. Inspired by H. C. Andersen’s description in The Snow Queen of ‘Finnmark’. 


Subtlety

19 February, 2019
S P A C E | Singapore, ‘The Prospect of Beauty’

26 February, 2019
S P A C E |  Malmö, ‘Vakt’

What makes something beautiful? Looking with a microscope for ‘the remarkable’ in a money-obsessed island.


 Calls for submission will be made through S P A C E. Subscribe to get the details.

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S P A C E | Malaysia

DK’s Atelier S P A C E | KL happened in spring and fall 2018.

COMING AND GOING in Malaysia in 2018. A new thing is starting. A new small circle.

Zinemaking is part of it, but m ore than that, it’s ‘showing up.’ Big thanks to those of you who took part in our popups in KL in both the spring and just this past September, in the series Atelier S P A C E had hosted in an ad hoc style, more or less. But we’re getting less disorganized… if that’s a way to say it. I can’t say that we’re getting more organized. But it’s true we’re getting less disorganized. That I can say.

Many things to follow. (Were you in KL and didn’t get a chance to join us? It’s not that we’re going to do this indefinitely–S P A C E is moving around and changing all the time, and we’re going on the road again soon. But if there’s interest, we make a thing happen. Did you miss our previous stuff in KL? I’m putting things together in a roundup post, here. So that, you know, you can see that it happens. It’s a thing. Thanks to MM for the pics, and more to follow, there on that page, and in the active spaces of  our S P A C E forums too.

You know who you are.

See you there.

S P A C E | What is “good” internet?

CAN THE INTERNET bring us towards true connection? How do we get there? Listen to find out.

DK’s Dipika Kohli and Mae Rosukhon, a Sydney- and Bangkok-based member of our inner circle of S P A C E, are talking together about ‘the internet.’ Quality of life, health and relationships that are built on trust: these are the things. ‘It’s social isolation that really gets people down, especially in the later years of life,’ says Rosukhon, who has a background in government and health. Are the stream of constant notifications getting in our way of building real trust?

‘In this contemporary world and searching for the new, new experiences, new contacts… there’s an upside and a downside, right? [But] the trust between your friends, it’s that solid foundation that will always take you through and that’s got strong substance underneath.’ –Mae Rosukhon.

Read about Mae’s recent thoughts on life, meaning, and connection at this intriguing article she wrote, by hand, about death.

True connection

Images: from the series ‘Distracte’ by Dipika Kohli
// 2016

‘Actually I do have friends’

RAINING IN PHNOM PENH, as I write this. Wondering where the next few days and weeks will go. A few more days, a few more moments. Conversations in the real life salons, conversations in the online ones, too. There are things to say, so many of them, and I’m lucky to be able to have a chance to bounce ideas around with people and mostly just generally get to play. In S P A C E. And also, here and there, bumping into stuff, much like The Missing Piece goes around looking for things, falling into holes, bumping into walls, and so on. (HT: Shel Silverstein.)

A few more moments.

Yes.

True.

I could get poignant and philosophical here–

Akira Morita (left) and Chhunny Noem were with me for the popup art installation, ‘Distracte’. The three of us together also worked out some major ideas together, about infinity and repeating infinities, at the ‘Book of Time’ salon in this same city. A fascinating conversation set. // DK, Phnom Penh 2016

 

I could talk about how all the moments are one quick moment, as we had discovered in our salon here in Phnom Penh some years ago, The Book of Time, which I  co-hosted with Anakot Asia’s Chhunny NoemWhat a powerful moment. Maybe it was the sum of all the moments, smashed together into one infinity, here and now, oh, no, here I go, getting esoteric and rambly, and well, I ought to save those kinds of conversations for the intimate spaces of real life and conversations with just. those people who are actually interested, not foist them onto the blog and the internet and hope that people will say, ‘Yeah. I want to know more about this. Where can I meet other people who want to talk about meaning, existence, philosophize about things without quoting dead white guys, or just, generally, be How can I find more meaning in my own day to day just by simply talking to other people about the big questions hat are popping up in my own world, where I am? What is the point?’ And more. I’m partly inspired writing this by last night’s conversation with CM, who is really asking these questions, I think, the more I talked with her and the later it got and the louder the roomful of people, and the drunker, and the more frequent the occurrence of breaking ceramic mugs and glasses (?), well, the more the time went by, the more I realized, ‘You know, there are places where you can ask these questions and get to skip over all the smalltalk. It’s real. It can happen. We can design for it. I’m into that, that’s my thing that I’m into.’ (Easy to say, hard to prove. But the people who know, know. And for me, that’s enough. So we continue, charging into the world, with the goal of simply hosting and co-hosting more and better space for dialogues that have real feelings int them, real emotions. Not just… well… fodder for the bored, schedule-fillers for the lonely.)

‘I like to try to make myself uncomfortable sometimes,’ C had said, and I replied, ‘Because that’s how we grow.’ Growing used to be such a weird word to me, so touchy-feely and clinical and psychology bollix, but you know, it’s kind of all we have, really. To be able to improve ourselves? What else can we do? Add another do-goody NGO to a country that doesn’t want you here? If you’ve just arrived in Cambodia for something and you think you’re going to ‘make a contribution,’ be aware that this is a lot of nonsense and perhaps more about your own ego than anything else. I don’t want to even get started on the mansplaining that I saw and ranted about, when I saw it! [deleted]. Think about that.

Once more, upon returning to this country, where I have lived for three-and-a-half-years without having meant to, I found myself miraculously thinking, ‘Huh. I can see how this could be an interesting dialogue. And it reminds me of one, from before… also in this city. Quite unexpected, a small collection of us, new and different others, did we have 5? That was a crowd, then, for our salons, which are usually me and maybe 2 or so people… but always, always, always, I love the conversations that unfold. I’ve never been regretful about going and seeing and trying these, because you just never know. Maybe you’ll meet someone who’ll wander in from out of the internet and change your life forever. Gosh.

And given the right framing and the right collection of people… it can. And has. And will. Where are the artists? Everywhere. Much of this is amorophous and fuzzy, and that’s fine. Who cares about making sure everything fits some arbitrary logic-box? That what DK writes here and there as a collective is not refined, not finished, not concrete, not logical, mystical sounding, and open ended? How about this idea: a billion suns are in motion, right now. And N. Bohr, who said: ‘No, no, no. You’re not thinking. You’re just being logical.’ I’m looking at a philosophy of the moment: one that’s not based on old sciences that are Newtonian-only, out of touch and completely miffed by multiple and contradictory ‘truths’ co-existing. Frankly, philosophy is as obsolete as the fax machine.

And so on. And so forth. A blink–a moment. And infinity, too.

But, guess what? [Some of ] those [mainstream publishers and academics and philosophers] who consider things ‘good’ are the ones who are stuck in the old logic-boxes. They can’t conceptualize a new way of doing things because the old way is so engrained. SHR, a mathematician friend of DK’s, and I had met I a pub in London when I was that way, a very good and curious conversation in which I had asked him why things are devolving instead of progressing, society-wise. Wanted to say things about least common denominators and stuff but that is too fourth grade math and not that interesting to S, so I just threw out a thing about, oh, systems, and equilibriums, and turbulences, and he had said that people like the status quo. That’s why we’re not evolving up. They like the status quo. It’s hard to change it.

Me, thinking: Even if it’s stupid.

Not saying this, but it’s pretty easy to read me.

Him saying, without words, Yup. Even then.

Affinities


Part of the concept with Atelier S P A C E is not to get parked for too long in any one place. Houseless and offliceless, But, I’m finding out on this miniature return, not friendless. More in a second.

First, from Lao Tzu‘s Tao Te Ching:

Hold fast to the way of antiquity
In order to keep in control the real of today.
The ability to know the beginning of antiquity
Is called the thread running through the way.


Meeting the way

IT’S BEEN really cool catching up with some of you who might be reading here, in this city. Phnom Penh. Reminiscing about things past, or sharing about the things that had happened before, or recently, or on the road. The way and the road. Basho—need to go back to that author and explore more fully. Important. But, not now. It’s also important to just be here and notice the things going on right where we are. I’m going to have to share more in the e-mail circles (not doing facebook now, not really hanging out on instagram), about the invite-only conversation salons on the way here, in Phnom Penh, before heading off to Australia and India and possibly the Pacific Northwest in those United States—gaw, I can’t believe I’m even writing that. I had wanted to get out of there, so much, but it’s been four years since Palo Alto, so… Yeah. Let’s see how it all unfolds. Things take time, I get that, but it’s also nice to peg a few things here and there, sometimes, too. But it’s loose and light, now. Letting go of illusion of control. Big changes. Ask me why sometime, if our paths cross in real life or in our online conversations in S P A C E.

‘Breakfast in Cambodia’, book launch, at TINI // DK 2016

This weekend, I’ll host Atelier S P A C E | Phnom Penh and write, together with others, maybe some of my actual friends?, a new set of zines, set here, hyperlocal creative nonfiction. Next stops, Idontknowwhereyet, but onwards is the definitely for sure direction. Plus, visa. Visas expire. Keeps you moving, doesn’t it? On. These are long stories. Not for everyone. I’ll write them. I’ll put them in S P A C E. Maybe I’ll keep writing about Cambodia. I mean, a little bit. It’s definitely easier when you have four years of experience in a. place and ambiently know where the streets go, how things connect, what foods are going to taste like, what’s ‘not okay’ when it comes to cultural sensitivity or mansplaining OMG, how everything you think you know about something is completely hot air, and how, when you come here, the thing you learn is that you don’t know anything at all. Some of that I wrote into the first book about my experiences here, Breakfast in Cambodia (Kismuth // 2016), which look at that, has just celebrated a two-year anniversary. Exciting. I wonder if I should have another launch-y kind of moment for the new books, set in Finland? Could be nice. I hope to, but it’s also fine if it’s just an inner-circle thing. Maybe. launch at, say, my house. Easier, these days, than making a big rah-rah out of it and trying to get people to show up. This has gotten increasingly harder, I’ve found, in the last six years. I’m seeing the futility of it, in a way. I may not even… well. It’s a lot to write here. I’m always starting to write a little here and then hesitating because, who is reading this blog? I don’t know. Which is why I’d prefer to converse in S P A C E, or email. Email me, if you are there, know me, want to stay in touch in a more firm way that has nothing to do with reading and checking and checking and reading. I’m here. I’m listening. Say hi? So that I know it gets to me, what with all these weird filters and hackers and spammers and people breaking into emails and stuff, it’s so weird now, it would be cool if you could use the form on our contact page. Could you? Here it is. Kay. Cool. The thing to do now is just get started. And trust the process. Be okay with getting lost a little, in order to find center. All righty, then. Let me figure out where to go next. Let me find that set of darts.


‘Fresh and original input’

WHEN I WAS IN AARHUS in 2015, I met someone who said, after a whole long giant hour-long conversation marathon, in a thank-you note to follow up the next day, ‘Thanks for the fresh and original input.’ Same person who talked to me about Heisenberg and principle and got me to see the Danish view of things (‘Oh, really? MIT says that? Are you sure it’s all of the people at MIT who say that, and not just some of the people at MIT who say that, and yeah, there aren’t other people at MIT who completely disagree with those people at MIT? Think about that.’) This is going into the zine, S P A C E | Aarhus, by the way. Coming in December. But yeah. Input, of course software people love DK because we are a kind of arbitrary asteroid-quality sort of ‘input’ for them, and the innovative spirit feeds off of random encounters out of left field (and S P A C E). So yeah, back then, way, in 2015, as the autumn was settling in and I was getting set to return to Cambodia where it would be instantly warm again in not-so-many-days, I’d thought. That’s a new way to put it. And today, the phrase comes back, ‘Fresh and original input.’ Why? The conversations that we have in S P A C E-like rooms in real life as well as in our online forums are like that, to me, all he time. Expansive, curious, inviting, insight-making at their best, but also, just… fun. I’ve just found some new and fresh original input that I had talked about in the post about the music I found myself wandering into while in Helsinki on my last night, and today, I’d like to share a track from one of members, Esa Puolakka, of one of the bands (Maagine). I’m looking forward also to soon interviewing the lead singer, Matti Halonen, for our podcast. Watch this space. Meantime, I’ll leave you with this track from Esa… (For me, the two tracks on his soundcloud are so very much in the vein of ‘fresh and original input.’ So here we go, passing it forward, making it up, jazzy, as we go.) I’m looking forward to the new and the next. More soon, from S P A C E. Tuesdays at 7AM, in the e-box.

Zine launch: S P A C E || Helsinki

A zine. Printed, limited edition. Ready to share these with members of S P A C E who pre-order by 29 Sept. Don’t miss the chance to get a printed zine in the mail that tells the story ‘Julia Set’.

JOIN DK and friends at the launch of the zine, ‘S P A C E || Helsinki,’ a creative nonfiction short piece that will be distributed in very limited editions on the day. Your ticket comes with one copy of the zine, whose pages are filled with words and collages DK gathered in real life in Helsinki in June and August, 2018. The zine’s lead story is ‘Julia Set,’ based on a conversation with a mathemetician about possibilites and multiple dimensions, but there is also a more low-key dialogue in ‘Exit Vantaa.’ Find out more when you check out the related blog posts, liket ‘Exit Vantaa,’ DK’s music ‘mix’, at this page, and more is also online about DK’s zines in S P A C E.

Pre-order S P A C E || Helsinki here.

Prototyping S P A C E in Gangtok, India

LIFE. STORIES. Multiple, divergent, intersecting, and contradicting pluralities of narratives: the things we are pursuing here are not so much about gathering outcomes and publishing stuff that sounds and looks interesting (but has no content); rather, we want to invite into our innermost circles, in S P A C E, the exact kinds of new and different others who will show us, together, as we get going, in our conversations in the protected-page posts that constitute, as a set, the thing we call S P A C E, well yeah. All of it. Is a thing now. There’s a bulk to this that I can’t deny; a gravitas and a resonance that stays with people. They tell me this. ‘I really enjoyed that exercise you did; it was super relevant at the time, do you remember, you put us in groups, ‘Past,’ ‘Present,’ and ‘Future?’ asked my friend MR, whom I’d met at one of my events in Bangkok and who went on to join DK again at something called ‘16N‘ in that same city, the next year.

S P A C E || Bangkok // DK 2015
‘N’, the big blind date

(Honestly, we didn’t recall that exercise or think much about what it might have meant to everyone; at the time, we were just hosting, and hosting means you’re talking to people and making sure everyone feels included, that her or his voice counts, that she or he is invited to all the conversations circling about, moving, changing, diving into other spaces, letting that happen.

Afterparty for ‘N’ Bangkok at jazZ happens! // DK 2015

Of course the afterparty for ‘N’ there had to be at a jazz club: improvising in collage and collaborating with jazZ happens! there, that was also very fun. With both, it’s a jam session: making it up as we go, but also, playing off what we learn, together, from one another. Most importantly, there’s no hierarchy. It’s flat. We’re talking, together, in dialogue. Round tables. Let me tell you a bit more about this idea, of circles. (SN, watching Akira Morita in action one time hosting a meeting, had called it ‘circle time.’ We love circle time, here at DK. Why? Lots of reasons.’)

Real dialogue

‘Book of Blue’ is an art book, made in Bangkok, Phnom Penh. 2014

Dialogues that are really good are the kinds ‘with a center, and not sides,’ as William Isaacs, had put it in his book, Dialogue. How lucky I am to have been able to reach out directly to Isaacs, ahead of my conversation salon series, ‘Modern Sikkim: What does it mean to be Sikkimese?’ which had happened in Gangtok, Sikkim–a part of India that my relatives in Delhi aren’t too familiar with outside of an image of ‘the snowy mountains’. Well, wow. There is of course Kanchenjunga, but before I go marveling about the miracles of the Himalaya, and daydreaming about going back there in November (yes: mark it! Atelier S P A C E || Gangtok is in the works), well, yeah, so what was I saying? Oh! This: I’m lucky, very, I could ask William Isaacs directly, over email, in 2013, thinking hard about the design of Modern Sikkim and how to collaborate well and whom I should contact to make a go of it and what we would do in the spaces-to-become, well, yeah. How I could make such a conversation salon series work well was important to me. Researching that. Learning what to do in the instance that someone tried to be overbearing (this happens a lot, in societies where there are hierarchies established from social class, economic status, or hey, let’s be real, male and female gender roles), all that normal stuff you have to figure in, and be ready to take on, when it does hit you, all that. And I remember the email coming back. What a good feeling, to get a note from the internet to say, Just do what you’re doing and here’s some more stuff to think about, more or less. Well. What a nice thing to feel reassured that no one knows what’s on the way, not ever, not fully, but that allowing things to pop up by hosting a space that is inviting, safe, comfortable, relaxing, and readied for the things-that-might-happen, well, that’s the work. And the art. So it began. A journey into making more and better such space, or, as I call it now, S P A C E. I’m the architect of it; we follow a checklist, it has 7 points, to do this in a way that works, in DK’s style. Which is what? Well, you can read my personal artist statement thingy at this website, if you’re curious about what interests me about gathering people in these ways. ‘I want people to relax. To feel air, space, and comfort.’ Find it in context at dipikakohli.com.

Modern Sikkim // DK x Echostream 2013
Gangtok roundtables begin with the conversations about the role of government. Over chai and biscuits. Doesn’t everything good start with ‘tea talk?’ I think so. // DK 2013

But in the meantime, there’s this.

Philosophy of the moment

8 October

GETTING SET. For our first-ever online salon, ‘Philosophy of the Moment.’ In which we’re going to share all of the best learnings and gathered notes from our decades-long pursuit of the big questions, ‘What are we doing here? What does it mean? What is ‘good’? What makes it remarkable? What does a meaningful life look like? How can I make changes so that I can better enjoy the life I have? What does it mean to love? How does it feel to let go? Where are the important notes to carry forward? What kind of legacy do I want to leave? Who am I? Who am I, apart from you? What is my role in society? How am I doing, and where I am going, and does it mean much to consider these questions, and besides, what is ‘time?”‘ What’s this all about? Find out.

Writing and designing, connecting and discovering in Aarhus, 2015. This was where we learned about ‘relational art.’ It’s been all relational art, everything, ever since. (HT AP, BM and SCH).

 

At rest while in motion

CHECKING IN. Catching up. Conversing. In real life, on voice, through the space that is the forum ‘Slow Moment,’ and, in this odd but one:many way, through the blog. It was 2006 when the blog began; I remember. I had been to Gnomedex, a bloggers’ conference (HT CP), and while everyone else was on laptops typing and talking on twitter, I think, (‘this is the backchannel conversation,’ someone informed me, educating me on this digital stuff like no one had at my newsroom), I was there with an old-fashioned reporter’s notebook and a pencil. The notebooks had been in the closet in the storeroom at work. Work was a newspaper. A daily. I went daily, to write things. But the things that we were writing had, I saw fully and clearly, no relevance or bearing on this other group of people. The people who were writing what was going on now. In new ways. Ways that I hadn’t been even remotely aware of. Those of you reading who are digital natives, be forgiving. I am ill-adapted to the modern modes of communication, sorry.

 

 

This used to be ‘high tech’.

 

 

 

Salon: Origin

ORIGIN: ‘What is fromness?’ is inspired by ‘Ask me where I’m local’ by Taiye Selasi: ‘When someone asks you where you’re from … do you sometimes not know how to answer?’ Selasi speaks for “multi-local” people. In other words, people who feel at home in the town where they grew up, the city they live now and maybe another place or two. How can I come from a country?, she asks. How can a human being come from a concept?’

Origin: What is ‘fromness?’ Join Design Kompany in an informal setting for a conversation salon, ‘Origin.’

We’ll be talking about questions that help us all reflect on self-identity, whereness, and the notion of ‘where I am from.’ The program is light, and a slight redesign of our 2014 Origin conversation salon in Phnom Penh, in which 16 people gathered for an unusual experience of talking with complete strangers about close-to-the-heart questions. Since then the event has also been seen in Bangkok and Hanoi.

Come meet people from a wide mix of backgrounds. People whose paths you might not have crossed. Who are interested in taking a good, honest look at questions like: Who am I? Where am I ‘from?’ Who is my family? Where is my home? Questions that, we learned in 2014, truly open the heart. And help us learn more about one another, as well as ourselves.

  • ‘I never imagined I’d meet so many different people.’
  • ‘I wish we’d had more time! Thank you.’
  • ‘Weird and interesting!’
  • ‘Refreshingly honest.’

This event is for members of S P A C E and their guests. Learn more about how to become a member of S P A C E here.

S P A C E || Finland

Printed set of limited-edition zines from the new collection, S P A C E || Finland. For members of S P A C E.

Join S P A C E here.

S P A C E || Pappila popup

YESTERDAY EVENING.

Did a popup art installation here in Kärsämäki. Zines. Sketches. Magazines. Collage.

Three people put stuff together with DK’s zines and we made a tea room out of the front porch.

There are literally like 23,004 tea cups, saucers and related in the kitchen here. I think this place was originally the kind of spot you could stop in, whenever you felt like a chat or the need to unburden, and have a cup of tea.

Or twelve.

The Pappila Popup was fun.

It looked like this:

Popup at Papilla // DK 2018
Zines and magazines // DK 2018

This all started when about 4PM, I noticed a bunch of people beginning to turn up. Cars everywhere, suddenly it felt like the parking lot of some kind of a carnival. Then, there began a parade of *taxis*. Taxis out here in rural northern Finland are *giant.* They are bigger than minivans. They are serious things, elephantesque but black and yellow, that look like 12 people would be inside but then, only 2 emerge.

This whole thing was a ‘happening,’ as they say here in Finland. The actual happening happened to be a music concert. I’d heard about it since I got here–music, concert, August. But given the relatively small turnouts for most things I’ve been to now, I just had no idea there would be some 100+ people popping in. My hunch is that people
drove from far and very far (no big deal in Finland to take on long, long road trips, ‘Thanks for the offer to stay, but why would I need to overnight? It’s only 140km from here.’) They came to hear the music of Arja Korieseva — Elämäni Laulut. Glad to see so many people looking happy and enjoying themselves, the music, and the sun. And a few who popped in to say ‘hei’ and join us for tea. (Kiitos! You know who you are. Hyvää. JooHT Kaltio Magazine, At Johan’s, and Kattilakosken Kulttuuriosuuskunta.)

Secret event ‘Kesämuisto’ *happened* in Kärsämäki

Thanks! We had nice time and a private event. Come and view the zines on display through the end of August.

DK’s newest zines to be released at a launch party *soon* at At Johan’s KesäKahvila

 

‘Will you come to Oulu or Helsinki?’

YES. The first stop will be 16 August at Oulu Arts Night and then 29 August we’ll host ‘N’ Helsinki.

Read more >

Next up: Hei Kesä at Oulu Arts Night. Checkit!

 

 

Online conversation salon S P A C E || ‘Slow Moment’

When we slow down to look, what might we see? How do we make time to discover the new and different?

SLOW MOMENT. SLOWING DOWN SEEMS to be a theme coming up a lot in our S P A C E conversations in breakout spaces. So let’s talk more about that. Let’s set the stage for our ideal place and time to relax into ONE moment. Not a million, not five, but ONE. Says host of this programme, DK’s A. Spaice, ‘To commit to it, I feel, you need it to be just one thing. I think part of slowing down for me is eliminating the excess. That way I don’t get so overwhelmed. How does it work for you though, I’m curious? Slowing, I mean. Let’s talk ‘Slow Moment’ this summer in S P A C E… How do you find it? Where does it start? When does it end? What are the qualities of it that make it great? Can you set it up to *make it happen*?’

For this programme, DK will weave in real life conversations happening in Finland through June, July and August with these online forums; we’ll discover through the medium of photography how slowing into a moment can happen when we look for the quiet spaces through the viewfinder. Slowing. Stilling. For the awareness and the art to seep into the frames. Just 8 spots. Questions? Send us an email.

Participation in ‘Slow Moment’ begins with an application. Apply here.