Original photos from Vietnam News Express and Vietnamnews.vn, styled by DK
And we’ll grow it as a moral force in the world, finding out those terrible things before anybody else knows about them, and sending our response to them, so that next year, instead of us meeting here, lamenting how many terrible things there are in the world, we will have pulled together, used the unique skills and the magic of this community, and be proud that we have done everything we can to stop pandemics, other catastrophes, and change the world, beginning right now.
Phát triển nó thành lực lượng nhân đạo trên toàn thế giới, tìm ra những thứ tai hại trước khi ai đó biết về chúng, và gửi sự giúp đỡ tới họ, để trong năm tới, thay vì gặp mặt nhau ở đây, than thở về bao nhiêu điều tệ hại trên thế giới này, chúng ta sẽ hợp lực cùng nhau sử dụng những kĩ năng độc nhất và phép lạ của cộng đồng này, và tự hào rằng chúng ta đã làm hết sức để ngăn chặn các đại dịch bùng nổ, những thảm họa, và thay đổi thế giới bắt đầu ngay từ bây giờ.
The global pandemic your father believed was about to emerge. What factors determine the duration of a pandemic? A pandemic occurs when an outbreak affects many people over a wide area. There is plenty of evidence to support economic arguments for pandemic preparedness. Experience with past pandemics she says , show the H1N1 virus is likely to take on the behavior of a seasonal influenza virus and continue to circulate for some years to come. What factors determine the duration of a pandemic, we don’t really know. The cause of the devastating Spanish flu pandemic of 1918 was initially unclear. And it’s now not just the nuclear threat; in our interconnected world, network breakdowns can cascade globally; air travel can spread pandemics worldwide within days; and social media can spread panic and rumor literally at the speed of light.
Đại dịch toàn cầu mà bố cậu tin hoàn toàn sắp xảy ra. Các yếu tố nào quyết định thời gian kéo dài của một dịch bệnh? Đại dịch xảy ra khi nhiều người nhiễm bệnh trên một diện tích lớn. Có rất nhiều dẫn chứng có thể hỗ trợ cho luận điểm kinh tế của việc chuẩn bị ứng phó với dịch bệnh. Theo kinh nghiệm từ những trận dịch trước đây bà cho rằng vi-rút H1N1 có thể chuyển sang dạng vi-rút cúm theo mùa và tiếp tục diễn biến trong vài năm tới. Chúng ta thực sự không biết những yếu tố nào quyết định điều đó. Nguyên nhân của đại dịch cúm 1918 ban đầu không rõ ràng. Giờ đây, không chỉ là hiểm họa hạt nhân; trong thế giới kết nối của chúng ta, sự sụp đổ internet có thể diễn ra ở phạm vi toàn cầu; đại dịch có thể lan khắp thế giới trong vài ngày bằng đường hàng không và mạng xã hội có thể lan truyền sự hoảng sợ và tin đồn với tốc độ ánh sáng theo đúng nghĩa đen.
I’m in Ho Chi Minh City (‘HCMC’ is this city, if you’re not familiar with that acronym).
We’re in social distancing, currently, and have been, since the beginning of June.
So many emails. So many zooms. I’ve had time.
Been writing the updates, but felt like starting a brand new slate for sharing online with those whose paths I haven’t crossed in some giant stretch of time. (Could you resubscribe to the mailing list if you want to keep in touch?) Cool.
‘The most vibrant and economically wealthy city in Việt Nam has offered financial aid* to help people whose incomes have been slashed due to the city’s 14-day lockdown.
‘When HCM City coughs, the whole country feels the cold. Its daily number of positive cases this week has been consistently above 1,000 and topped 2,000 on Wednesday.
‘The Ministry of Health continues to send medical teams with doctors and other health personnel to help HCM City fight the pandemic. More than 7,000 medical students have been added to the health force to start work in the city’s quarantine camps and hospitals.’
“When a horse is sick, the whole stable feels the pain, goes a popular saying,” writes Nguyễn Mỹ Hà.
*Friends tell us how hard it is to do the paperwork to actually get to any package that might come out, and some people are waiting and waiting for previous similar things to come to fruit, is the word on the street, to our knowledge. Meantime the need for cash is real. So here’s what’s up…. Social sustainability-shaped things, up next, in S P A C E. This is where DK has been taking shelter since the outbreak of the virus, and thanks to help from friends and neighbors, gotten by with… being in a foreign land, unplannedly. Now, this. Support DK’s own effort to create small, paid writing and design commissions. These would be for people whom we have gotten to know and whose work we value and even cherish, at Atelier S P A C E Ho Chi Minh City. See ‘Book of Feelings’ at our recently updated crowdfunding page. Here is a link.
I told you about it? About #newcuizines? I’ll be curating here and there some of my favorite food-related [various media pieces] and original stories from the kitchen-atelier of our studio itself. Atelier S P A C E, because. Cooking. Is happening. It has to. There are no take-aways allowed and so, um, you have to prepare things.
I’m glad I have a kitchen, to do that. I’ve made some [deleted]… but these look pretty good…
Yes, you know I am not a foodie. But I do like good food. I mean, eating it. How could I not after three years in the gastronomic paradise of West Cork, Ireland (thank you lads). Well. After all that, I am in Vietnam, one of the most brilliant places to be for food especially if you want to see how creative everything can get with texture, color, composition. Style. I’m enjoying it. Continue reading “I <3 New Cuizines”
This week is an exciting one for us here at DK. Not only are the beginnings starting to finally begin, regarding the inventions for another year of waiting for things to come to a place of, well, ‘normal’ is the wrong word, but perhaps ‘familiar’ works…. familiarity.
I was taken on a journey that transported me out of Vietnam, but also, outside of all the usual boxes that you can find even when you leave the nation-border box. (HT Jiddu Krishnamurthi) For example, the strict thinking that keeps us from trying new things. All the feelings that I have been having here in Vietnam on my own, for a year, unable to articulate because of English I got to completely open up and share. That was amazing, and I got to hear, moreover, something in exchange. These exchanges are what I enjoy most about making S P A C E. They—the exchanges—are, after all, the whole point of it. And fun. ‘If it’s not fun’, as Boss says, ‘then there’s no point doing it.’ Thanks to conversations with MB this year, though I am coming out of the cave. It’s nice outside. Sunny.
This week’s issue is inspired by many, many conversations of the variety that those who know me personally know I like to go into. A kind of meander. A peer-to-peer ‘let’s just try this’ jazzy improvisational kind of moment. A flurry of them, occasionally you get those. Snowlike. You see. Even this paragraph is what it feels like, to be with us, when we get together, and talk together. In S P A C E. More of this is on the way but just for those who, well. Show up. I’m tired of trying to get people to ‘see the value’ because f it. I know the value, and that’s enough. So here we are. And here we go.
The next thing you’ll see in S P A C E will be art directed by our 2020 collaborators in S P A C E, AD, MT, and MB. And I’m working on that, today, to get set for sunset viewing at my favorite local.
A good moment.
Knowing what you want, and doing those things. Mind, it took a lifetime to learn my favorite things…
This week, I present, S P A C E | HCMC, ‘More together.’ With a cover image by HN. The words on the cover say ‘Happy New Year,’ as we’ve just seen the amazing celebrations, in a lower key than usual owing to a recent covid outbreak. Seems it’s ‘under control,’ according to the news, so out to the streets, cautiously, we may go.
A two-year roving popup ‘zinemaking’ program, Atelier S P A C E, is currently parked in Ho Chi Minh City, Vietnam. From here we are co-creating zines with our new friends and acquaintances in this city who are interested in writing, design, art, graphic design, illustration, and photography. The idea isn’t for us to ‘teach’ these skills. It’s for guests to have a chance to truly collaborate, in the fashion that is uniquely DK’s. In S P A C E.
WHO THIS IS FOR. It takes a very specific sort of personality to show up for our style of collaborations, in our studio’s ateliers. We started in Seattle in 2006 and are heavily influenced by the agile design methods we learned there, mosty by osmosis, at a time when ideas and enterprise and thinking together with our clients and teammates was working really well. Things change, shift, and here we are.
A VIRTUAL PROGRAM. Discover our process, by taking part in a short-run version of our explorations in collaborative writing: the Cojournal Project.