11 Nov | An Art of the Moment

Many people have asked me about how I manage to ‘get so much done.’

The truth is, I really just focus a lot. On S P A C E, lately. To show the process–something that I am prone to do if and only if it feels like a good time to open the doors a little to the studio and share what’s gong on–I host events.

Occasionally, they happen in a way that’s 100% online, and the thing coming up is one of those.

So here we go.

This is the thing…

//

See how S P A C E works.

About this Event

A real-time conversation taking place–online. A DK-hosted synched space of connection, conversation.

Learn how S P A C E has changed since it started out as a working prototype in a ‘cojournal’ project by Dipika Kohli, who is the creative director of DK. DK has been publishing S P A C E every week since December 2018.

You’ll get to see how, in this experiential program, which will happen in digital space. For just 2 hours, on the day.

#trusttheprocess

S P A C E | Phnom Penh, ‘Miniparty’

LET’S TALK ABOUT learning. How we discover, find, and make new connections. Ideas, shapes of thinking and the input that comes from places that might not be the ‘usual’ ones.

No more boring meetings: What are the containers that make great conversations *happen*?

Conversations that lead to better collaboration and better work? Those are important. Let’s not waste time. Let’s make things better, together.

Better and more enjoyable: that’s the key.

How do we design the S P A C E that lets fresh thinking flow?

Let’s consider. Let’s discuss.

Min 2. Max 10.

WHAT YOU’LL GET. DK will share very short introductions to design and lateral thinking methods, including:

  • Grice’s ‘Maxims of Conversation’
  • Six Thinking Hats, a method of opening dialogue.
  • The Open Space Technologies how-to.

This mini-conversation will be hosted by DK’s Dipika Kohli. She has delivered seminars at University of North Carolina-Chapel Hill on the topic of Design Thinking, a series caled SELF as a 9-week experiential program at Stanford University, and for an architects circle in Seattle DK was invited to present, ‘Just Be You.’

LEARN MORE

DipikaKohli.com | Processed Identity | GOOD | UNC-Chapel Hill | ThisBigCity | DesignKompany.com

How to be part of New Chapters

Alright, it’s starting to get interesting now.

I did this before, with a clunky start, in 2014. Cojournaling.

That was fun, but also, that was a little bit underdeveloped. Naturally.

Who wants to overdevelop something that’s going to be a fail? Let me talk about agile publishing another time with you. For now, I’m just reporting that we are underway with a very new approach to creating new things. With people. In S P A C E.

Talk to me about digital publishing, the use of interactive tools, and even real time conversations online and on calls. And of course in real life. How could I ever pass that up? Yet… somehow… it’s happening. People don’t come to the events I suggest these days, even fewer than before, and it’s not because they don’t want to, I think. It’s… anxiety.

But that’s not my problem to solve. I’m making papers. I’m writing books. I’m sharing stories. I’m doing S P A C E. So I had to adjust.

Honesty

We are here, are we? At the point in the modern era where it’s too hard to even show up in real life. That’s definitely very depressing, in a big way, for me, because I love the improvisation of real life and the jam sessions associated with them that just, emerge, !*, on the spot. But I’ve decided something recently. I’m not going to let that self-stunting that other people may have get in the way of my moving forward and continuing to make. I just have to be a little more resourceful, now. Can’t just show up and see who’s there and make something on the spot, necessarily. (It does happen, but… yeah. Less often. And with less focus. Because everyone has a silly little computer in their pockets. I don’t have one, if you were wondering).

I write. Lately, more private writings, in more secluded sharing-spaces. Still discovering, still learning. Still at it. But, selectively, quietly. In S P A C E.

If you want to know more the best thing to do is subscribe.

More from there about how to get involved in the ‘Trust the Process’ adventure that is turning into quite the ride. I’m jazzed. Thanks to a small group of you, who have helped me learn how to do all the things I needed to do in order to understand this, it’s about to get really good now.

Here we go.

http://chuffed.org/project/spacethezine

Trust the Process, Section D

Co-create a mini-mag, S P A C E, with Design Kompany.

This is a conversation space that is available for subscribers of S P A C E to also have a chance to get to know one another, in DK’s online forums. International. Asynchronous.

Weekly.

Sometimes conversations get very interesting and we invite people to collaborate to make an issue of our mini-magazine, S P A C E.

  • This is our online store.

DK are seeking people who want to write, and connect, meaningfully and in new ways, with one another.

Experience it.

HOW TO TAKE PART

{Note: As of October 1, 2019, we are *only* inviting members of S P A C E to co-create with us.) Learn more  and register by signing up for ‘Trust the Process’. There is a new line item, ‘Trust the Process,’ at our crowdfunding page: subscribe to S P A C E and learn more about what we are making–> Learn more and sign up.

How we’re making S P A C E on the road

Best part of making S P A C E is the chance encounters, stories-in-the-field, and finding out of things that happen when you simply create a bounded box of ‘where’, and ‘when.’ To show up. And see. What the things that are there (and also within, and so many more things to say about this), can tell you. ‘See what making S P A C E can reveal to you about… you.’ That’s what I had once written and shared on a website page that existed far away from this one, in another time, another moment, when I still believed that most people want to do the hard work of reflection. And trust me to help them do that. But what I found is it’s far too hard to do this, let alone subscribe to someone else’s method, and when all that happens, you also have these moments of deep metaphysical questioning, and sometimes that gets a little tricky because we have a lot of things to bring up and some of the time it’s not comfortable.

 

‘Bigtalk’

Talking about business and talking about ‘tasks’ and talking about ‘things to do in order to reach success’ are more often toted into the public spaces of conversation. (Which I find terribly boring.) Rather, what if we could make more S P A C E for connexion, on a different level. Talking about ‘purpose,’ for example. ‘Values,’ and ‘drive.’ Where this picture was taken is where for a little more than two weeks Design Kompany designed, hosted, dialogued about, and conversed deeply about things related to these latter. Who we are and why things matter most to us, in these instances of sharing in the bounded box of time and space, for the Atelier S P A C E that invites us to look at things but also to let go of the looking, and just engage and enjoy whatever falls into the space, too…

 

Quieting, stillness

This one was really good. I’m going to write about the things we uncovered in a future zine, set in the town where this picture was taken, and made in this very space. Writing. Designing. Editing. And most importantly, thrashing ideas about. But then, letting go of them, too, and feeling the way towards the rightness of the things to share. Sharing.

More is awaiting. In the ateliers to come. And in the conversations shaping up through the online zine S P A C E, and its attendant small circles of communities too. To the journeys, then. The near, the now, the next.

New traffic

I REMEMBER THIS. Spam comments. Requests for jobs at DK. This must be what happens when you start blogging again. I mean, like really blogging, not just writing the clickbait-y stuff that I think so many people who write blogs that are professional service company people with a ‘plus a blog with them’ do. I mean, it’s easy to get caught up in that. Writing isn’t easy. Writing is work. Writing for the sake of what end, you wonder, and so, like everyone else, you turn into a market-markety bloggy-blog. Which is terrible. Because it’s not just irritating to find silly ad-like links everywhere, it’s also bad art. Bad art isn’t acceptable, so let’s move forward.

Shifts

Am reading about social capital. And how capitalism has taken what used to be stuff we did for each other because we’re human beings, and commodified it.

Social capital is, for example, when we take care of each other’s kids. When we help one another with homework, do the work that it takes to go out of our way to help someone else out with finding lost keys or getting to the next city or taking the right bus or whatever. Social capital is when someone kindly invites you to dinner when you know that all the restaurants are going to be closed because it’s a holiday, and nothing is open for five more days which means you’ll be stuck at the ‘mart’– which sells more processed garbage and smells, when you walk into it, like Capitalism.

[Long-winded side rant deleted]

And social capital is this kind of thing, the soft architecture of spacemaking: making space that is, for one another. To reflect, to share. All those old dialogue roundtables we did before, I remember some of them were very, very interesting, were a kind of ‘public space,’ the very sort that we need if we want to find ways to feel more connected. Like the things we are here for matter. Like we’re part of something more than just the day-to-day of churning out ‘stuff’ in exchange for our time. Selling our time, that is.

Being there, closely. Listening, and participating in the creative process of Life… Oh, no. I’m getting lofty again. (‘Come off the mountain, DK!’) Right, right.

I’m making this new stuff because I want to add more social capital to the pot of the ‘stuff’ that’s out there, now (which is largely boring, to me). I don’t go to networking events. Or weddings, if I can help it. I try to avoid all social chatter that revolves around ‘like-minded people are gonna be there’ because to me, ‘like-minded’ is an echo chamber I don’t wanna step into. I’m interested in the mix. The flow, the journey… But if you know me, you already know that. If you don’t, well. I guess I’m writing, at the moment, for the people who know me or potentially might—let’s see. The internet, as much as I give out about it, has made it possible for me to meet new people on the road in the very kinds of journeys that I’m also on… I don’t mean ‘like-minded,’ here… I mean, more of… the questioning, quest-y types… Not for everyone, of course… but. About 1 out of 100 will be reading this far. And looking for the ‘what do I do now that I’ve found you?’ call to action. (Is this you? It’s around, somewhere, I promise.) If it wasn’t for the internet, I’d probably still be thinking that my job at a daily paper was ‘creative.’

No.

But through the process of trusting the process, I found out what is.

Writing. Sharing. Every single week.

New currencies

Okay, then there’s the whole thing about what to do when we start to charge everything for everything, like, you know, babysitting and homework help and stuff like that. I mean, sure, we all have to earn cash because that is what it’s about right now, cashy-cashy. Still, I think we can start trading in something that is more old school. The currency of trust.

Why? Because, despite the worship of those little pieces of paper that we give and take from each other (more and more facelessly than ever, sadly, I feel) it’s not like we really need cash to get things to happen. We need trust. Like old times. We need to know who we can count on, and for real. To do things. Make things. Move around. Discover. Make time for each other. Be. All of this is what leads to stillness and reflection. And that leads to better art. Design is only a means towards getting to the better art. Art, art, art, ladies and gentlemen. I am not talking about what someone decided was artistic and put into a fancy pants gallery, either. I’m talking about stuff that moves us. makes us sing, connect, feel, and even brings tears to our eyes because it shows us our own…. there’s too much to write here and if I’m writing in this public space, which it looks like I don’t see the reason to make this a protected page post because those are reserved for the conversation-continuing, not starting, and what I hope to do is maybe make a few new starts, here. Today or soonish. But they have to be good starts. They have to have art in them.

My parents told me that I shouldn’t study art, so I went to engineering school* and then I worked for some architects, and then two different newspapers (fortnightly, daily), and then I started a design studio, and here I am writing away about art. All of the past experiences have informed the ways to design structures in which we can most excitingly discover the concepts that lead to great works. That’s important. Scaffolding. For S P A C E for ex. I’ll need to talk about it, sometime, if you are one of the people who are wondering how to connect with us in a better way than just reading this blog sometimes. There’s real stuff, it really is cool. It’s working, it’s been working, and there’s… a new beginning. And more…

*Looking for samples of what different bridges look like? This is a cool site.

‘More of what, though?’

Existing more artfully, in the same exact time frame, means you get more. Experience something fully by focusing on it, while you’re in it, and not getting distracted by all the so-called possibilities and ‘options.’ Sorry. I just don’t. Get that. I like to go with it when I know there’s a beginning there, that feels right. That works me, challenges me, instructs and delights, and best of all, delivers—all that is ahead, for me, is the quest of this kind of ‘more.’ Not more stuff. Not more friends. Not even more… anything, really. So what am I after, then? What am I questing? Questions. And people who ask good ones.

So far I’ve been very lucky. There is… an ambient… community. Behind the scenes here there are a small group of us talking together in very intriguing, even intimate ways, even though maybe we’ve never met in real life. Real life is the best channel, of course, but when we can’t have that it’s nice to have this and then gear up towards having that, one day. It does happen. It’s great. S P A C E started in 2014. So. There’s that. And most importantly: there is trust. Trust is what we’re dealing in, like I said. Trust trust trust trust trust is what we human beings always went with when it came down to it: ‘Do I believe you? Are you reliable?’ Please don’t act like you’re interested in what I’m making when we first meet and then turn out to be a really flaky flake: that is a huge, huge pet peeve for me. Be real, dude. Just: be real.

 

Towards a better art

Art! So much to talk about. I did go to a fancy art school for like five minutes but dropped out because it wasn’t where the meaning was getting made, it was where old, dying ideas about what is ‘good’ were getting pushed on young people who would go on to do, what Banksy wrote in something somewhere, the kind of work that just isn’t art because (and I’m paraphrasing) the best minds went to work for people who used them up to get us all to click links and buy stuff we don’t need. I left art school to take up odd jobs and then go travel, and then, more stuff, but yeah, it was a lot of movement, there, fora while. To quest the artful. I used to have two big categories at this blog, before it got deleted accidentally (long story). The categories were: 1) In Search of Meaning and 2) In Pursuit of Beauty. Then I think there was Found and also Trust the Process. Mostly still probing in these four compass points, about a decade and a half later.  Maybe we met in 2004 at something like Biznik. Maybe we met last week in Vietnam. Wherever you come from, wherever we’re going, we’re at this journey that I’m really excited about, that’s coming into shape quite nicely, in S P A C E. And since those four original points of query were so important then, is it any wonder, then, why we are talking together in online spaces in protected pages about existential philosophy, aesthetic moments, relational aesthetics (HT JB) the work of design, the meaning of art, the value of money, and much more related tangentially to these ideas?

So many philosophy magazines are a pile of junk, I think: they’re… well, let’s see… to put it bluntly?… they’re… just quoting the same old people saying the same old things, from a bygone era. (I have a habit of doing that sometimes, but some of us and I’m assigning myself to this role ought to be seeking up the new philosophers and publishing them: new voices, from the not-mainstream). Our real cool contemporary and updated modern philosophers are right here, amongst us here and now, talking, every day, about the way it all unfolds or doesn’t… I’m rambling. Oi. I’m going to stop now… Because. Art is the point. Not me making a point.I don’t wanna go down that silly path of logic-worship. Intuition is better. Intuiting the ‘rightness’ of things… and falling forward, towards them. Forward motions.

Such movements, after all, for S P A C E, are the point. So much to say. Will save it all up, for ‘Postmodern Nomads’, and the invite-only sequence ‘Strange Geometries II’. These new bits and pieces and unfolding meaning-making  conversations to come in Spring 2019, with the launch of a new series in S P A C E, ‘The Book of New Things.’

S P A C E QUESTS S P A C E. All of this to say that you can join the conversations, but please note that you have to be able to add to what we are doing. Contribute ideas, words, time, show up for stuff, be there. Be part of the journey. Fiscally that’s fine, that’s one kind of contribution, but we’re wiling to take trades of all kinds. Always. That’s the new thing, around here; trade something for us, for S P A C E. It can be what you think makes sense. Bartering around the world, we are, lately. I’m serious. Banked on it; it’s working. Trust. All the conversations that have built up in meaningful ways to date over these last four years as we prototyped and pivoted, tested and scrapped dozens of failing directions in order to come up with the theme, the concept, the sequence, and the small team that is the right one for us here at DK, well it’s a lot. But yeah. They started with: showing up. And conversations that go somewhere.

Social capital. Is that, and so many other things, enfolded into its coat sleeves, pockets… places we’ve forgotten about as we chase the bigger kind of more prominent style of ‘more.’ (Fame, money, popularity, all that stuff). But… let’s be real: social capital, the good stuff that it brings to us, and the community it builds, is the most important kind of ‘capital’ there really is.

 

Feature illustration: By Dipika Kohli // Phnom Penh 2015

S P A C E | The State of Publishing

JOIN DK and friends in HANOI for this unique conversation salon on the state of publishing.

LAST SEEN IN DURHAM, NC, when DK and bloggers, editors, photographers, and writers had gathered at Mercury Studio for a short, packed, nonlinear and very frank conversation about the state of publishing. Some of the outtakes informed how DK evolved into the zinemaking atelier that we are today. It’s remarkable to note that we still have the honest, real, and relevant conversation notes: they still hold, today. I’ve been going through this right now, as we look at our archives and get rid of most things that are no longer part of what we are doing here at this studio, but wow. The conversation salon, ‘The State of Publishing,’ was, by far, one of my favorites.

Maybe because I worked in newspapers before DK.

Or because I love community publishing.

Breakout groups at State of Publishing roundtable, Durham NC 2012

Lately, reading and learning about how to design for the aesthetic moment. More ahead, if you are part of this online conversation that we are getting going now, in small circles, in our eZine and its attendant forums, S P A C E. More here.

Inspired by the things that are popping up now as we review our past works in salon making and the outcomes that came from those, I’m interested in convening more people gain for a conversation about publishing today. This time it’s 2019. This time it’s not Durham NC but Phnom Penh. I’m looking for people to co-host this with. Are you curious? Get in touch. This is the beginning. Let’s converse. Let’s play. I’ll personally be there to host this event. Ask me anything about vector art and image trace: I’m lately getting super into these things. Design. Zines. DIY-style publishing.

Who else finds this intriguing? Let’s find out.

 

S P A C E M A K I N G

It’s become clearer to me that my job is to continue to do this: to make space (ie S P A C E) for a conversation that stretched across the different disciplines, and even connected some people who never had met but who had lived in Raleigh, Durham, or Chapel Hill for decades, was great. I want to thank some of the people who were there, that night: Laura Ritchie, a curator, who was one of the most supportive of DK’s projects in Raleigh-Durham NC; Michael Faber, a designer who also came out to many of our meet ups to see what we were doing and share what he was up as well; Clarion Content’s editor Aaron Mandel, who gave us shout-outs sometimes when we least expected them, theIndependent Weekly‘s then editor Lisa Sorg for showing and and lending the voice of that paper; and Paul Deblinger for telling me to go and read R. Pirsig’s ZAMM (and insisting, and that, in the end, led to the things that came from there: journeying, the road, adventures, the rest).

Disparate voices convening in the forerunner of what’s now S P A C E: that was the point of it. That was the goal. Getting together to learn from one another. Be inspired. Share. The actual learnings, in real life, where it’s not packaged into things that go out as blips into social media feeds. Instead, it’s a conversation. Lately, reading and learning about how to design for the aesthetic moment. More ahead, if you are part of this online conversation that we are getting going now, in small circles, in our eZine and its attendant forums, S P A C E. More here.

Inspired by the things that are popping up now as we review our past works in salon making and the outcomes that came from those, I’m interested in convening more people gain for a conversation about publishing today. This time it’s 2019. This time it’s not Durham NC but Phnom Penh. I’m looking for people to co-host this with. Are you curious? Get in touch. This is the beginning. Let’s converse. Let’s play.

–DK

 

RSVP…

RSVP to make sure you have a spot. Limited seats. Advance bookings only.

YOUR HOST…

DK’s Dipika Kohli will host this event. ‘Ask me anything about vector art and image trace: I’m lately getting super into these things. Design. Zines. DIY-style publishing. Is this of interest? Let’s find out.’

 

LEARN MORE ABOUT DK’S SALONS…

Processed Identity | GOOD | ThisBigCity

#innovation #design #designthinking

Photo: Design Kompany

Currently: Making S P A C E in Việt Nam

DK are on the road. Indefinitely. Again.

Putting all the stories together in-situ, both for friends, for editors I know and whose work to help me make things better is very much welcome and valued, and for the guests who are part of our online forums and are subscribers to our online community, S P A C E.

Progressions

Without S P A C E conversations, things wouldn’t develop or progress: we wouldn’t have richness and complexity, and continuity, without which stuff just stays superficial and boring and rah-rah ‘be like me’ style of blogging or lifestyle crud that doesn’t help anybody in any way at all, if you really look at it underneath the veneer. Who wants to read a blog or writing by someone they don’t know? Think about that. That’s why I’m focused *only* on writing my very bestest stuff for S P A C E. And friends. And, of course, collaborators.

Coming up to the middle of February and we’ll start sharing the on-the-road zine-making progress in real life at popup salons in cities and towns around Việt Nam.

First one is set for 19 February. Today I’m inviting a handful of curious people I’ve met in recent weeks, who are based the city of… well. You can click the link.

 

Next

I’ll be editing and cutting, pasting and sewing, these into miniature books and sharing those out by postal mail—yes!—since the service is excellent here, at the end of my time in this country and before the next one. So as to make more and better—and different-er—S P A C E. Follow the story–and be a part of it (interactive forums starting soon)–when you subscribe and get our weekly zine.

 

 

S P A C E | Rovaniemi, ‘Arctic Circle’

‘… published books…’

‘…’

‘Wait. Have you published a book, DK?’

‘Yeah.’

‘Well, is it on Amazon?’

‘No! I don’t like that company ! The way they treat people and–‘

‘Listen. Amazon’s not going to change and people are still going to use it, whether or not you have qualms with the way they treat people. So why not just use it? Why not make money on the side while you’re doing these other things?’

‘Nobody buys my books ! Hardly.’

‘Well somebody does, right? Somewhere, sometime.’

‘Usually if I meet them, then yeah, it’s so… interesting… it’s like this one-click thing and…’

‘Well, yeah. And why not let yourself benefit from that, instead of just keeping everything on some obscure website in a hard-to-use way, because you disagree on principle with Amazon?’

 

‘The man’ vs the individualist

‘I see your point.’

‘You do?’

‘Yeah, yeah. Selling isn’t bad. But I just don’t wanna use Amazon. I don’t like how they put me next to the other titles and I totally don’t want to be in those pigeonholed categories. So I’ll just make S P A C E. Every week, and see what happens and get to know more about it and see, you know? See.’

‘But, what you really need to be doing is writing another book.’

‘Oh.’

‘…’

*beat*

‘What?’

‘I feel like just making more zines though.’

‘…’

‘A book is a commitment. And no one reads my books.’

‘You don’t know that.’

‘That’s, um. That’s true.’

‘…’

‘So what are you going to do?’

‘Write. And let it happen. Whatever it is, it is.’

*winging it*

Order this issue.

Get our weekly zine S P A C E, sent directly to your inbox every Tuesday at 7AM USEST. Subscribe here.

S P A C E | Aarhus, ‘Janteloven’

A zine about ‘The Law of Jante.’

You’re not to think you are anything special.

You’re not to think you are as good as we are.

You’re not to think you are smarter than we are.

You’re not to imagine yourself better than we are.

You’re not to think you know more than we do.

You’re not to think you are more important than we are.

You’re not to think you are good at anything.

You’re not to laugh at us.

You’re not to think anyone cares about you.

You’re not to think you can teach us anything

This is the law of Jante.

 

Get ‘Janteloven’ when you subscribe to S P A C E. Subscribe here.

S P A C E | Aarhus, ‘Janteloven’

A zine about ‘The Law of Jante.’

You’re not to think you are anything special.

You’re not to think you are as good as we are.

You’re not to think you are smarter than we are.

You’re not to imagine yourself better than we are.

You’re not to think you know more than we do.

You’re not to think you are more important than we are.

You’re not to think you are good at anything.

You’re not to laugh at us.

You’re not to think anyone cares about you.

You’re not to think you can teach us anything

This is the law of Jante.

Featuring the frank essay ‘Fear and Happiness’ by Aske Pedersen, a member of DK’s S P A C E community who grew up in Aarhus. This and other writings are paired in the 29 January issue of S P A. E with photos taken in Aarhus by Dipika Kohli.

Get S P A C E | Aarhus, ‘Janteloven’ on 29 January, when you subscribe to S P A C E. Subscribe here.

S P A C E | Brussels, ‘The Work of Art’

Philosophy is sometimes described as the conscious examination of life, so we humans can be aware enough of what surrounds us in order that we may make qualified decisions. By so doing, we can choose to exclude or include certain experiences (or design our societies). Yes: design them, in other words, so we can all live more pleasurably.

In this issue, new photography from Brussels, taken by S P A C E art director Jānis Žguts, is paired with the line artwork of DK’s Dipika Kohli. It’s a collaboration that began in 2016, at the  conversation salon, ‘Rooftop Philosophy,’ held in Phnom Penh, and has continued from what began as a simple question: ‘Who wants to talk about this with me?

‘Richness and complexity’ are one of the things we design for in S P A C E (ask me for my 7-point checklist if you are a member?), so it makes sense that from there,  a  journey of conversation and discovery about the things that philosophy invites us to mull over continued in both short bursts of extended query, or over monthslong quiet spaces where the team could reflect, both separately and with others, too.  

Such conversation spacemaking is exactly what this zine is designed to invite. I

In fact, this zine is part of a series of art books,  photozines, and creative nonfiction works  by international, collaborating teams at DK. Just underway since December 2018, the project will continue as long as people are engaged, curious, and joining our subscription list to say ‘yes, tell me more.’

Get to know us and others in S P A C E. You can learn more about S P A C E and how to be part of these online and real life conversation salons, as well as read the digital zines we are sharing every Tuesday,  at our crowdfunding page.

 

S P A C E | Helsinki, ‘Coat Check’

A poem, co-created with . Asemic writings. And the lead story, ‘Coat Check,’ inspired by a night of getting lost by design.

Asemic writing is a wordless open semantic form of writing. The word asemic means “having no specific semantic content”, or “without the smallest unit of meaning”. With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing differs from abstract art is in the asemic author’s use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. —Wikipedia on ‘asemic writing’

Get the zine when you subscribe this week to S P A C E. To subscribe, go here.

 

 

 


S P A C E | Helsinki, ‘Coat Check’

S P A C E | ‘Strange Geometries’

LET’S TALK ABOUT learning. How we discover, find, and make new connections. Ideas, shapes of thinking and the input that comes from places that might not be the ‘usual’ ones. No more boring meetings: What are the containers that make great conversations *happen*? Cnversations that lead to better collaboration and better work? Those are important. Let’s not waste time. Let’s make things better, together.

Better and more enjoyable: that’s the key. How do we design the S P A C E that lets fresh thinking flow?

Let’s consider. Let’s discuss.

‘Strange Geometries’ is our first invite-only salon on this topic. Min 4. Max 7.

WHAT YOU’LL GET. DK will share:

  • Grice’s ‘Maxims of Conversation’, as introduced to us by Eric Chuk, who studied narrative ontology
  • Six Thinking Hats, a method of opening dialogue.
  • The Open Space Technologies how-to.
  • Free eBook, ‘SELF’, by DK’s Dipika Kohli (a USD $95 value).

Application required. Apply below.

This workshop will be hosted by DK’s Dipika Kohli. She has delivered seminars at University of North Carolina-Chapel Hill on the topic of Design Thinking, a series caled SELF as a 9-week experiential program at Stanford University, and for an architects circle in Seattle DK was invited to present, ‘Just Be You.’

LEARN MORE

DipikaKohli.com | Processed Identity | GOOD | TEDx | Ignite Raleigh | NPR | UNC-Chapel Hill | ThisBigCity

#innovation #design #designthinking

APPLY. To request an invite, first apply here:

Winter 2018-19: ‘The Work of Art’

Line art by Aubrey Beardsley. DK first discovered these drawings at an exhibition in London 1999. They sent DK inspired with pen and paper, looking for space in flat, matte composition while exploring the negative space in which ‘anything is possible.’ ‘Anything is possible’ was the studio’s first tag line, in 2004.

In search of meaning


E X P L O R I N G _ T H E _ A R T
of
Human Relationship

 

Times, shifts, curiosity about new people and new ways of thinking, and the general crisscross of emails and vague fragments of thoughts are what we write and share about in S P A C E. Works are creative nonfiction short stories, co-created with members of Design Kompany’s team both in Phnom Penh and in the places where we are going to discover new and different voices ‘out there,’ in the field.

Where are the new and unusual perspectives, hiterto underreported or cast aside as ‘ethnic?’ Let’s go find them. Let’s write them, share them, co-create them. In S P A C E Meet us there? Introductory offer: subscribe for just $4/week.

S P A C E posts every Tuesday at 7AM USEST. When. you subscribe, you’ll get it every week by email, plus these exclusive PDF zines, too. Themes change but the idea is that we get closer to the study of what it means to look, listen, discover, hear what we are able to piece together when we make a space for quieting, and noticing, both one another, and ourselves.


Publication schedule

Into the Quiet

4 December
S P A C E | Kärsämäki, ‘ The Book of Slow Moment’

11 December
S P A C E | Oulu, ‘Kesärakkausjuttu’

 

Finding the stillness.


Encounters

18 December, 2018
S P A C E | Phnom Penh, ‘Angle of Incidence’

 Living in Cambodia: then and now.


Companionship

1 January, 2019
S P A C E | Tampere, ‘Miia’

8 January, 2019
S P A C E | Kyoto, ‘One Moment Cafe’

Alexis Jokela’s follow-up story, set in Tampere, to Jokela’s July piece, ‘A Summer Love Story’


Mirth

15 January, 2019
S P A C E | Helsinki, ‘Coat Check’

22 January, 2019
S P A C E | Brussels, ‘The Work of Art’

A. Spaice goes to Helsinki to discover 16 random strangers and talk to them, at a once-off conversation salon on the theme, NEUROSIS. Here’s what happened.


Enchantment

5 February, 2019
S P A C E | Rovaniemi, ‘Arctic Circle”

12 February, 2019
S P A C E | Berlin, ‘Strange Geometries’

A jaunt to Lapland, unplanned and spontaneous, lands a pair of wanderers at the gateway of an unmistakably enchanted forest. Inspired by H. C. Andersen’s description in The Snow Queen of ‘Finnmark’. 


Subtlety

19 February, 2019
S P A C E | Singapore, ‘The Prospect of Beauty’

26 February, 2019
S P A C E |  Malmö, ‘Vakt’

What makes something beautiful? Looking with a microscope for ‘the remarkable’ in a money-obsessed island.


 Calls for submission will be made through S P A C E. Subscribe to get the details.

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S P A C E | The Book of New Things

LATER ON TODAY. The first conversation in S P A C E that’s actually in the cloud. A conference call. Connecting members. Across distance, and from spots of time that are disparate, for me. We met in 2011(?), (when was it, S.?) at a bar called James Joyce, for example. Or we met at a place that had a lot of people on laptops and not-talking so we started talking-talking because why not make that happen instead of becoming a zombie. ‘Play a game of cards with us?’ ‘Okay, yes.’ Thanks, MB, for being part of this long journey.

S P A C E | The Book of New Things. It’s not exactly a planning meeting, but you might call it that if you were a planny-planny type, which, believe me, is not my usual nature, but it is, kind of, also. Sometimes you get that side of me that’s like, ‘Right. We have the design intent. That’s 90% of the work, ladies and gentlemen. Now, let’s get crackin’ on this thing before we lose interest, scope creep sets in, someone has a personal crisis and drops out, or expectations get fuzzy and no one knows what the hell the thing is about anymore. Momentum, you could say.’

Which reminds me of this…

p=mv

A building of momentum: the product of velocity and a critical mass

Linear Momentum. Definition of Linear Momentum, Linear momentum p is defined as the product of the mass m and velocity v of an object. SI unit: kg·m/s. Example: A 1180-kg car drives along a city street at 30.0 mi/h (13.4 m/s). What is the magnitude of the car’s momentum? Using p = mv, we find p = (1800 kg)(13.4 m/s) = 15,800 kg·m/s. Dr. Jie Zou PHY 1151G Department of Physics.

Why make this kind of S P A C E? Well, for one, it’s terribly difficult to host the online workshops now. It’s just too much. Email is work. People hate it. People are busy. No one has time. I’ve heard all the excuses, and heard them again. A year goes by. ‘Not this time, DK!’ Another year. ‘I’m sorry ! I’m just really busy right now with my own things.’ Then, fair enough. Let me, also, become busy with my own things. Let me deepen the connections that are already blooming. Then, let me focus on tending these small and fragile things–relationships–while introducing the ideal into the new equation… the ideal being quality and authentic and genuine connexion. Human connexion, built over time. This is not an ordinary group of people. And this is not an open invitation. You have to have known me for 2+ years now, for this set. It’s crazy, saying that. (With one extraordinary exception: Stacia Yearwood, of PaperPassages and IHopeThisMessageFindsYouWell. Of course. Because she is an immaculate poet. Need beautiful words to express an emotion? Hire this extraordinary talent.) Maybe we’ll see S tonight. S gave me a great poem. And inspired the Epicurus-moment that we’ll be building in 2019, in S P A C E, which will take to the road. (BH, are you reading? BH, you should most certainly be part of this cookie. Seriously.)

It’s like having the kind of party that I most enjoy: gathering the people whose work I admire, whose conversations have inspired me, and whose art is good, for a brief intersection of paths and closing off of other channels so as to focus, notice, and be right here now. So far, three of us have confirmed being there. That means showing up at weird hours so that an international call can work; from Australia to the western edge of N. America, invitees to this poll were going to either say ‘yes’ to the showing up to the call, not knowing what at all might happen, or say ‘no, thanks.’ But since we’re talking about people in S P A C E, and not just regular people I happened to run into yesterday or something, not that that’s bad, I quite like that, too, and ZM and I’d met the day before one of our salons, in London, that was pretty cool, and TE, too, who said, ‘What are you doing tomorrow? I’ll guest list you for my show’ which was by far one of the top 5 I’ve been to (following Sun Ra Arkestra back in Durham NC when they came through, OMG, and a couple others I can’t say out loud here because, they’re personal, and I care about them, and I don’t like oversharing) but I’m getting sidetracked–

–Back on track, the thing is this. It’s different. When you know someone. Trust is there. I’m inviting people only whom I’ve been in close conversations with throughout the last six months or more, mostly in the online spaces of S P A C E forums. ‘Slow Moment,’ for example–and expanding that out into a call in thirty minutes is the idea here. So esoteric. So abstract. So WTF. But so? I’m doing this because these are the people who are like, ‘Okay. What time?’

90% of it is showing up. Since we’ve built relationships and had quality connexion and trust and many, many dates together thinking, writing, conversing, talking, learning, sharing, showing up for each other, and discovering more about all that intrigues us, outside of the normal bounds of ‘this is what we do for work, this is what we do outside of work, this is what I studied’ blah blah who cares what do you think about multiple universes, there, good chap, or have you ever seen the northern lights? That Phish song–always comes to mind–when I think about the northern lights. But the new things, the Book of New Things, is deep influenced by the recent trip up to the northern part of Finland, up, past the Arctic Circle, where, if you hold your breath and hope, you might get a glimpse of them. And yeah, if your eyes are closed, too…

Comments are open. But just for a bit.