For this issue, DK’s creative director Dipika Kohli worked with A. Spaice and our newly budding creative team in Penang, Malaysia, in November, 2019.
Wrapping a year’s worth of reflections on the idea of growth, change, seedlings and new beginnings, it is a soft version of something that heretofore in our magazine has been rather geometric and angular, in style and attitude. Yet time and sharing, more and more, has opened us up a little more to ourselves, and to a very small section of our innermost hearts.
There, in the quietest places, something new is aloft. Seeds, seedlings and search for new grounds, fallow periods and more make their way into these pages, indirectly and perhaps abstractly, but with, we hope, a feeling that gives itself rather than asks you to pay attention to it.
LET’S TALK ABOUT learning. How we discover, find, and make new connections. Ideas, shapes of thinking and the input that comes from places that might not be the ‘usual’ ones.
No more boring meetings: What are the containers that make great conversations *happen*?
Conversations that lead to better collaboration and better work? Those are important. Let’s not waste time. Let’s make things better, together.
Better and more enjoyable: that’s the key.
How do we design the S P A C E that lets fresh thinking flow?
Let’s consider. Let’s discuss.
Min 2. Max 10.
WHAT YOU’LL GET. DK will share very short introductions to design and lateral thinking methods, including:
Grice’s ‘Maxims of Conversation’
Six Thinking Hats, a method of opening dialogue.
The Open Space Technologies how-to.
This mini-conversation will be hosted by DK’s Dipika Kohli. She has delivered seminars at University of North Carolina-Chapel Hill on the topic of Design Thinking, a series caled SELF as a 9-week experiential program at Stanford University, and for an architects circle in Seattle DK was invited to present, ‘Just Be You.’
Every Tuesday since December’s start last year I’ve been sharing a new issue of our online magazine, S P A C E.
Today’s is S P A C E | Hà Nội, ‘Paper Funnel’.
Collected bits from the road, including wisdom from people I run into, like this 80-year-old man who wanted to talk about life and give me advice, on a tour last year in Melakka…
‘Don’t hurry through things, don’t disappear on people. Wait for the miracle. That’s a Grateful Dead song, “Looking for the Miracle”, but I edited it. Anyway, life advice? Be honest. With yourself, and with other people.’
–80 year-old guest of a guesthouse in Melaka, Malaysia, in response to DK’s question, ‘Do you have any life advice?’
For those who like travel writing, this is the issue to get.
I worked super hard on the lead story, a longform one called ‘Paper Funnel’.
Writing the story as I find it
As always, it’s still creative nonfiction, but it’s getting tighter, thanks to editorial input and proofreading and copywriting and just general advice from those who know my writing, and me, pretty damn well, by now.
The story inside will be published in October’s issue of Saathee Magazine, which is in Charlotte NC, and for whom I’ve been writing a monthly column about where I am, at the moment, on the spot.
Get everything in this edition of the printer-friendly S P A C E.
Download it, fold it, and sew it to make your own at home.
Atelier S P A C E is a two-year roving popup zinemaking atelier. It’s a project of the boutique studio, Design Kompany (started in 2004 in Seattle – presently based in Phnom Penh). On the road since Sept. 2017 from: Battambang, Cambodia, Atelier S P A C E co-creates a weekly zine. This is done with people DK discovers on the spot, in the locations where the popup zinemaking workshops go. DK invite others to co-create the zines. So far, some of the places we’ve been to make zines with others in this way are: Sheffield, Helsinki, Hanoi, Berlin, Seattle, Kuala Lumpur, and Phnom Penh. Stop by. See what’s up. Be a part of the experience at Atelier S P A C E, where some of us will be on hand to write, print, collage and sew with some of you a fresh zine, to be made on the spot: S P A C E | Tokyo, ‘Osananajimi’. Learn more about DK’s Atelier S P A C E and couture zines at instagram.
S P A C E | Tokyo will be a ‘yomikai’ get-together for those who want to read what we create, together, at Atelier S P A C E | Tokyo.
‘No! I don’t like that company ! The way they treat people and–‘
‘Listen. Amazon’s not going to change and people are still going to use it, whether or not you have qualms with the way they treat people. So why not just use it? Why not make money on the side while you’re doing these other things?’
‘Nobody buys my books ! Hardly.’
‘Well somebody does, right? Somewhere, sometime.’
‘Usually if I meet them, then yeah, it’s so… interesting… it’s like this one-click thing and…’
‘Well, yeah. And why not let yourself benefit from that, instead of just keeping everything on some obscure website in a hard-to-use way, because you disagree on principle with Amazon?’
‘The man’ vs the individualist
‘I see your point.’
‘Yeah, yeah. Selling isn’t bad. But I just don’t wanna use Amazon. I don’t like how they put me next to the other titles and I totally don’t want to be in those pigeonholed categories. So I’ll just make S P A C E. Every week, and see what happens and get to know more about it and see, you know? See.’
‘But, what you really need to be doing is writing another book.’
‘I feel like just making more zines though.’
‘A book is a commitment. And no one reads my books.’
‘You don’t know that.’
‘That’s, um. That’s true.’
‘So what are you going to do?’
‘Write. And let it happen. Whatever it is, it is.’
Get our weekly zine S P A C E, sent directly to your inbox every Tuesday at 7AM USEST. Subscribe here.
LET’S TALK ABOUT learning. How we discover, find, and make new connections. Ideas, shapes of thinking and the input that comes from places that might not be the ‘usual’ ones. No more boring meetings: What are the containers that make great conversations *happen*? Cnversations that lead to better collaboration and better work? Those are important. Let’s not waste time. Let’s make things better, together.
Better and more enjoyable: that’s the key. How do we design the S P A C E that lets fresh thinking flow?
Let’s consider. Let’s discuss.
‘Strange Geometries’ is our first invite-only salon on this topic. Min 4. Max 7.
WHAT YOU’LL GET. DK will share:
Grice’s ‘Maxims of Conversation’, as introduced to us by Eric Chuk, who studied narrative ontology
Six Thinking Hats, a method of opening dialogue.
The Open Space Technologies how-to.
Free eBook, ‘SELF’, by DK’s Dipika Kohli (a USD $95 value).
Application required. Apply below.
This workshop will be hosted by DK’s Dipika Kohli. She has delivered seminars at University of North Carolina-Chapel Hill on the topic of Design Thinking, a series caled SELF as a 9-week experiential program at Stanford University, and for an architects circle in Seattle DK was invited to present, ‘Just Be You.’
E X P L O R I N G _ T H E _ A R T
Times, shifts, curiosity about new people and new ways of thinking, and the general crisscross of emails and vague fragments of thoughts are what we write and share about in S P A C E. Works are creative nonfiction short stories, co-created with members of Design Kompany’s team both in Phnom Penh and in the places where we are going to discover new and different voices ‘out there,’ in the field..
Where are the new and unusual perspectives, hiterto underreported or cast aside as ‘ethnic?’ Let’s go find them. Let’s write them, share them, co-create them. In S P A C E Meet us there? Introductory offer: subscribe for just $4/week.
S P A C E posts every Tuesday at 7AM USEST. When. you subscribe, you’ll get it every week by email, plus these exclusive PDF zines, too. Themes change but the idea is that we get closer to the study of what it means to look, listen, discover, hear what we are able to piece together when we make a space for quieting, and noticing, both one another, and ourselves.
Into the Quiet
S P A C E | Kärsämäki, ‘ The Book of Slow Moment’
LOTS TO SAY about ‘zines.’ What they are, why we make them. The upshot is: got tired of other people’s perceptions of what ‘writing’ ought to be. Or ‘art.’ Or ‘design.’ After working for a small alt-weekly in southwest Ireland (layout, design, writing, editing, selling ads, delivery, crying because files got lost, befriending MO’B in the whole two-year process because, yeah, publishing, like), and then, moving to Seattle to work at a daily (newspaper, serious, business card, says ‘editor!’, I go and sit there very day, must be for real), then yeah. I wanted to write other kinds of things. I wrote four eBooks, in a series, Kismuth. That was fine. Learning. Editing, changing. Redid things, when I added more imagery: Breakfast in Cambodia has sketches in it. There were other phases: making art shows, all that. Getting ‘serious’ and having a resume and going on residencies and whatnot. But really: why? The why is always at the heart of all the questions I ask, people, when I usually get called to do some kind of design consulting thing about ‘let’s look at this a new way, you’re good at that, can you give us some ideas, here? We so need to innovate on this, and, well, you’re doing everything, it seems like, over there, in left field.’ ‘No, no. Not left field.’ ‘Then?’ ‘From out of the blue.’ ‘Ah.’ ‘…’ ‘Well. I’ll have some of what you’re having.’ ‘Zines?’ ‘What?’ ‘Zines!’
Jazz artists are invited to apply for one of our online workshops, JAZZ, focused exclusively on visuals for this kind of music.
Starting in Seattle in 2005, DK worked mostly with software developers and architects to create strong, consistent and solid messaging strategies for people who are very good at the creative process. We adapted our style over the years since to bring more and more people whose forte is improvisation into our circles, and have discovered how to design a specific space for allowing people to discover something new through play about their work, their message, and their personal story.
A lot of jazz is confusing for many people.
Especially for people who are new to it. It takes a lot of work to go through the whole, ‘This is what this is, and this is why it matters,’ speech, especially if articulating the esoteric isn’t your thing. (I can relate to this: improvisations and making things up as we go, serendipity and chance encounters, and looking for the magic moment on that great stage that is the jam is very much in synch with what we do here, at DK.)
If you play, you play. If you design, you design. We’re the designers who love to play with ideas, words, and patterns, and that’s why we are offering this special package for *just jazz* practitioners to sample our process and get clarity on the ‘who I am and why this matters’ questions, there is now our special online workshop offer, J A Z Z. It’s by invitation, through the application process. Existential queries ahead; if you like that sort of philosophical meander while also sending us samples to listen to and talk about the arc of the narrative of your body of works, then let’s do this. Let’s talk. Apply here.
NEW THINGS. Starting again. In S P A C E. In very small circles. Trusting the process and enjoying the adventure, creating the design for hosting and engaging some of us, some of us who are still curious, still open to the possibility of being changed by what we hear, and still ready to learn, from any chance encounter: as did the people I met at the N. Bohr Institute in Copenhagen when on a visit there, or in the corners of philosophy classes after the teachers left and texts were closed in my high school summer at Governor’s School East in Laurinburg NC, or in the empty moments just being on the edges of the world, for all the edges are at the edge, are they not?, in Nagarkot, Manali, Kyoto, Berlin, wistful piazzas in Bologna, the drone and hum and boisterousness of the throng of the West Village in 1990s New York, and more, and, other, and, more recently, in S P A C E. Here’s to the journeys, the new, the near, and the next. Ready for the 8 Oct thing. Ready, set.
The opposite of a profound truth may be another profound truth. —N. Bohr
PIENOISLEHTIEN TEKEMINEN on Suomessa vielä harvinainen harrastus. Työpajassa tutustut lehtien tekemisen mahdollisuuksiin ja opit taittelemaan ja tekemään uniikkeja tai monistettavia vihkosia. Sisältö voi olla kuvia, tekstiä tai ehkäpä pieni tarina. Millaisen lehden sinä voisit tehdä? Pajaan osallistuminen ei vaadi aiempaa kokemusta tai valmista ideaa. Ohjaajana taiteilija Dipika Kohli, Design Kompany (US). Ohjaus suomeksi ja englanniksi. €10 (hinta sisältää materiaalit, sekä kahvin ja leivonnaisen)
Mukana voi tuoda myös omia aikakausi- ja sanomalehtiä sekä askartelutarvikkeita kuten sakset.