IN DENMARK I got to hear a pretty neat collection of intriguing bands at a weird and fascinating spot in Copenhagen called Mandags Klubben 5e. (More about them, another time—so fun.)
But for today I want to share an interview with someone intriguing I met, whose upcoming album is another thing I’d like to share about in a future post as it has a connection to one of our own pieces of work, The Book of Songs, in an abstract, tangential sort of way. Abstract and tangential, now that I think about it, is exactly what was awesome about being there on that day last autumn.
Let me expand.
Loved the sound of a young group called Gunslinging Bird Quartet, and started drawing in ball point pen and off the page—two new things for me, at the same time. I later asked trumpeter Erling Skorpen about the style of music he and his bandmates play, and why. Free jazz.
DK: Cool show, can you tell me about your band?
ES: Through years of playing and exploring different types of music, we all found a common interest in this type of jazz music. It’s merely a process—we might part ways with this aesthetic in one year or ten years. This is the music we all love, and which inspires us right now.
DK: What makes you happy?
ES: When we are playing music and it really works out. Drinking coffee. Pleasant surprises.
DK: How do you define intrigue?
ES: When you listen to a concert, and you notice that the musicians are really into what they’re doing. When you can feel the energy in the room, and there exists a special atmosphere there. That’s the feeling that best describes intrigue for us.
DK: How do you define quality?
ES: When music is honest and it connects with the audience. When you really hear that these people mean what they do.
MEMBERS OF the band are: Trym Daniel Rødvik – alto saxophone; Erling Skorpen – trumpet; Alex Riris – double bass; Amund Nordstrøm – drums & percussion.
Discover Gunslinging Bird online here: Soundcloud.com/gunslinging-bird.
Arts and culture, conversation and the story
IT’S NOT FOR EVERYONE, as Erling says and which is exactly why I enjoyed being there. Mainstream can get in the way of real connection, in my opinion. When you bumble into the unexpected and find intrigue, there is something *! that happens.
It’s delight these days, I’m convinced, that makes up the aesthetic of a new kind of ‘beautiful.’ And when I say ‘delight’ I don’t mean some user interface or an app. I mean, real life. What is the role of music in society? What is the role of poetry, of design? To make artfulness, I think. To meander, to open hearts.
But what’s your take? Comments welcome. —DK
This post originally appeared in the INTIMACY sequence of our eZine, S. P. A. C. E.